“SAAS saved me from leaving IUPUI,” Racheal Randle said. “This is my home away from home.”
Randle is the corresponding secretary for the Student African American Sisterhood, a nonprofit organization dedicated to unifying African-American women through the development of a sisterhood distinction.
The first chapter of the SAAS student group launched in 2005 on the IUPUI campus to provide a safe place for women of color at a predominantly white institution. Members focus on promoting the platforms of educational excellence, social unity, leadership and support and recognize the importance of providing encouragement in developing these skills to both majority and minority groups.
Through the sisterhood, the women perform acts of community service, such as bringing flowers for hospital patients and volunteering at the Ronald McDonald House. They also host events aimed at promoting messages from the African-American community by conducting Q&As with the campus police and hosting events explaining what it’s like to be a person of color on campus.
Although the group makes it a point to provide opportunities such as professional assistance and volunteer events for its members, the emotional support and social aspect of the group is the heart and soul for Randle and for the president of the sisterhood, Jasmine Lovelace.
Lovelace said she felt hidden on campus at first, and she still feels that the school has room to grow in order for everyone to feel welcome. She said SAAS has allowed her to really get connected and feel like she’s fully a part of IUPUI.
Randle agreed, saying she didn’t really know who to confide in or where to go for support when she first started classes here. But once she met the women of SAAS, it all changed for her.
SAAS is one of the many student organizations recognizing Black History Month on campus this year. Both women said the sisterhood is planning on celebrating the month by scheduling community service days and creating awareness on social media, including the group’s Twitter feed. Individually, they plan on showing support in the African-American community by shopping at strictly black-owned businesses.
It’s free to join the SAAS student group, which is always accepting new members of any background.
Presented by Philip Kitcher, Ph. D., The John Dewey Professor of Philosophy at Columbia University.
Professor Kitcher is the author of numerous books—including The Advancement of Science, 1993, Oxford U. Press; Science, Truth, and Democracy, 2001, Oxford U. Press; and Life after Faith: The Case for Secular Humanism, 2014, Yale U. Press.
Rejecting the rhetoric of atheists who dismiss all religion as rubbish, Kitcher argues that secular humanism should ally itself with progressive religion in hope of fostering coevolutionary progress.
This event will be held on March 7th from 6:30-7:45pm at the IUPUI Campus Center Room 002 (Theatre).
For some of us, graduation means no more grades or homework. For those who can’t get enough of the college experience, it means the cycle is about to start all over again with graduate school.
If you’re going to graduate school and you know it, clap your hands — and give these tips a try.
Research the program Whether or not you know what you want to study in graduate school, it’s always a good idea to research any program you’re interested in. Find out what the program offers and what’s required to get in. You should also look up the faculty and their interests and strengths. This will help you create your personal statement and cater it specifically to the program you want to enter.
Take the GRE early Similarly to taking the SAT when you were looking past high school, it’s a good idea to take the GRE your sophomore or junior year in college. That way, if your score is lower than you want, you have time to retake the test. Also, some of your general education classes, such as math and English, help prepare you for the GRE questions, so it’s good to take it when the information is still fresh in your mind. If you missed this mark and are taking the test later, it’s not the end of the world. It only means you have a little less time than people who started earlier.
Write, revise and tailor your personal statement Your personal statement is not something you should write overnight. You might have several drafts throughout the process, and that’s OK. The more revisiting and revising you do, the more satisfied with the final product you’ll be. This is your chance to showcase your accomplishments and goals and explain why you’re a perfect fit for the program.
Ask for strong letters of recommendation Making sure to ask the right people for “strong” letters of recommendation is key. Ask people who will promote you and your abilities in an effective way. It’s important to choose people who know how you work, what your accomplishments are and what your future goals are. Specifically requesting a “strong” recommendation letter shows that you’re serious about this program, and it encourages the recommender to put real thought and effort into what they write for you.
Ask for help and pay attention to deadlines Getting all your materials turned in on time is extremely important. Make sure you know when the deadline is and have everything done a little early. That way, if you have questions about the application process, you’ll have time to ask people who know. Reach out to the admissions staff in your program, and they’ll help you create a successful application. The IUPUI Graduate Office offers workshops on getting into graduate school; see the website for details.
Rosa Tezanos-Pinto, Ph.D., is a highly respected professor, administrator, and internationally renowned researcher in the field of Latin American literature and culture. She has authored and co-authored seven books and over forty-five articles and book chapters. She is the editor of RANLE, Revista de la Academia Norteamericana de la Lengua Española and Alba de América. In 2012, Dr. Tezanos-Pinto was invited by the renowned Latin American journal Confluencia.
Dr. Tezanos-Pinto will be reading from her book La presencia hispana y el español de los Estados Unidos. In this book, a varied range of distinguished specialists travel through scenarios, documentary sources, linguistic studies, literary and film works, to rescue the substantial Hispanic contributions to culture, education, the development of the sciences and the economic life of the United States, without overlooking a prospective view of the future of Spanish, as the second major language of this country, in the coming decades.
This event will be held on Tuesday, Feruary 12, 2019., from 11:30-1pm at University Club. 875 W. North St., Room 200.
Join Catherine Beck, as she presents, “A Language Support Needs Analysis of International Law Students.”
This project takes a fresh look at the language support needs of international students enrolled in several programs at the IU McKinney School of Law to to determine whether the current Legal English courses are meeting the stakeholders’ needs.
The project was timed to inform a reevaluation of the current Memorandum of Agreement between the law school and the School of Liberal Arts.
Thursday, January 31, 2019
4-5pm at the Campus Center CE307
R.O. Kwon is the author of The Incendiaries, published by Riverhead (U.S.) and Virago (U.K.). The Incendiaries is an American Booksellers Association Indie Next #1 Great Read and Indies Introduce selection, and it was named a best book of the year by over forty publications. The novel is a finalist for the National Book Critics Circle John Leonard Award for Best First Book and Northern California Independent Booksellers Association Fiction Prize, and is nominated for the Aspen Prize and American Library Association Carnegie Medal. The Incendiaries is being translated into four languages.
Kwon’s writing has appeared in The Guardian, Vice, BuzzFeed, Noon, The Cut, Time, and elsewhere. She has received awards and fellowships from the National Endowment for the Arts, Yaddo, MacDowell, the Bread Loaf Writers’ Conference, and the Sewanee Writers’ Conference. Born in South Korea, she has mostly lived in the United States.
Laura van den Berg was born and raised in Florida. She is the author of two collections of stories, The Isle of Youth (FSG, 2013) and What the World Will Look Like When All the Water Leaves Us (Dzanc Books, 2009), and the novel Find Me (FSG, 2015). Farrar, Straus and Giroux will publish her next novel, The Third Hotel, in August 2018.
Laura’s honors include the Rosenthal Family Foundation Award from the American Academy of Arts & Letters, the Bard Fiction Prize, a MacDowell Colony Fellowship, a Civitella Ranieri Foundation Fellowship, a Pushcart Prize, an O. Henry Award, and the Jeannette Haien Ballard Writer’s Prize, a $25,000 annual prize given to “a young writer of proven excellence in poetry or prose.” Her debut collection was selected for the Barnes & Noble “Discover Great New Writers” program, and she has twice been shortlisted for the Frank O’Connor International Short Story Award. The Isle of Youth was named a “Best Book of 2013” by over a dozen outlets, including NPR, The Boston Globe, and O, The Oprah Magazine. Find Me was selected as a “Best Book of 2015” by NPR, Time Out New York, and BuzzFeed, and longlisted for the 2016 International Dylan Thomas Prize.
This event is free and open to the public in the Lilly Auditorium of the University Library. Refreshments will also be served. Books for sale provided by Barnes & Noble @ IUPUI.
In show business, a triple threat is a singer, dancer and actor all rolled into one performer.
That must make Dennis Jones an octuple threat: One, Jones is a beloved presence in the Campus Center, where he has worked for the past seven years for Campus Facility Services. Two, Jones is a proud veteran of the U.S. Navy, based in San Diego from 1982 to 1992. Three, Jones has sung the national anthem before Indiana Pacers and Indiana Fever games. Four, five, six and seven, Jones is an actor, director, producer and backstage guru for Indianapolis’ Footlite Musicals theater group.
“When I found out about the award, I was sitting here during rehearsals for ‘Legally Blonde,'” Jones said while standing in Footlite Musicals’ 255-seat theater. “I got all emotional.”
Jones is producing Footlite’s current show, “Murder Ballad,” which will be presented in a cabaret format with a live band Jan. 18 to 20. Tickets are available for 7:30 p.m. Friday and Saturday and 2:30 p.m. Sunday. As producer, Jones must monitor show budgets, ticket sales and marketing while being a conduit between theater bosses and show director Bradley Lowe.
While Jones made his debut for Footlite in 2011, acting and singing in such classics as “Sunset Boulevard,” “Follies” and “Big River,” he co-directs the theater’s summer camp for teens and has been added to Footlite’s board of directors.
“He means quite a bit to us,” said Keith Matters, Footlite’s president. “He’s very good with people, working with our youth and he’s great all-round. You have to know how to do all of these things to make an organization like ours work.”
Balancing his passion for his job with theater has been a dance of long hours and maintaining a hectic schedule during show runs, but it’s been well worth it for Jones, an Indianapolis native who holds a theater degree from Indiana State University.
That versatility has helped Jones’ work at IUPUI. He’s a fixture in the Campus Center as much as the bookstore, the Cultural Arts Gallery and Starbucks.
Campus Center star
Jones collects an average of 12,000 steps a day at the Campus Center. He helps lead a crew that keeps the IUPUI campus crown jewel clean, organized and functioning.
While certainly not shy, Jones is less animated at work than he is onstage. After all, his shift starts at 6 a.m. But he is always happy to see students, faculty and staff members who have come to love him over the years. You can’t walk with him for more than 20 seconds without someone saying “hello” to him as he scales up and down the Campus Center’s five bustling levels.
“I guess they appreciate me. I don’t know. I try to do the best I can,” Jones said.
Jones said he wakes up every morning at 4 a.m. Coffee, watching the news and relaxing before opening the 250,000-square-foot Campus Center are part of his predawn routine.
“It’s quiet,” Jones said. “I don’t do anything but come to work. During the summer, I meet some of the parents of the students. We talk, and I assure them that I’m like the students’ second or third father here. I make sure they’re doing what they’re supposed to do. If they linger too much, I send them off to class.
“I see them as freshmen, and then I see them when they leave and go spread their wings.”
During a recent visit, Jones said hello to Cindy Harkness and Jennifer Zotz, senior coordinators for recruitment and outreach in the Enrollment Services office. Jones directed Zotz’s son, Tommy, during last summer’s young artists camp at Footlite, which culminated in a production of “Pirates of Penzance.”
“I loved that he shares his gifts and talents with young people,” said Zotz, who saw all seven “Pirates” performances. “He has amazing patience, and he’s so great to work with. On the stage and off the stage, he’s just a shining star.”
Harkness has known Jones since his first year working in the Campus Center. She’s among the many staff members who are aware of Jones’ theater talents.
“We tell him, ‘When you go to Hollywood, remember us,'” Harkness said with a laugh. “We love Dennis. I think we need a star in the Campus Center with Dennis’ name on it.”
The Show Must Go On
Jones remembers the moment he fell in love with theater. Sure, he played the giant in his elementary school’s smash musical version of “Jack and the Beanstalk,” but he really developed a passion for theater while attending Northwest High School.
Toward the end of his first year, Jones happened upon his school’s production of “Bye Bye Birdie.” The rest of his life has been dedicated to the stage, even if it meant serving his country and later keeping IUPUI’s student hub functioning first.
Footlite Musicals gets the majority of Jones’ theatrical work, but he has expanded to television, online promo work and even film. During his time in Southern California, Jones got some TV work in Los Angeles. When he returned to Indianapolis, he got a local spot for WISH-TV as well as being a face of IN Biz advertising.
Jones is pumped for March. He was cast in a new project from Indianapolis author Joyce Licorish — a film version of her novel “The Forgotten Timepiece,” which was published in 2017. The shoot will take place in Covington, Georgia.
“She directed me in ‘The Color Purple’ here,” Jones said. “When she was writing the novel, I told her I wanted to be a part of it, and she stayed true. I did have to go through the audition process, but I got in.”
Jones’ love of the theater — and IUPUI — has increased each season. When he’s not at home, he’s usually at his work home or his stage home.
“Most shows, everyone gets along like family,” Jones said. “No matter what I’m doing, as long as it’s around theater, it’s just what I do.”
The display effectively reinforces the toll and sheer numbers behind the devastation of the Civil War.
“For certain regiments, out of 1,000 people, only 150 came back,” said Jane E. Schultz, a professor of English at IUPUI with expertise in 19th-century American literature, culture and medicine.
An on-set consultant for the PBS series “Mercy Street,” Schultz will give a talk, “Surgical Silences: Civil War Surgeons and Narrative Space,” at noon Wednesday, Dec. 5, in the Lilly Medical Library.
Complementing the “Life and Limb” exhibit, Schultz’s talk will focus on surgical interactions. According to the National Library of Medicine, the number of wounded was about the same as the number of casualties throughout the war — about 500,000.
Localized pieces from the library’s archives are displayed on the third floor of the library in conjunction with “Life and Limb.” An authentic surgical kit featuring amputation knives and handsaws in a small carrying case sits next to the Jan. 9, 1906, issue of the Indiana Medical Journal, which features early Indianapolis physician Dr. William H. Wishard’s account of his Civil War experience.
“What I’m looking at are the ways surgeons wrote about their experiences with patients,” Schultz said. “They change from a clinical register if they’re talking to their colleagues to a far more personal narrative if they’re keeping written documents for their wives to read later. This material is recorded in letters and diaries at the National Library of Medicine, the National Archives and the Library of Congress.”
While movies and television shows have successfully captured the brutality of the war and the bravery of the soldiers and surgeons, the medical lens is sometimes blurred. Sue London, Lilly Medical Library’s research librarian, cringes for more than one reason at movie scenes in which a Union or Confederate soldier is about to get a limb amputated without real anesthetic, usually held down by a fellow soldier for dramatic effect.
“Not the case,” she countered. “Ninety-five percent of the time, they used chloroform or ether. They were dosed lightly, as the operations were brief. The light anesthesia, not pain, caused the patients to move about while insensible.”
Photography and artists’ renderings of such scenes were often staged, Schultz added. Research has shown that war operations were private matters, giving the patients dignity and allowing the surgeons to concentrate on their harrowing work.
The panels from the National Library of Medicine display rare photos from the front as well as portraits of survivors, who are usually missing a limb or two. The exhibit shows surgical methods and the advancements in prosthetics and products created for the hundreds of thousands of men who were wounded. One example: A combined fork-and-knife eating utensil was made for those missing an arm.
According to the exhibit, veterans were given $50 toward a prosthetic arm and $75 for a leg from the federal government.
The years following the Civil War saw the establishment of the nursing profession. Schultz, who taught a Civil War literature class last spring, has studied women’s roles in the war, namely assisting surgeons and caring for the wounded post-surgery. Gangrene and other diseases were responsible for many more deaths than were bullets and cannon fire, she said.
“As people understood the enormity of the problem, more and more women were needed,” Schultz explained. “They would take care of the soldiers at the bedside, feed the soldiers and bring medicine. Occasionally they would help on some kind of operation.”
Many soldiers suffered after the war, but some wounded veterans were able to live full lives after surgery with the help of prosthetics. Their bravery helped them earn jobs, and some even held elected office.
The survivors also spurred the government to establish welfare and war veteran financial assistance. Because the pensioning system was not standardized until after the war, most disabled veterans had to wait for the assistance that could have helped them sooner.
Scholars like Schultz are still researching one of America’s most brutal eras. The estimated 60,000 surgeries that occurred during the Civil War are still bringing interest and visceral reactions 150 years later.
“Studying this aspect of the war really helps us see advancements in medical technologies in the era,” Schultz said. “People might have occasionally seen what amputation saws looked like, but the pictures of the amputees, the crutches, the human factor of this, I think, effectively conveys the traumatic impact of the costs of war.”
Alumna Taylor Rhodes has already earned her place in IUPUI history. She is a two-time recipient of the Plater Civic Engagement Medallion, both as an undergrad and a graduate student, for her outstanding commitment to community service. It’s a distinction that she shares with just one other graduate. Locally and even globally, Rhodes’ impact is undeniable.
“I think the Plater Medallion, out of all the different accolades, means the most because it really speaks to what you have done with your time as a student, how you have gone above and beyond just being in the classroom but really trying to do things for your community and society as a whole,” said Rhodes.
A look at her list of academic accomplishments, and campus and civic contributions quickly reveals why she’s been honored twice. As an undergrad, she was actively involved with the IUPUI Student Foundation and Jagathon, she served as a 21st Century Scholars Peer Mentor, and she studied abroad in Denmark where she learned about corporate social responsibility.
After Rhodes received her bachelor’s degree in international studies from IUPUI’s School of Liberal Arts in 2012, she spent two years mentoring and coaching underserved middle school students in Washington, D.C. through the City Year AmeriCorps program.
During her master’s work, she was president of Graduate and Professional Student Government, worked extensively with Paw’s Pantry through the Office of Student Advocacy and Support, and traveled to Uganda for an 11-week internship where she worked with primary schools on sustainable development.
“I had a lot of different opportunities both as an undergraduate and a grad student. I studied abroad in really unique places on unique programs. I had the time of my life, and I learned a lot culturally and about myself,” Rhodes said. “I’ve also had leadership opportunities I don’t think I would have had at other universities. I’ve been a part of so many student organizations and events, and that’s helped me work on my own leadership skills.”
Currently, Rhodes is launching her career in philanthropy as the corporate volunteerism coordinator for United Way of Central Indiana. A passionate supporter of the United Way and its mission, she is excited every day to be able to give back to the Indianapolis community.
“Something that I learned in City Year and I’ve taken with me is ubuntu,” she said. “It’s a Swahili philosophy that basically means ‘my humanity is tied to yours.’ To me, community service is something you should do, something that you have to do, to make everyone great. To make yourself great, the whole community has to be great,” said Rhodes.
“Surgical Silences: Civil War Surgeons and Narrative Space” considers the linguistic registers and narrative patterns visible in wartime surgeons’ written accounts. By surveying a range of rhetorical situations from the clinical (medical), the bureaucratic (military), and the intimate (personal), we can see how and why surgeons shifted registers in the face of medial exigency. Though disease and battle injuries demanded endurance and obedience to surgical routine, writing about traumatic labor often amounted to meaningful silences.
— Presented by Dr. Jane E. Schultz IUPUI Professor of English
Co-sponsored by the John Shaw Billings History of Medicine Society, the IUSM History of Medicine Student Interest Group and the Ruth Lilly Medical Library
Wednesday, December5, 2018 12:00—1:00 PM
Ruth Lilly Medical Library