Community partners are essential to the development of meaningful community-engaged curricular learning experiences. A well-designed experience includes identifying appropriate community partner(s) and including community partner voice in project planning. In this session, we will discuss some of the important principles of working with community partners as well as key ways in which to find, identify, and connect with community partners for specific course projects.
Registrants are able to connect via Zoom to this workshop.
Presented by Morgan Studer, M.A,
Director of Faculty and Community Resources
Friday, November 9th
CSL Conference Room
Hine Hall 234D
You know internships provide great experience. You also know that Indianapolis provides great opportunities. Put them together, and you have a dynamite combo that prepares you for a lifetime of success.
See how Herron School of Art and Design senior Melissa McDermott colors outside the lines with her internship at the Indiana State Museum.
Melissa McDermott has always wanted to be an artist, but her internship at the Indiana State Museum opened her eyes to the wealth of creative professional opportunities. Video by Myron Russell, Indiana University
Just as a reminder before the November 5th deadline, please see below the announcement for EURO’s research and travel awards for Fall 2018 – Spring 2019. You can find more information, along with the application forms for graduate students, and for faculty.
Research and Travel Awards for Faculty The Institute for European Studies is happy to announce two grant competitions for the Fall of 2018 and the Spring of 2019. Eligible applicants are allowed to apply for both, but with the understanding that only one award may be accepted per person.
The Jean Monnet Centre of Excellence Grant offers one $1,500 award in the Fall and one in the Spring to an IU faculty member (TT or NTT) to support research and / or travel related to any aspect of European politics, society, or culture, whether current or historical in scope.
EURO’s Title VI Grant offers 2 awards of $1,500 each in the Fall and 2 in the Spring to IU faculty to support international research and / or travel, as well as 2 awards of $750 each (also Fall and Spring) to support domestic research and / or travel related to any aspect of European politics, society, or culture, whether current or historical in scope.
Research and Travel Awards for Graduate Students
The Jean Monnet Centre of Excellence Grant: One $1,500 award in the Fall and one in the Spring to an IU graduate student to support research and/or travel related to any aspect of European politics, society, or culture, whether current or historical in scope.
Research funds may be used to conduct preliminary thesis or dissertation feasibility studies or to compile evidence for their Master’s thesis or dissertation. While priority is given to students pursuing an MA or doctoral minor in European Studies, all IU graduate students are welcome to apply.
Grant recipients are expected to send a report detailing how the grant was used and on invitation, to present their results at a lecture hosted by the Institute for European Studies.
The Fall application deadline for all competitions is November 5, 2018, at 5 pm.
The Spring application deadline for all competitions is March 25, 2019, at 5 pm.
Established in 2010, the award recognizes outstanding IUPUI researchers who show promise in becoming nationally and internationally known for their research and creative activity. It is given to associate professors within the first three years of being appointed or promoted to that title.
This year’s Research Frontiers Trailblazer Award recipients are Brian E. Dixon, associate professor, Department of Epidemiology, Richard M. Fairbanks School of Public Health, and Andrea R. Jain, associate professor, Department of Religious Studies, School of Liberal Arts.
Dixon and Jain spoke about their research in videos produced by the Office of the Vice Chancellor for Research at IUPUI.
Brian E. Dixon
“The tools and platforms Brian Dixon designs, builds and evaluates are routinely deployed and used by health systems and public health agencies in Indiana. The systems therefore impact real-world practice and support future research as new data are collected by the operational systems,” said Gerardo Maupomé, associate dean of research and professor of social and behavior sciences, in a letter of recommendation. “These systems have the capacity to be replicated across the U.S. and internationally through other research programs at IUPUI.”
“Andrea Jain’s areas of expertise include contemporary spirituality and the history of modern yoga; the intersections of gender, sexuality and yoga; religion and politics in contemporary society; and methods and theories in the study of religion,” said Jeffrey S. Wilson, associate dean for research and professor of geography, in a letter of recommendation. “She is particularly well-known for her research focusing on the yoga industry’s relationship to capitalism and consumer culture.”
“We recognize Brian E. Dixon and Andrea R. Jain this year, but researchers and creative professionals in all 16 distinct schools at IUPUI are nationally and internationally renowned for their high-profile work,” Atkinson said. “The impact can be felt in innovations that improve quality of life, thought-provoking pieces that affirm our humanity and methods to educate the next generation of students at all academic levels.”
Vegetarianism, nudism, alternative medicine, ecology, and organic farming: In the late 19th– and early 20th-century, diverse groups promoting “back-to-nature” lifestyles captured the popular imagination throughout Germany, Austria, and Switzerland. Emphasizing a holistic approach to both physical and mental health, this so-called Lebensreform (“life reform”) movement sought to liberate body and mind from the ardor and exigencies of modern life. The roundtable discussion will focus on the intersection of everyday practice and political potential by addressing the origins of the Lebensreform movement during the socially restrictive German Kaiserreich, their appropriation in the United States (from the Chicago Vegetarian Society to utopian settlements), and their later role in the context of Nazi Germany.
Speakers include Thorsten Carstensen (Associate Professor of German, IUPUI), Mark Roseman (Distinguished Professor, Pat M Glazer Chair in Jewish Studies, IU Bloomington), and Marcel Schmid (Assistant Professor of German, Universityof Virginia).
Parking vouchers will be provided. The event, which is free and open to the public, will be followed by a light reception. For all questions, please contact Thorsten Carstensen at email@example.com.
Monday, November 5, 6:30-8:00 p.m.
Campus Center, Room 305
Being from Salem, Herron School of Art and Design senior David King has Halloween flowing through his veins.
Oh — that’s Salem, Indiana. Not Salem, Massachusetts.
“Yeah, we have a lot more cows than witches,” the sculpture major quipped.
Still, King joined about a dozen of his fellow students for a quick lunch-hour break between intermediate and advanced sculpture classes to carve pumpkins outside of the Eskenazi Fine Arts Center, which houses much of Herron’s sculpture and ceramics programs. King utilized tools usually saved for clay busts to transform his gourd into a ghoulish visage.
Inspired by the imagery of Villafane Studios and other monstrous mugs, King has been trying his hand at striking, creepy pumpkin carving. The techniques used are similar to other reductive sculpting techniques, which are challenging in any medium.
And of course, every pumpkin is different. During this carving, King found the walls of his pumpkin were about two inches thick near the stem, but they thinned out down the gourd.
“I had to bail on the nose early on,” explained King, noting the skull-like indented schnoz on his creation. “It was just so soft.”
All of the pumpkin guts were saved to feed student Shelby Lahne’s goats, Peanut and Crackerjack. The seeds were saved for later roasting.
Greg Hull, Valerie Eickmeier Professor in Sculpture and fine arts department chair at Herron, said he encourages his students to participate in activities outside of class. Some helped out during the current IUPUI 50th Anniversary Habitat for Humanity build. Most days it’s a pizza lunch together and the occasional movie night.
The sculpture students also share an affinity for Halloween, so pumpkin sculpting — er, carving — was a natural activity.
“It’s as much about community as anything else,” Hull said. “A big part of being in art school is what happens outside of the class structure anyway. Part of it is working together; part of it is sharing these tools. There are really different sets of skills here in terms of people spending a lot of their time carving and people who really don’t use carving as a primary part of their artmaking, but everyone’s carving today.”
The students sat at picnic tables, which were protected by plastic sheeting. Pumpkin chunks flew into the air as the students got to work using a variety of kitchen knives, X-Acto knives and sharp loop tools for peeling away the pumpkin rind. First-year art education major Hayley Davidson had a demented Pumpkin King design in mind before she started hacking away.
“What if he got real messed up? Like something happened to him, like madness?” queried Davidson, large knife in hand, before admitting she is “slightly” allergic to pumpkins. “I don’t do this often, but I live for Halloween.
“I’m just going to walk into my 3D design class and be like ‘Guys, this is my pumpkin.’ I’m proud.”
Seniors Lindsey Nevins and Samantha Wright volunteered for pumpkin duty to help relieve stress from intense studio classes.
“I didn’t need a concept,” said Nevins, holding her new cat-o-lantern. “I didn’t have to worry about it being good; I just kind of did it.”
Wright has been a hardcore Halloween fan since childhood. She said there was no way she was going to miss the opportunity to carve up a pumpkin. The Greenwood integrative studio practice major has taken multiple sculpture classes, but she said the years of art training are less important than having a clear mind when approaching a blank pumpkin.
“You just go for it. If you think too much about it, you’re probably not going to have something you enjoy,” said Wright, also a horror-movie buff. “It’s all about letting loose and having fun. This is my favorite holiday.”
King was one of the last students to finish. Always the harshest critic on himself, he hoped for a result that featured a more rounded, 3D look. But the ghoul on the pumpkin still impressed his classmates. Luckily, Halloween is still days away, and there are plenty more pumpkins to serve as canvas for the young artist.
“It’s a process that I really enjoy,” King said, “just trying to carve into it and create these weird, scary faces.”
“I think we often underestimate the media’s influence on daily life — including health — and the different ways that media messages operate,” Primack said. “I hope people come away from this presentation with a better understanding of how media affects their health and the well-being of their family members. For physicians, I hope to deliver new knowledge that empowers them to talk to their patients about these issues and to generate ideas for leveraging the power of media to the benefit of health and health care.”
Primack is a pioneer in the study of media, technology and health care, and his work has substantially influenced international dialogue and policy. At the University of Pittsburgh, he is the Bernice L. and Morton S. Lerner Chair and dean of the University Honors College; a professor of medicine, pediatrics, and clinical and translational science; and director of the Center for Research on Media, Technology and Health.
“The Somerset CPAs and Advisors Executive Leadership Speaker Series provides a forum — a training ground — that challenges both our Physician MBA students and the greater Indianapolis community to think about the future of health care,” said Christopher O.L.H. Porter, professor of management and chair of the graduate business programs in medicine. “These discussions will prepare attendees to be health care influencers by honing their ability to successfully communicate ideas and grow their networks in medicine and business.”
Held twice annually, the Somerset CPAs and Advisors Executive Leadership Speaker Series is supported by gifts from Somerset CPAs and Advisors and the Kelley Physician MBA Class of 2016. These talks feature prominent experts who address some of the most pressing issues in health care today.
The event will take place from 6 to 7:30 p.m. at Hine Hall Auditorium, located at 875 W. North St. on the IUPUI campus. It is free and open to the public. Visitor parking is available in the North Street Garage, 819 W. North St., and the Tower Garage, 875 W. North St., for a nominal fee.
INDIANAPOLIS – The 2018 Spirit & Place Festival celebrates, explores, challenges and reflects on the meaning behind “intersection” in its 23rd year. The Spirit & Place Festival is Indianapolis’s largest collaborative festival that uses the arts, religion and humanities as a tool for shaping individual and community life through 10 days of events designed with community partners, individuals and communities.
During the selection process this year, event submissions that exemplified key traits of the Spirit & Place Festival were nominated for an “Award of Awesomeness.” The winning event will receive a $1,000 award at the end of the festival. A preview of these events, as well as information about this year’s signature events, is outlined below. A full listing of events is available at spiritandplace.org.
Come and check out some of these amazing events!
Opening Night Intersections!
Friday November 2, 6-9pm
1505 N. Delaware St.
Kick off this year’s Spirit & Place Festival during an INTERSECTION themed night at the Harrison Center. The Harrison Center serves as a home for artists of all races, ages, social groups, neighborhoods, faiths and more to intersect with one another – and you! Bring the family out for a fun night of discovery to meet with artists. Explore how styles, mediums, colors and shapes collide and blend to create Indy’s vibrant arts community.
23rd Annual Public Conversation
Sunday, November 11, 3:30 – 5 p.m.
Indiana State Museum
650 W. Washington St.
Featuring Zeynep Tufekci, this year’s Public Conversation will discuss the intersections of social media, politics and our everyday lives. Zeynep Tufekci is a techno- sociologist who focuses on social movements and civics, privacy, and surveillance and social interactions. Tufekci’s latest book, Twitter and Teargas, thoughtfully examines both the positive and the negative ways digital platforms support the work of social change.
You can also go and check out some of the Spirit and Place Festival’s 2018 Award of Awesomeness Nominees!
Saturday, November 3, 10 a.m. – 1 pm Indianapolis Motor Speedway Museum 4790 W. 16th St.
Explore Art-omotive! will delve into the relationship between art, design and the history of automobiles. Participants will watch a virtual engine build competition, participate in a “car parade,” design their car of the future and explore the history of automotive design in this family friendly event.
Hummus & Happiness
Monday, November 5, 6:30 – 8:30 p.m.
Indiana Interchurch Center
1100 W. 42nd St.
Hummus & Happiness invites people of varying cultures, religions
and nationalities to join in their shared humanity and explore how Israelis, Arabs and Palestinians who may be Jewish, Muslim or Christian connect to this delicious food. After viewing Hummus! The Movie, guests are invited to sample hummus recipes from around the world while local hummus-makers share their stories.
The Score Awakens
Monday, November 5, 6:30 – 8:30 p.m.
Hilbert Circle Theatre
45 Monument Circle
$5 – RSVP by November 2
The Score Awakens showcases the intersection between music and story by exploring the role John William’s score has in creating the iconic Star Wars universe. Indy Lightsaber Academy will demo how the music inspires epic battles, and everyone will get to learn some sci-fi swordplay.
Afrofuturism in Action: A Conversation with Tobias Buckell
Friday, November 9, 6 – 8:30 p.m.
Kheprw Institute/Renaissance Center
3549 Boulevard Place
Black Panther. Parliament-Funkadelic. Octavia E. Butler. Janelle Monae. Afrofuturism is the reimagining of a future filled with arts, science and technology seen through a black lens. It’s a literary and creative genre that allows us to discuss matters of race, gender and social justice as well as model possibilities for the future. Hear from Tobias Buckell, author of Crystal Rain, Arctic Rising, and Halo: The Cole Protocol, and join in a community conversation where we use art, science and faith to imagine a future together.
Convergence: Connecting our Shared Experience through Performance and Prose
Saturday, November 10, 3 – 6 p.m.
The Church Within
1125 Spruce St. FREE
The Indianapolis artistic community is a diverse group of people from all walks of life and backgrounds. Featuring many local artists, attendees will reflect on the convergence of artistry, culture and tradition through poetic prose, rhythmic dance and visual storytelling. Spoken word, visual art, dance and music will intersect during this event to showcase stories of historically silenced communities and the power of unity. It will also include a hands-on learning portion and time to interact with the performers.
Celebrating the theme of INTERSECTION in 2018, Spirit & Place honors the role the arts, humanities and religion play in shaping individual and community life. Through its November festival, people-centered community engagement, and year- round activities, Spirit & Place links people, places, ideas and organizations to stimulate collaboration, experimentation and conversation. A national model for building civically engaged communities, Spirit & Place is an initiative of The Polis Center, part of the Indiana University School of Liberal Arts at IUPUI. Major partners include Lilly Endowment Inc.; Allen Whitehill Clowes Charitable Foundation, Inc.; Bohlsen Group; Central Indiana Community Foundation; IUPUI; IU School of Liberal Arts at IUPUI; The Polis Center at IUPUI; and more than 200 other community partners and donors. For more information, call The Polis Center at (317) 274- 2455 or visit www.spiritandplace.org.
The Lab Culture series explores the research, traditions and quirks in labs and centers across the IUPUI campus.
Whether you consider yourself a Shakespeare or a Fakespeare, the University Writing Center has been dedicated to helping writers of every skill level produce pristine prose on campus for almost 40 years.
Located on the fourth floor of Cavanaugh Hall along with a second location in University Library, the writing center is open to students, staff and faculty. From poems to syllabi, the graduate and undergraduate writing consultants are eager to dissect documents and bounce around ideas to help improve the piece.
“The Writing Center is a site for writers to be supported by other writers,” said Marilee Brooks-Gillies, director of the writing center and an assistant professor of English. “We see this as a space to learn about and practice writing.”
Users must schedule sessions online. Writers can bring their own laptops to work, or they can use one of the several desktop computers available in the centers.
The center is open to students, staff and faculty at IUPUI. Every skill level is welcome. Video by Tim Brouk, Indiana University
While entering a room full of writers could be intimidating, the center has become a festive space. With the area currently decked out in Halloween decorations, Brooks-Gillies wants clients to feel comfortable while cultivating creativity.
Word of the week
A new word is selected each week. It could be academic; it could be tricky. It could be most groovy: “Reggae” was the term for Oct. 8-12.
“We’re trying to convey that there are a lot of different ways to think about the world, and language is a way to do that,” Brooks-Gillies explained.
The writing center is always equipped with an array of hot tea selections. The beverage is meant to soothe, warm and sometimes caffeinate. It’s all meant to unclog writer’s block.
The roster of undergraduate and graduate students often works on projects when not helping their fellow Jaguars with papers, resumes or short stories. The consultants build workshops to bring to classrooms across campus, and they have the opportunity to publish work. The papers are presented at regional and international conferences.
Dozens of books and binders contain data of the center’s usage — who uses the facility for what, and when? How many students come in a month, semester or year?
Various committees exist within the centers. Creative writing senior Savannah Cox works with the digital resources and online consulting committee. She helps develop handouts and other outreach materials to educate users before they sit down for their first session.
Cox said the main point users should keep in mind is to keep an open mind: “Be open to the suggestions. Another person might be able to see some things that might strengthen your work and help improve your overall work.”
Art of writing
Dozens of paintings produced every semester by the student staff are hung on the center’s walls.
“We want this to a welcoming community space,” Brooks-Gillies said.