Chunkey Player Effigy Pipe (with chunkey stone in right hand and chunkey sticks in left), Oklahoma, Muskogee County, A.D.1100–1200

 Indians of North America

Anthropology E-320

 
 
Larry J. Zimmerman, PhD, RPA
Indiana University-Purdue University Indianapolis

 

 

 

Book Review

You will choose one of the four books listed below. These books are especially current and discuss issues we’ll talk about in class. All should make for interesting reading. You will write a 4-5 page report of the books, summarizing the key elements of the book, but you will also try to connect the book critically to other materials you’ve gotten in class and assess how well you think the book met its stated goals. This review is worth 100 points (approximately 25 for the summary, 50 for linking books to in-class materials, 10 points for your assessment of the book,  and 15 points for writing, organization, grammar, and the like.

Choose only one of the following:

The Rez Road Follies: Canoes, Casinos, Computers, and Birch Bark Baskets The Rez Road Follies book cover

Author: Jim Northrup  ISBN: 0816634955

Publisher: University of Minnesota Press

Summary:

"The Rez Road Follies captures storyteller, poet, and performer Jim Northrup at his shrewdest and funniest. He tells of the key events of his own life: his childhood in a government boarding school, combat in Vietnam, confronting family tragedies, and becoming a grandfather—or, as he says, "almost an elder." Northrup writes with equal candor about the reservation's poverty and racism on one hand, and its kinship and traditions on the other. The Rez Road Follies, filled with keen observations and feisty opinions, is an entertaining feast with a core of hard-earned wisdom." This summary above is from the University of Minnesota web site where you can also read the table of contents.

"Jim Northrop is an Anishinaabe who lives on the Fond du Lac Reservation in Northern Minnesota, and in this book he writes about reservation life, about Native American political issues, and about his own travels and experiences. One of the great strengths of this book is his honesty as a memoirist. While sticking largely to a humorous matter-of-fact tone, he does not shy away from his grief at his son's suicide attempt or his difficulties returning from war in Vietnam. Another strength is the conversational quality of the writing itself. At first it bugged me, short sentences put together into these meandering run-on paragraphs, but after some reading I began to think more of Italian vocal technique, where the tone continues, rising and falling, with words just dotted on the surface. Eventually it felt like I was just hanging out with the guy, listening to his interesting stories. There are times when the writing falls down, for example during an extended series of sports metaphors during a discussion of racism, or in the rather forced series of kangaroo references when describing a tribal "kangaroo court". But despite these problems I found the writing compelling and accessible. I'm not qualified to analyze the political arguments he sometimes makes, but his perspective on treaty rights, sports mascots, and gambling will certainly stay with me, informing and broadening my thinking when I next encounter these issues in daily life."  The material above is from a review  by "spectacledbear" on Amazon.com.

They Treated Us Just Like Indians: The Worlds of Bennett County, South Dakota

Cover of Wagoner's They Treated Us Just Like IndiansAuthor: Paula L. Wagoner  ISBN: 0803298307

Publisher: University of Nebraska Press

Summary:

A nuanced anthropological study. . . . A valuable contribution to the literature on Indian-white relations and identities."--Sterling Fluharty,H-Net Reviews

“Wagoner’s volume is exquisite ethnology, providing insight into issues of racial interaction in a contemporary social setting that usually is contextualized only in socioeconomic terms by those with social and political agendas. There is real understanding here.”--Larry J. Zimmerman, Great Plains Quarterly

"On a typical day in Bennett County, South Dakota, farmers and ranchers work their fields and tend animals, merchants order inventory and stock shelves, teachers plan and teach classes, health workers aid the infirm in the county hospital or clinic, and women make quilts and heirlooms for their families or the county fair. Life is usually unhurried, with time for chatting with neighbors and catching up on gossip. But Bennett County is far from typical.

Nearly a century ago the county was carved out of Pine Ridge Reservation and opened to white settlers. Today Bennett County sits awkwardly between the Pine Ridge and Rosebud Sioux Reservations, with nearly one-third of its land classified as "Indian Country" and the rest considered by many Pine Ridge Lakotas to still belong to the reservation. The county is home to a dynamic population, divided by the residents into three groups—"whites," "fullbloods," and "mixedbloods." Tensions between the three groups lurk amid the quiet harmony of Bennett County's everyday rural life and emerge in moments of community crisis.

In a moving account, anthropologist Paula L. Wagoner tells the story of Bennett County, using snapshots of community events and crises, past and present, to reveal the complexity of race relations and identities there. A homecoming weekend at Bennett County High School becomes a flashpoint for controversy because of the differences of meaning ascribed by the county's three identity groups to the school's team name—the Warriors. At another time, the shooting of a Lakota man by a local non-Indian rancher and the volatile wake that follows demonstrate the impulse to racialize disputes that lies just beneath the surface of everyday life.

Yet such very real problems of identity have not completely overwhelmed Bennett County. Wagoner also shows that despite their differences, residents have managed to find common ground as a region of "diverse insiders" who share an economic dependency on federal funds, distrust outsiders, and, above all, deeply love their land."

The summary above is from the University of Nebraska Press web site where you can also read an excerpt and table of contents.

The Walleye War: The Struggle for Ojibwe Spearfishing and Treaty Rights Cover of Larry Nespers's Walleye Wars

Author: Larry Nesper  ISBN: 0803283806

Publisher: University of Nebraska Press

Summary:

"For generations, the Ojibwe bands of northern Wisconsin have spearfished spawning walleyed pike in the springtime. The bands reserved hunting, fishing, and gathering rights on the lands that would become the northern third of Wisconsin in treaties signed with the federal government in 1837, 1842, and 1854. Those rights, however, would be ignored by the state of Wisconsin for more than a century. When a federal appeals court in 1983 upheld the bands' off-reservation rights, a deep and far-reaching conflict erupted between the Ojibwe bands and some of their non-Native neighbors.

Starting in the mid-1980s, protesters and supporters flocked to the boat landings of lakes being spearfished; Ojibwe spearfisher-men were threatened, stoned, and shot at. Peace and protest rallies, marches, and ceremonies galvanized and rocked the local communities and reservations, and individuals and organizations from across the country poured into northern Wisconsin to take sides in the spearfishing dispute.

From the front lines on lakes to tense, behind-the-scenes maneuvering on and off reservations, The Walleye War tells the riveting story of the spearfishing conflict, drawing on the experiences and perspectives of the members of the Lac du Flambeau reservation and an anthropologist who accompanied them on spearfishing expeditions. We learn of the historical roots and cultural significance of spearfishing and off-reservation treaty rights and we see why many modern Ojibwes and non-Natives view them in profoundly different ways. We also come to understand why the Flambeau tribal council and some tribal members disagreed with the spearfishermen and pursued a policy of negotiation with the state to lease the off-reservation treaty rights for fifty million dollars. Fought with rocks and metaphors, The Walleye War is the story of a Native people's struggle for dignity, identity, and self-preservation in the modern world."

The summary above is from the Bison Books web site where you can also read the introduction and table of contents.

Everything You Know About Indians is Wrong

Cover of Paul Chaat Smith's Everything You Know About Indians is Wrong

Author: Paul Chaat Smith, ISBN: 978-0-8166-5601-1

Publisher: University of Minnesota Press

Summary:

Forceful and eloquent essays on the American Indian in culture and history

In this sweeping work of memoir and commentary, leading cultural critic Paul Chaat Smith illustrates with dry wit and brutal honesty the contradictions of life in “the Indian business.”

Raised in suburban Maryland and Oklahoma, Smith dove head first into the political radicalism of the 1970s, working with the American Indian Movement until it dissolved into dysfunction and infighting. Afterward he lived in New York, the city of choice for political exiles, and eventually arrived in Washington, D.C., at the newly minted National Museum of the American Indian (“a bad idea whose time has come”) as a curator. In his journey from fighting activist to federal employee, Smith tells us he has discovered at least two things: there is no one true representation of the American Indian experience, and even the best of intentions sometimes ends in catastrophe.

Everything You Know about Indians Is Wrong is a highly entertaining and, at times, searing critique of the deeply disputed role of American Indians in the United States. In “A Place Called Irony,” Smith whizzes through his early life, showing us the ironic pop culture signposts that marked this Native American’s coming of age in suburbia: “We would order Chinese food and slap a favorite video into the machine—the Grammy Awards or a Reagan press conference—and argue about Cyndi Lauper or who should coach the Knicks.” In “Lost in Translation,” Smith explores why American Indians are so often misunderstood and misrepresented in today’s media: “We’re lousy television.” In “Every Picture Tells a Story,” Smith remembers his Comanche grandfather as he muses on the images of American Indians as “a half-remembered presence, both comforting and dangerous, lurking just below the surface.”

Smith walks this tightrope between comforting and dangerous, offering unrepentant skepticism and, ultimately, empathy. “This book is called Everything You Know about Indians Is Wrong, but it’s a book title, folks, not to be taken literally. Of course I don’t mean everything, just most things. And ‘you’ really means we, as in all of us.”

Paul Chaat Smith is associate curator at the Smithsonian’s National Museum of the American Indian. He is the coauthor, with Robert Warrior, of Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee.

Summary above is from the University of Minnesota Press web site. Video Q&A, Paul Chaat Smith and editor Jason Weidemann


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Indiens  what u thought   From "Indiens in Formation"

Indiens is three artists: Arohed, Jeremie Frank, and K.O.; they are Native American and Haitian. Out of Denver, Colorado.

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