Garth Greenwell (born 1978) is an American poet, author, literary critic, and educator. His debut novel, What Belongs to You was published in the US by Farrar, Straus and Giroux in January 2016. What Belongs to You has been called the “first great novel of 2016” by Publishers Weekly. Of the book, the New York Times Book Review observes, “Mr. Greenwell writes long sentences, pinned at the joints by semicolons, that push forward like confidently searching vines. There’s suppleness and mastery in his voice. He seems to have an inborn ability to cast a spell.”
In 2013, Greenwell returned to the United States after living in Bulgaria to attend the University of Iowa Writers’ Workshop as an Arts Fellow. He has published stories in The Paris Review and A Public Space and writes criticism for the New Yorker and The Atlantic.
Support for the Reiberg Reading Series comes from the Reiberg family, the IU School of Liberal Arts at IUPUI, the IUPUI University Library, the IUPUI Office of Academic Affairs, and the IUPUI Division of Undergraduate Education.
Amy Quan Barry is the author of the four poetry collections Asylum, Controvertibles, Water Puppets, and most recently Loose Strife. Her poems have appeared in The New Yorker, The Missouri Review, Ploughshares, The Kenyon Review, and other literary publications. She is the recipient of the Agnes Lynch Starrett Prize (for Asylum). Her third book, Water Puppets, won the AWP Donald Hall Prize for Poetry and was a PEN/Open Book finalist. She has received NEA Fellowships in both fiction and poetry. Her novel, She Weeps Each Time You’re Born, tells the tumultuous history of modern Vietnam as experienced by a young girl born under mysterious circumstances a few years before the country’s reunification.
Support for the Reiberg Reading Series comes from the Reiberg family, IU School of Liberal Arts at IUPUI, the IUPUI University Library, the IUPUI Office of Academic Affairs, and IUPUI Division of Undergraduate Education.
Phil Cousineau, writer, teacher, editor, independent scholar, documentary filmmaker, travel leader, and storyteller, will be coming to the IUPUI Campus Center on November 19 as part of the IUPUI’s Common Theme Project. He lectures frequently on a wide range of topics–from mythology, film, and writing, to beauty, travel, sports, and creativity. He has written more than 30 nonfiction books and 15 scripts. Cousineau is currently the host and co-writer of Global Spirit, a cross-cultural and transnational television series which premiered on PBS stations in summer 2012. The program explores global issues ranging from sacred music and spiritual activism, to the search for ecstatic experience, forgiveness, and attitudes toward death and dying. Additionally, Cousineau is currently crafting a new nonfiction work on beauty and a young adult novel about baseball.
Cousineau will be discussing Beyond Forgiveness, Reflections on Atonement: Healing the Past, Making Amends, and Restoring Balance in Our Lives and World, the next Common Theme book and is recommended to all students around the 2013-15 theme of civil discourse. It was also recently selected by the Pentagon to be given to all veterans returning from Iraq and Afghanistan.
The event, at 1 p.m. Wednesday, Nov. 19, at the IUPUI Campus Center, Room 450, is free and open to the public.
Theme 2013-2015: Find Your Voice and Hear My Voice: Creating Civil Conversation
The vision of the Common Theme is to initiate more engaged and thoughtful conversations about national and global issues. This theme and its cross-campus discussions and events will highlight positive ways of communication that deal with complex situations and conflicts that students, faculty, and staff face in their daily lives to better equip them to succeed in the workforce, make them better community citizens and ensure that they reach their full potential in our globally connected digital world. This Common Theme will provide opportunities for rich discourse across the campus and our communities on communicating about diverse viewpoints in ways that validate our shared humanity, common purpose and connection.
INDIANAPOLIS — The Fall 2014 Rufus & Louise Reiberg Reading Series at Indiana University-Purdue University Indianapolis features poets Marcus Wicker and Marianne Boruch and novelist Randa Jarrar.
The Department of English in the IU School of Liberal Arts at IUPUI is the series sponsor. All events, which take place at various locations on the IUPUI campus, are free and open to the public.
The series kicks off with poet Marcus Wicker at 7:30 p.m. on Thursday, Oct. 9 in the IUPUI University Library Lilly Auditorium, 755 W. Michigan St. This event is co-sponsored by the Office for Academic Affairs at IUPUI.
D.A. Powell selected Wicker’s poetry collection, “Maybe the Saddest Thing” (Harper Perennial), for the National Poetry Series. Wicker received a 2011 Ruth Lilly Fellowship and his work has appeared in American Poetry Review and many other magazines. Wicker is an assistant professor of English at the University of Southern Indiana.
Wicker served as the final judge for the 2014 IUPUI Poetry Contest. Contest winners and finalists will share their original poems in an awards ceremony preceding the Wicker reading.
Poet Marianne Boruch will read her work at 7 p.m. on Thursday, Oct. 30 in the Emerson Hall Anatomy Lecture Hall, 545 Barnhill Drive. This event is co-sponsored by the IU School of Medicine, the Medical Humanities and Health Studies Program in the IU School of Liberal Arts at IUPUI, and the IUPUI Arts and Humanities Institute.
Boruch is the author of the recently published poetry collection, “Cadaver, Speak,” along with eight other books of poetry. Her poetry has been anthologized in the 1997 and 2009 editions of “The Best American Poetry.” Boruch, a Fulbright visiting professor at the University of Edinburgh, Scotland, in 2012, currently teaches creative writing at Purdue University.
Novelist Randa Jarrar will conclude the fall series with a reading at 7 p.m. on Monday, Nov. 17, at the Herron School of Art & Design Basile Auditorium, 735 W. New York St. This reading is part of the Al-Mutanabbi Street Starts Here Symposium and is co-sponsored by the IUPUI Arts and Humanities Institute in collaboration with the IUPUI Library. This event is free but registration is required.
Jarrar is an award-winning novelist, short story writer, essayist, and translator. She grew up in Kuwait and Egypt, and moved to the United States after the first Gulf War. Her novel, “A Map of Home,” was published in half a dozen languages and won a Hopwood Award, an Arab-American Book Award, and was named one of the best novels of 2008 by the Barnes and Noble Review. In 2010 Jarrar was named one of the most gifted writers of Arab origin under the age of 40.
The Rufus & Louise Reiberg Series was founded in 1997 in honor of former IUPUI Department of English chair and Professor Emeritus Rufus Reiberg and his wife, Louise. The series is made possible by the generous support of the Reiberg Family; the IUPUI Arts and Humanities Institute; the Office of the Vice Chancellor for Research; the Office of Academic Affairs; University College; and University Library.
Visitor parking for the readings is available in the North Street Garage, 819 W. North St.; the Vermont Street Garage, 1004 W. Vermont St.; and the Sports Complex Garage, 875 W. New York St.
Thomas J. Davis’ third and latest novel brings something new to the age-old tale of a man selling his soul to the devil.
In The Devil Likes to Sing (Cascade Books), Davis, professor of religious studies and associate dean for academic programs in the IU School of Liberal Arts at IUPUI, tells the story of Timothy McFarland, a failed theology student who begins writing fiction. Feeling he’s a hack, McFarland strikes a deal with Lucifer, who offers to shape him into a success.
“The book is a look at self-identity,” Davis said. “How we think of ourselves, who we are, whether or not we accept ourselves. Within all of us we have these self-doubts, thinking there is a way to change who we are that will make us more acceptable to others.”
Struggling with self-identity and self-doubt often opens protagonists up to searching for change.
“That’s where the notion of temptation comes in—at what price is one willing to make changes . . .” Davis said. “Once you hit the notion of temptation—especially for me, because I’ve spent my scholarly life studying the history of Christianity—the devil becomes an interesting tool by which to explore temptation because the devil as an image has the benefit of representing both an external force as well as something deeper, an internal struggle.”
Bringing something new to the age-old concept of the deal with the devil story was the author’s challenge. How could his devil differ from interpretations such as Milton’s Paradise Lost, the German myth of Faust, contemporary portrayals such as Neil Gaiman’s The Sandman, and even Saturday Night Live?
Davis’ solution is a devil who can be funny, witty and enjoy sublime Anglican church music as well as American rock and roll.
“The character needed balance—a balance of lightheartedness and darkness, gravitas and humor, familiarity and distance, friendship and contempt,” Davis said. “That was the hardest thing to maintain while writing the devil. He had to appear almost friendly, almost helpful, almost fun while currents of evil still ran beneath him. That had to leak out around the edges, but not too much.”
The Indiana University-Purdue University Indianapolis professor wanted to be a storyteller long before his first foray into fiction, but he focused instead on his education and academic career. The professor’s jump into novel writing was eventually triggered by boyhood memories of stories told by his father.
“My father was grieving about the disappearance of a way of life in the north Georgia mountains that he had known as a boy,” Davis says. “He would tell stories about when he was a kid, and I thought, ‘Wouldn’t it be great to capture my father’s sense of wonder in a novel and write about north Georgia through his perspective.’”
That exercise grew into his first novel, The Christmas Quilt (Rutledge Hill Press), a story about a 12-year-old boy and his grandmother’s final months of life. The book earned a Reader’s Choice award and was a selection in the Doubleday Book Club. “That book came from my need to pay homage to my ancestry,” Davis said.
Storytelling also plays a role in his classroom. “Much of what I teach is the history of Christianity, and it tends to be very narrative driven—I tell a lot of stories in class,” Davis said. “I’ve noticed that students tend to be drawn in with a good story.”
In Davis’ new novel, the devil also takes the storytelling approach, only he twists religious history to suit his needs. Davis warns that the epigraphs that open the book—selections from Milton, Blake, and the New Testament on the nature of the devil—are important for the reader. The book also ends with a warning that readers shouldn’t take the devil’s word on matters of Christian faith and practices at face value.