Rosa Tezanos-Pinto, Ph.D., is a highly respected professor, administrator, and internationally renowned researcher in the field of Latin American literature and culture. She has authored and co-authored seven books and over forty-five articles and book chapters. She is the editor of RANLE, Revista de la Academia Norteamericana de la Lengua Española and Alba de América. In 2012, Dr. Tezanos-Pinto was invited by the renowned Latin American journal Confluencia.
Dr. Tezanos-Pinto will be reading from her book La presencia hispana y el español de los Estados Unidos. In this book, a varied range of distinguished specialists travel through scenarios, documentary sources, linguistic studies, literary and film works, to rescue the substantial Hispanic contributions to culture, education, the development of the sciences and the economic life of the United States, without overlooking a prospective view of the future of Spanish, as the second major language of this country, in the coming decades.
This event will be held on Tuesday, Feruary 12, 2019., from 11:30-1pm at University Club. 875 W. North St., Room 200.
INDIANAPOLIS — The IUPUI Jewish Faculty and Staff Council, in collaboration with community partners Exodus Refugee Immigration and Immigrant Welcome Center, is hosting a series of events to commemorate Holocaust Remembrance Week immediately following International Holocaust Remembrance Day. These events honor the stories of refugees, asylees and immigrants from the Holocaust to today.
“After the Holocaust and World War II, human rights practice and international law were put into place to protect migrants,” said Adam Strom, director of Re-Imagining Migration at UCLA and IUPUI Holocaust Remembrance Week scholar-in-residence. “These protections are being tested today with the largest number of displaced persons since the end of the Second World War. It is time we take seriously the role of migration in the Holocaust in order to better understand our choices, challenges and responsibilities today.”
A Holocaust Remembrance Ceremony will take place at noon Monday, Jan. 28, in Hine Hall Auditorium, 875 W. North St. Holocaust survivor and refugee Esther Davidson Fishman will share her story of survival and immigration to the United States. The program will also include remarks from Karen Dace, IUPUI vice chancellor for diversity, equity and inclusion, and a memorial candle-lighting by community leaders and IUPUI students, faculty and staff.
At noon on Jan. 29, Strom will lead a discussion titled “The Past Is Still Present: Migration, Immigration and the Holocaust.” He will discuss the history and consequences of the rise of the Nazis and the Holocaust and describe the role of migration in the Holocaust in order to better understand the challenges and responsibilities we are faced with today. The talk will be held in the IUPUI Global Crossroads Classroom: Room 2132 in the Education/Social Work Building, 902 W. New York St.
Holocaust Remembrance Week events will conclude with a panel discussion in Hine Hall Auditorium at 7 p.m. Jan. 29, titled “Refugees of the Holocaust, Refugees of Today: Opportunities and Challenges of New Lives in America.” The panel will be facilitated by Tamra Wright, director of diversity, equity and inclusion at the IUPUI School of Public and Environmental Affairs, and Jeremy Price, professor in the IUPUI School of Education and chair of the Jewish Faculty and Staff Council. The panelists — Strom; Debora Haber, executive artistic director of DEEP Arts and daughter of Holocaust survivors and refugees; and Winnie Betili Bulaya, founder of Refugee Welcome Baskets — will discuss personal experiences as well as historical and contemporary issues relating our responses to refugees in the past to our responses in the present.
All the Moving Parts is part of the seminar series Those Who Know the Trouble I’ve Seen: Citizenship and Resistance in the African-American Christian Communities, directed by Joseph Tucker Edmonds and Amanda Friesen and sponsored by the IU Consortium for the Study of Religion, Ethics and Society.
RSVP now by email email@example.com
Did we mention that lunch will be provided?!
Friday February 8th in CA 508
12:30 to 2pm
In the digital age, making paper from scratch is becoming a nearly lost art.
For Sarah Strong, it’s a passion she is passing on to her daughters. The Herron School of Art and Design graduate student has more than a decade of experience with hand papermaking. She incorporates her handmade papers into her installations, book arts, printmaking and more. The unique qualities of different fibers and their results keep her fascinated.
“It’s a little lonely. There aren’t a lot of papermakers in 2019,” said Strong, who earned her bachelor’s degree from Herron in 2008. “I do it because I love working with natural materials and I love to share it through teaching because of the involvement of nature and the history of paper as a means of sharing stories and knowledge.”
Creating even one sheet is an involved process where creativity is heavily utilized: Color, consistency, texture and which fibers to use must all be considered before the first batch of paper pulp is pulverized.
In her Herron studio, Strong has shelves of her recent work, as well as the paper works of colleagues, for inspiration. The freshest pieces are tacked to walls for drying as Strong is working feverishly to create about 30 small candlelit luminary sculptures in time for “Meld,” an exhibition running Feb. 11-16 in the Eskenazi Fine Arts Center, 1410 Indiana Ave. The show will feature the work of fellow first-year grad students Denise Troyer, Hailey Potts, Adam Rathbun, Frank Mullen and Kennedy Conner. The opening reception is set for 6 p.m. Feb. 12.
Many of the fibers Strong utilizes are harvested from her own and friends’ gardens. She keeps a handful of bins full of iris, daylily and lavender stalks and leaves. Strong said she particularly enjoys culling invasive species and using the unwanted plants in her paper.
“I love working in the gardens and then upcycling the fibers to become something of use,” she continued. “When the season is dying out, I like to go to people’s gardens and clean them out for them. I take a little bit from each plant and dry them until I’m ready to use them in my own process.”
The cellulose from the plant material is what’s needed to make paper. In order to extract the cellulose, a cooking process is required. Strong’s paper is created with the water and cellulose through hydrogen bonding.
“When I’m cooking them in a caustic solution, I’m cooking out everything that’s not cellulose,” Strong explained. “It breaks down the cellulose molecule structure a little bit, too.”
The biggest — and loudest — piece of equipment in Strong’s studio is a hydro pulper. The artist can manipulate pulp thicknesses by changing run times and the positioning of the pulper’s beating drum and plate. When working with translucency, the pulp needs to be beaten between eight and 10 hours.
“The longer it’s beaten, the smaller the fibers become,” Strong said, “thus offering themselves to different processes in papermaking. The fibers are being broken down more and more. As you beat it further and further, the fibers turn to fibrils, which give you a stronger paper.”
Add some color
While most of the paper has a light tone to it, Strong experiments with color by utilizing the dozens of colorants she has at the ready. The pulp is dyed in buckets and set on a work table like a painter’s palette. In the vat where the different pulps are combined, Strong can experiment with color like a painter.
Once the pulp mix is satisfactory, Strong gathers the material with a screen and deckle. Excess water drips out before the pulp is carefully laid onto thin fabric sheeting. It’s then pressed and dried in various ways, depending on what the paper will be used for.
Paper for printmaking would be put under a hydraulic press. While creating paper for “Meld,” Strong’s daughter Jane Sparks simply placed the paper and fabric on some towels and then underneath a plane of Plexiglas, which Sparks then stood on for several minutes. The last of the water is squeezed out; the fibers join tighter; and the wet, new paper is ready to dry.
“Relationship with paper is very much a dance: You learn the fibers, and the fibers learn you,” Strong said. “You build this relationship, getting to know each other, and then eventually you can work together to create your art.”
The Religion, Spirituality & the Arts Seminar (RSA), a project of the IUPUI Arts & Humanities Institute, invited 12 Indiana artists to explore and expound upon the story of Lot’s Wife during the eighth annual Religion, Spirituality and the Arts Seminar and the accompanying art exhibition. Artists include Stan Blevins, Peggy Breidenbach, Alys Caviness-Gober, Marjie Giffin, A. Paul Johnson, Kasey May, Michael McAuley, William Peacock, Katherine
Simmons, Jennifer Strange, Teresa Vazquez, and Kevin Wilson.
In this exhibition, the artists consider questions that delve far beyond the story Lot’s Wife who, as told in Genesis 19, turns to see the destruction of Sodom and Gomorrah and becomes a pillar of salt. Did she act in disobedience or out of compassion? What is our responsibility to bear witness? Is looking back redemptive or paralyzing? Might we see contemporary events (mass tragedies, refugees) in the light of this text? Exploring the story through
religion, art, poetry, and music, this exhibition will ask questions fundamental to the human experience
Directed by Rabbi Sandy Sasso, the RSA Seminar explores the varieties of religious experience and understanding. Through seminars led by an interdisciplinary faculty, artists gain the knowledge and inspiration to develop new artistic works. Artists share their creations through exhibitions and presentations to members of the Central Indiana community, including religious organizations, schools, libraries, and community groups.
On March 7, 2019, the first public exhibition of the 2018-19 RSA Seminar’s work will open featuring new works of painting, sculpture, music, and poetry developed by the cohort. A reception begins at 5:30 p.m. with performances beginning at 6:30 p.m. The exhibition will remain on display at the Jewish Community Center of Indianapolis through April 30.
This opening event and exhibition is free and open to the public at the Jewish Community Center of Indianapolis (6701 Hoover Road, Indianapolis, IN 46260). Refreshments will also be served at the March 7 reception.
Thursday, March 7, 2019
Reception begins at 5:30 PM; performance begins at 6:30 PM
We’ll see you there!
The 2018-19 Religion, Spirituality & the Arts Seminar programming is made possible by a generous grant from Lilly Endowment, Inc. and is offered in partnership with Christian Theological Seminary and the Jewish Community
Center of Indianapolis. Additional information about the seminar is available at
Come and enjoy an evening of spoken word poetry and drumming featuring Babalawo Awodele Ifasina on the drums and Lasana Kazembe doing spoken word poetry.
The IUPUI Africana Studies Program invites one and all to a special evening of creative artistic expression. JOIN US as we honor the Black Arts with an exciting presentation and performance featuring spoken word poetry and live music.
The event will be held at Lilly Auditorium in the university library on the lower level. Wednesday, February 20th at 6pm.
Spirit & Place is a platform that connects Central Indiana residents through events, community conversations and skill-building opportunities aimed at launching innovative experiments, revealing invisible stories, and sparking radical collaborations. Using the arts, humanities, and religion, Spirit & Place catalyzes civic engagement and builds bridges of understanding.
It’s signature public offering is the Spirit & Place Festival which will occur from November 1 – 10, 2019 and this year’s theme is R/EVOLUTION. Learn more about the festival and the theme by visiting the Spirit & Place website.
Information about the process for submitting festival events may be found in the application guidelines. All interested participants are welcome to attend an information meeting on February 6 at WFYI (1630 N. Meridian St., Indianapolis) or by contacting Erin Kelley, Spirit & Place Program Director, at firstname.lastname@example.org or 317-274-2462. The application deadline is Friday, April 12 at midnight.
Join Catherine Beck, as she presents, “A Language Support Needs Analysis of International Law Students.”
This project takes a fresh look at the language support needs of international students enrolled in several programs at the IU McKinney School of Law to to determine whether the current Legal English courses are meeting the stakeholders’ needs.
The project was timed to inform a reevaluation of the current Memorandum of Agreement between the law school and the School of Liberal Arts.
Thursday, January 31, 2019
4-5pm at the Campus Center CE307