IAHI Conference yields “An Anthropocene Primer”

The IUPUI Arts & Humanities Institute and the Rivers of the Anthropocene project is proud to announce the official launch of An Anthropocene Primer, Version 1.0 on October 23, 2017. An Anthropocene Primer is an innovative open access, open peer review publication that guides learners through the complex concepts and debates related to the Anthropocene, including climate change, pollution, and environmental justice.

This born-digital publication (www.anthropoceneprimer.org) is a critical and timely resource for learners across multiple fields from academia, to industry, to philanthropy to learn about issues and topics relating to the Anthropocene, a framework for understanding environmental change that highlights human impact on earth systems.

An Anthropocene Primer was created to provide learners in museums, schools, non-profits, and formal research institutions with an entry point into some of the big concepts and debates that dominate discussions about the Anthropocene. The primer is not intended to be comprehensive (this is, after all, An Anthropocene Primer, not The Anthropocene Primer), nor is it intended to be didactic. The primer is a framework to guide individual and collaborative learning from the beginner to advanced levels.

Version 1.0 of An Anthropocene Primer is available for open peer review from October 23, 2017 through February 1, 2018. Open peer review allows users to contribute to and engage with fellow readers and the authors as the editors develop it for a final print and open access ebook version. A video tutorial on how to participate in open peer review is available at www.anthropoceneprimer.org/index.php/videotutorials/.

Edited by Jason M. Kelly and Fiona P. McDonald, An Anthropocene Primer emerged from the “Anthropology of the Anthropocene” workshop (http://www.anthropologyoftheanthropocene.org) hosted by the IUPUI Arts and Humanities Institute in May 2017. The participants from this workshop make up list of authors: Jason M. Kelly (IUPUI, USA), Fiona P. McDonald (IUPUI, USA), Alejandro Camargo (University of Montreal, Canada), Amelia Moore (University of Rhode Island, USA), Mark Kesling (The daVinci Pursuit, USA), Ananya Ghoshal (Forum on Contemporary Theory, India), George Marcus (University of California, Irvine, USA), Paul Stoller (West Chester University, USA), Dominic Boyer (Rice University, USA), Serenella Iovino (University of Turin, Italy), Rebecca Ballestra (Artist, Monaco/Italy), Eduardo S. Brondizio (IU, Bloomington), Jim Enote (A:shiwiw A:wan Museum and Heritage Center, Zuni, USA), Ignatius Gutsa (University of Zimbabwe, Zimbabwe), Cymene Howe (Rice University, USA), Sue Jackson (Griffith University, Australia), Phil Scarpino (IUPUI, USA). This workshop was funded by the Wenner-Gren Foundation and the IU New Frontiers in the Arts and Humanities grant program.

Paul Mellon Centre for Studies in British Art at Yale University offers funding for book illustrations

thPublication Grants (Author)
Sponsored by Yale University, the Yale Center for British Art (YCBA), and the Paul Mellon Centre for Studies in British Art – U.K., this grant provides up to £3,000GBP annually in order to cover costs which are the responsibility of the author and are personally expended by him/her. Eligible costs include specific photography and the production of images for their publication, acquisition of images, reproduction and copyright costs, or the production of graphics. Funds may not be used to cover publishers’ production costs or personal living expenses, travel, nor the support of research on the part of the applicant. Supported topics must have an historical perspective and pertain to topics in the realm of academic research and the dissemination of knowledge in the field of British art and architectural history from the medieval period to the present.

The Paul Mellon Centre, an educational charity, supports scholarly publications, in both printed and online form, within the remit of British art and architectural history, as well as books and catalogs of exhibitions or permanent collections of British fine and decorative arts and architecture. It does not offer fellowships and grants in the fields of archaeology, the current practice of architecture or the performing arts. It has no discretionary funds outside its stated program. Publication projects should be ready to go to press or appear online within two years from January 2015. The Centre does not make any retrospective awards for books already published nor will it accept applications for funding for books due to be published before the end of 2014.

Authors and Editors of books which have been accepted for publication for the Paul Mellon Centre for Studies in British Art by Yale University Press are not eligible to apply for further support through the Publication Grant (Author) award scheme.

An application made by an author or editor will not disbar their publisher from applying for a Publication Grant (Publisher) for the production costs of the same project.

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