Religion, Spirituality and the Arts Seminar Explores The Story of Lot’s Wife With 12 Indiana Artists

INDIANAPOLIS — Twelve Indiana artists have been selected to explore and expound upon the biblical story of Lot’s wife during the eighth annual Religion, Spirituality and the Arts seminar, a project of the IUPUI Arts and Humanities Institute.

The artists invited to participate in the 2018-19 seminar and the accompanying art exhibition are Stan Blevins, Peggy Breidenbach, Alys Caviness-Gober, Marjie Giffin, A. Paul Johnson, Kasey May, Michael McAuley, William Peacock, Katherine Simmons, Jennifer Strange, Teresa Vazquez and Kevin Wilson.

The artists will consider questions that delve far beyond the story of Lot’s wife, who, as told in Genesis, turns to see the destruction of Sodom and Gomorrah and becomes a pillar of salt. Did she act in disobedience or out of compassion? What is our responsibility to bear witness? Is looking back redemptive or paralyzing? Might we see contemporary events such as mass tragedies and refugees through this text? Exploring the story through religion, art, poetry and music, this seminar will ask questions fundamental to the human experience.

Directed by Rabbi Sandy Sasso, the seminar explores the varieties of religious experience and understanding. Through events led by an interdisciplinary faculty, artists gain the knowledge and inspiration to develop new artistic works. They share their creations through exhibitions and presentations to members of the Central Indiana community, including religious organizations, schools, libraries and community groups.

A public exhibition March 7 at the Jewish Community Center, 6701 Hoover Road, will feature new works of painting, sculpture, music and poetry developed by the cohort. A reception begins at 5:30 p.m., with performances beginning at 6:30 p.m. The exhibition will remain on display at the Jewish Community Center through April 30.

Also during the exhibition, the RSA seminar will feature a performance by critically acclaimed cellist Maya Beiser on April 3 at the Jewish Community Center. Beiser will perform excerpts from her cello opera, “Elsewhere,” an imaginative and psychological retelling of the biblical story of Lot’s wife. This event is offered in partnership with the Center for Interfaith Cooperation, Congregation Beth-El Zedeck, Indiana Humanities and the Jewish Community Center of Indianapolis.

Programming for the 2018-19 Religion, Spirituality and the Arts seminar is made possible by a generous grant from Lilly Endowment Inc. and is offered in partnership with Christian Theological Seminary and the Jewish Community Center of Indianapolis. Additional information about the seminar is available online.

About the IUPUI Arts and Humanities Institute

Established in 2012, the IUPUI Arts and Humanities Institute supports research and creative activity across the IUPUI campus, serves as a campus liaison to the Central Indiana community, and fosters ongoing partnerships and ventures that advance arts and humanities endeavors at IUPUI and in Indianapolis.

Read the original article form IUPUI News

Studying Black Catholics: Testing My Patience, Faith, and Community

Despite a history of conflict and racial marginalization in the Church, Black Catholics are among the most engaged and religious groups. Black Catholics have had to struggle to be recognized as authentic Catholics. Based on his book, Perseverance in the Parish? Religious Attitudes From A Black Catholic Perspective, Dr. Davis will highlight the important findings and examine the challenges involved in researching and writing about Black Catholics.

Start: Thursday September 27, 2018 06:00 PM
End: Thursday September 27, 2018 07:00 PM
Location: Holy Angels Catholic Church 740 W 28th St, Indianapolis, IN 46208
Contact: lauren chism
Contact Email: lchism@iupui.edu 

WONDER AND THE NATURAL WORLD: A Call for Grant Proposals

Logo for CSRES courtesy of News.iupui.eduCALL FOR GRANT PROPOSALS: Symposia, workshops, performances, and seminar series for departments, institutes, and research centers at all IU campuses
Deadline for submission: June 15, 2015
Awards announced by mid-July 2015

The IU Consortium for the Study of Religion, Ethics, and Society (CSRES) announces a grant competition on the theme of Wonder and the Natural World. Departments, research centers, and institutes across all IU campuses may apply for funds to support or supplement symposia, workshops, seminar series, performances, or small conferences during the 2015-2016 academic year that align with the Consortium’s two-year theme of Wonder and the Natural World. This call for proposals is part of a two-year thematic initiative sponsored by CSRES.

Wonder has been framed as a key moral disposition, as well as an aesthetic, emotional, or cognitive response; depending on its objects and orientation, it may display both salutary and sinister dimensions. Wonder at nature is prompted by the odd and uncanny, the strange and novel, the transcendent and sublime, as well as encounters with the monstrous and horrific. It has variously been associated with, or dissociated from, curiosity, awe, intimations of divinity, infinity, the sublime, the miraculous or supernatural, feelings of astonishment and puzzlement. We welcome projects that explore wonder or its cognate terms in relation to nature or the natural, broadly construed. Proposals should clearly relate the project to the announced theme.

Grants will be awarded in amounts up to $2500, $5000, and $7500 depending on the scope of the proposed project. Funds can be used for travel and honoraria for external speakers, as well as hospitality expenses in keeping with university regulations. IU faculty may not receive honoraria. Applications for funding should include:

• summary of the project (750 words max.)
• a list of invited presenters
• a detailed budget
• letter of support from department chair or school/unit dean (included with the application or emailed separately)
• evidence of other funding obtained or requested (for requests over $2000)

Questions about the grant competition, and complete grant proposals may be emailed to CSRES Director Lisa Sideris at lsideris@indiana.edu.

The Indiana University Consortium for the Study of Religion, Ethics, and Society is an interdisciplinary association of scholars, academic programs, and research centers from the eight campuses of Indiana University. Their mandate is to aid in the development of research and scholarship to better understand religion, ethics, values, and spirituality in society. An initiative of the IU Vice President for Research Office, CSRES is also supported by the Office of the President, The Office of the Executive Vice President and Chancellor, IUPUI, and the College of Arts and Sciences at IU Bloomington.

Dr. Stephen Selka presents “Mapping the Moral in African Diaspora Tourism in Brazil”

Photo courtesy of Dr. Stephen Selka At 12:00pm on April, 30th the IUPUI Arts & Humanities Institute will host Dr. Stephen Selka.  His lecture will explore African diaspora tourism in Bahia, Brazil, particularly African American “pilgrimages” to the Afro-Catholic festival of Our Lady of the Good Death (or simply Boa Morte) celebrated every August by women of African descent involved with the Afro-Brazilian religion of Candomblé. Although recognized as part of the official heritage of Bahia, Boa Morte occupies a complicated position on the Afro-Brazilian moral landscape. To evangelical Christians, for example, Boa Morte and Candomblé are diabolical; from this perspective, Afro-Brazilian religion is something to leave behind. By contrast, to the extent that the festival of Boa Morte is understood as a celebration honoring the ancestors, it is particularly appealing to African Americans seeking to “recover” their ancestral past. Nevertheless, ancestors are understood to be dangerous and morally unpredictable in Candomblé; therefore Boa Morte is something morally ambiguous for many Candomblé practitioners, contrary to what most African American visitors might expect. Accordingly, this talk focuses on the contested links between heritage, personhood, and morality that are enacted at the festival of Boa Morte.

Stephen Selka is Associate Professor of Religious Studies and American Studies at Indiana University Bloomington. A cultural anthropologist, he researches religion, politics, and cultural heritage tourism in Afro-Brazilian communities in northeastern Brazil, where he has conducted ethnographic fieldwork since 1999. His first book, Religion and the Politics of Ethnic Identity in Bahia, Brazil (University Press of Florida, 2007), explores the various ways that Afro-Brazilians in both Christian and African-derived religious communities construct their ethnic identities and struggle against racism.

This public program is part of the Religion and Ethics Roundtables series of the IU Consortium for the Study of Religion, Ethics, and Society. Religion and Ethics Roundtables highlight the work of scholars at IUB, IUPUI, and beyond, with the goal of engaging the IU community and the public in dialogue about important issues at the intersection of religion, ethics, and society.

Taylor Symposium at IUPUI shares city’s religious diversity through performances

2015 Joseph T. Taylor Symposium Flyer
2015 Joseph T. Taylor Symposium Flyer

The practice of one’s religion isn’t limited to beliefs and sacred texts, according to contemporary religious studies scholars.

The 2015 Joseph T. Taylor Symposium at Indiana University-Purdue University Indianapolis offers participants the opportunity to explore Indianapolis’ religious diversity through performances inherent in the practices of various religious groups.

The symposium, “Encountering Religions Through Performance,” takes place from 8:30 a.m. to 2 p.m. Tuesday, Feb. 17, in the IUPUI Campus Center, 420 University Blvd.
“Much of the recent scholarship on religion has emphasized that religious traditions are not just about beliefs and texts,” said IU School of Liberal Arts professor Peter Thuesen, event co-organizer and chair of the Department of Religious Studies in the IU School of Liberal Arts at IUPUI.

“Religions are also expressed through performances. These performances may involve such activities as singing, dancing, drumming or chanting, but they can also consist of devotional rituals observed either publicly or privately,” Thuesen said.
Symposium presenters include:

  • Light of the World Gospel Ensemble
  • Mohamad Saltagi, an IU School of Medicine student who has memorized the entire Quran
  • Anil Bajpai, Hindu Temple of Central Indiana board of trustees member

In lieu of a luncheon speaker, Sancocho Music will perform and participate in a facilitated discussion. Sancocho is dedicated to researching and performing African-derived music and dance from Spanish-speaking cultures of the Caribbean.

“We’re thrilled with the lineup of speakers and performers. … And we’ve paired each guest with one of our own religious studies professors, who will serve as moderator and interviewer,” Thuesen said. “Each session will be like a mini introduction to what we study in the field of religious studies.”

The 2015 Taylor symposium is presented by the IU School of Liberal Arts at IUPUI in partnership with its Department of Religious Studies. The annual event honors the late Joseph T. Taylor, the first dean of the IU School of Liberal Arts at IUPUI, for his many contributions to the university and to the greater Indianapolis community. The event highlights topics of interest to urban communities, particularly communities of color.
“Indianapolis is a city of remarkable cultural diversity, but many local residents are unfamiliar with the range of religious groups represented here,” Thuesen said. “We hope through this year’s symposium to highlight the ways performance factors into several of the religious traditions that thrive in our city. In seeking to understand other people and traditions, we build community, which was one of Dr. Taylor’s goals as an educator.”

Morning symposium sessions, held in the theater on the lower level of the Campus Center, are free and open to the public, but advance registration is requested.

The noon luncheon will take place in Campus Center Room 450. Luncheon seating is limited and requires registration and pre-payment. Luncheon tickets are $35 each, if purchased by Jan. 26, or $40 after Jan. 26. Organizations are also invited to become table patrons for the luncheon ($550 for a table of 10).

For symposium registration and additional information, visit the Taylor Symposium website.

Lecture: Andrea Jain, “Selling Yoga: From Counterculture to Pop Culture”

Andrea JainJanuary 21, 2015 | 12:00-1:00
Location: IUPUI University Library, Room 4115P
Free tickets available below
Premodern and early modern yoga comprise techniques with a wide range of aims, from turning inward in quest of the true self, to turning outward for divine union, to channeling bodily energy in pursuit of sexual pleasure. Early modern yoga also encompassed countercultural beliefs and practices. In contrast, today, modern yoga aims at the enhancement of the mind-body complex but does so according to contemporary dominant metaphysical, health, and fitness paradigms. Consequently, yoga is now a part of popular culture. In Selling Yoga, Andrea R. Jain explores the popularization of yoga in the context of late-twentieth-century consumer culture. She departs from conventional approaches by undermining essentialist definitions of yoga as well as assumptions that yoga underwent a linear trajectory of increasing popularization. While some studies trivialize popularized yoga systems by reducing them to the mere commodification or corruption of what is perceived as an otherwise fixed, authentic system, Jain suggests that this dichotomy oversimplifies the history of yoga as well as its meanings for contemporary practitioners.By discussing a wide array of modern yoga types, from Iyengar Yoga to Bikram Yoga, Jain argues that popularized yoga cannot be dismissedthat it has a variety of religious meanings and functions. Yoga brands destabilize the basic utility of yoga commodities and assign to them new meanings that represent the fulfillment of self-developmental needs often deemed sacred in contemporary consumer culture.Dr. Andrea R. Jain is Assistant Professor of Religious Studies at Indiana University-Purdue University Indianapolis and author of Selling Yoga: From Counterculture to Pop Culture (Oxford, 2014).

IUPUI professor’s new book examines ‘Islam in the African Diaspora’

'The Call of Bilal' cover
‘The Call of Bilal’ cover

A new book by Indiana University-Purdue University Indianapolis professor Edward Curtis examines Islam in the global African diaspora, showing the many ways Islam is practiced by people of African descent while looking at the ways those practices have been influenced by their experience and interpretation of diaspora.

Bilal, whose mother was Ethiopian, is the historical figure whose rise from slavery inspired future Muslims of African descent to “claim his heritage as proof of their legitimate role as moral leaders for Muslims worldwide,” Curtis writes in “The Call of Bilal: Islam in the African Diaspora,” published by the University of North Carolina Press. Bilal not only rose to become Muhammad’s companion but was asked by the Prophet to call Muslims to prayer. He issued the adhan — the call to prayer — for the remainder of his life.

Curtis is the Millennium Chair of Liberal Arts and professor of religious studies at IUPUI. The concept for “The Call of Bilal” began for Curtis while he was visiting villages along the Dead Sea in the Jordan Valley.

“In Jordan on one of my study abroad trips there for IUPUI, I met and spoke with many Muslims of African descent,” he said. “These encounters made me want to learn some of their stories, and to learn those of other Africana Muslims in the diaspora.”

The professor said that as he looked to African diaspora in Europe, the Middle East and South Asia, he came to understand better how Muslims of African descent sometimes dismiss the idea that they are part of an African diaspora. Others cherish the connections they have to African-descended people around the globe, though their political and cultural ideas about what binds them together differ.

He realized that the idea of diaspora was also sometimes interpreted in a religious fashion to emphasize the theological, ethical, aesthetic and ritualized elements of the African diaspora, orientations that linked the destiny of the black diaspora as much to the heavens as to the Earth.

Most Muslims in the African diaspora are Sunni Muslims, Curtis said, meaning that they identify with the majority tradition in Islam that makes incumbent certain basic interpretations of Islam (sometimes called the pillars of faith) and the “five pillars of practice” (the declaration of faith, daily prayer, fasting during Ramadan, pilgrimage to Mecca and alms for the poor).

“But what it means to be a religious Muslim beyond these shared traditions shatters any facile, American-based assumptions about the practices of black Muslims,” he said. “For example, I studied the prayers, healing rituals, instrumental music, singing, spirit possession ceremonies and dancing performed by some Siddi and Habshi Muslims in Pakistan and India at shrines devoted to their African ancestor saints, Bava Gor (or Gori Pir) and his sister, Mai Mishra. These saints are not household names among African American Muslims. (Generally speaking, the veneration of Muslim saints is not very popular in the Americas as opposed to in Africa and Asia.)”

Curtis encountered many surprises during his research, despite his long history of studying Islam.

“In the end, what seemed most important to me is that by studying Islam in the African diaspora, you can develop a very thorough understanding of Islamic tradition,” he said. “Since they have been part of so many Muslim countries and regions, their experience offers a wide view on what it means to be Muslim.”

Consecrating Science Wonder, Ethics, and the New Cosmology: a Roundtable with Dr. Lisa Sideris

Lisa Sideris
Lisa Sideris

What is the role of wonder in contemporary environmental discourse? Come join Dr. Lisa Sideris on Friday, December 5 at 1:30 p.m. in the IUPUI University Library, Room 4115P, as she examines a constellation of movements referred to as the New Story/Universe Story/Epic of Evolution/Big History—forms of science-based ecospirituality that have emerged in recent decades. One of her central claims is that these narratives encourage awe and wonder at scientific information and expert knowledge as that which is most “real,” over and above lived encounters with the natural world. She questions whether these new myths are likely to engender the environmental values and ethics they seek to cultivate. This privileging of abstract information is pronounced in iterations of the new cosmology that take inspiration from the work of E. O. Wilson and Richard Dawkins—who promote a mythopoeic rendering of science as a superior rival to religion—but many of the same criticisms can be made of the new cosmology as it has come to dominate the broad discipline of “religion and ecology.” Dr. Sideris’s talk will draw comparisons between the forms (and objects) of wonder celebrated in these movements and accounts of wonder as an enduring orientation, such as Rachel Carson defends in The Sense of Wonder and other writings.

LISA SIDERIS is Associate Professor of Religious Studies and Director of the IU Consortium for the Study of Religion, Ethics, and Society (CSRES) at Indiana University Bloomington. Her research interests include environmental ethics, religion and nature, and the science-religion interface. She is author of Environmental Ethics, Ecological Theology, and Natural Selection (Columbia, 2003) and editor of Rachel Carson: Legacy and Challenge (SUNY, 2008). Her current research focuses on the role played by wonder in discourse at the intersection of science, religion, and nature, and the turn to science for a common sacred narrative.

This is a public program open to all. An RSVP to Abby Gitlitz agitlitz@indiana.edu is appreciated but not required. Religion and Ethics Roundtables highlight the work of scholars at IUB, IUPUI, and beyond, with the goal of engaging the IU community and the public in dialogue about important issues at the intersection of religion, ethics, and society.

Spirit and Place Festival explores life’s journey

imagesLife’s journey is filled with movement and meaning, but this Nov. 7 to 16, “Journey” also is the theme of a quest for thousands of curious people during the 2014 Spirit & Place Festival in Indianapolis.

The 19th annual festival will explore the various aspects of “Journey” in nearly 40 events scattered throughout the city, focusing on the impact of such topics as immigration, incarceration, marriage and dozens of others, all led by partnerships linking various civic, cultural and religious groups.

Spirit & Place was created 19 years ago by The Polis Center at IUPUI to engage the city’s population in unique conversations about each year’s festival theme.

This year, individual events will study life’s journey, all leading to the annual festival finale: the public conversation. This year’s event will feature renowned authors Gail Sheehy and Mark Nepo and Dr. Timothy Quill and focus on the “Journey’s End” at 4 p.m. Nov. 16 at the Christian Theological Seminary’s Shelton Auditorium.

All three are linked by loss and the quality of one’s end of life. Sheehy, the author of “Passages,” cared for her husband in the last stages of his life. Nepo is a two-time cancer survivor, and is scheduled to tour with television host Oprah Winfrey to discuss his perspectives on the importance of palliative care. Quill is the director of the Center for Ethics, Humanities and Palliative Care at the University of Rochester School of Medicine.

The three also will participate in the Mary Margaret Walther Program in Palliative Care Research and Education symposium “Passages and Promises: Innovations in Palliative Care Research Education and Practice” at the IUPUI Campus Center on Nov. 17.

Linking to other community events of importance is a Spirit & Place goal, said David Bodenhamer, the executive director of The Polis Center and one of those who helped create the festival.

“Spirit & Place’s success ultimately rests upon its ability to connect to the larger civic interests and concerns represented by an ever-growing number of groups in our city who, like Spirit & Place, want to make Indianapolis an even better place tomorrow than it is today,” Bodenhamer said.

Simple, open-ended themes are a deliberate choice, said Pam Blevins Hinkle, the festival director.

“We purposefully choose themes that are timely and resonate broadly in the community,” she said. Such themes help organizations find intriguing partnerships with other groups and explore issues more deeply.

Bodenhamer said he has been pleasantly surprised by some of those partnerships.

“I underestimated both the desire to contribute and the ways in which people wanted to collaborate across sectors,” he said. “People want to experience the whole city, not only their part of it. In this sense, Spirit & Place has touched a longing for connections that make a difference. The festival has encouraged this city’s cultural re-awakening and its belief in itself as a city of worth.”

Simple themes “evoke a wide range of feelings, images, memories and reflections that stoke the imagination and create a sense of anticipation for the November festival,” Hinkle said. The themes often offer an interesting mix of individual and community journeys.

Though other cities have shown an interest in imitating the impact of Spirit & Place, Bodenhamer said none have been able to replicate it.

“Spirit & Place is unique because Indianapolis is unique: we have our own history, our own traditions, our own sense of time and space,” he said.

by Ric Burrous

Learn more about this year’s festival.