The Africana Studies Program in the IU School of Liberal Arts at Indiana University-Purdue University Indianapolis will inaugurate the first Africana Studies Heritage Week Feb. 9 to 13.
The weeklong celebration will feature a series of public lectures; panel discussions; an art exhibit curated by Bessie House-Soremekun, professor and director of Africana studies; a book signing by Ronda Henry Anthony, public scholar of African American studies and undergraduate research; and film viewings based on the theme of “Reconnecting the African Diaspora to Africa.”
“It is entirely fitting and important for us to establish Africana Studies Heritage Week as one of the important traditions that we will celebrate yearly at IUPUI,” House-Soremekun said.
“We are delighted that we will celebrate the creation of black studies/Africana studies as a viable discipline in academia and pay tribute to the numerous contributions of Africa and of African-descended people who reside in the African Diaspora as part of the broader Black History Month activities. Africa is the birthplace of humankind as we know it and has been central in the development of global civilization processes. Our goal is to expose students, faculty and members of the broader community as a whole to these important issues.”
The Heritage Week celebrations will kick off Monday, Feb. 9, with a lecture featuring Dawn Batson, the former chair of the Department of Visual & Performing Arts at the Florida Memorial University and former chair of the National Steel Orchestra of Trinidad and Tobago, as the keynote speaker.
The event begins at 11:40 a.m. in Room 104 of Taylor Hall, 815 W. Michigan St., with introductions from House-Soremekun and Khalilah Shabazz, director of the IUPUI Multicultural Center. Batson will speak from noon to 12:45 p.m.
As part of the Heritage Week observance, House-Soremekun will present an art exhibit and lecture, “The Africa the World Seldom Sees.” Using African artwork from her personal collection, as well as photos she took when she served as a faculty host on the “Treasures of East Africa Tour” to Tanzania and Kenya in 2014 (sponsored by the Indiana University Alumni Association), House-Soremekun will challenge stereotypical images of Africa often presented in popular culture by presenting a compelling counter-narrative that illuminates many positive attributes and beauty of African society.
The art exhibit is open for public viewing Feb. 9 to 28 in Taylor Hall, Room 101.
“The inaugural Africana Studies Heritage Week features a full line-up of very interesting and enjoyable events,” said William Blomquist, dean of the IU School of Liberal Arts at IUPUI. “I commend all those who have collaborated on the organization of this new program, and we’re looking forward to its successful launch.”
Other events open to students, faculty and the general public during Heritage Week include:
12:50 to 2:15 p.m. Monday, Feb. 9, Taylor Hall, Room 115k — Panel discussion about the recent critically acclaimed film “Selma,” moderated by Monroe Little, associate professor of Africana studies and history.
6:30 to 7:45 p.m. Tuesday, Feb. 10, Taylor Hall, Room 101 — A public reception with an Evening of Jazz performed by Bryan Thompson.
1:15 to 2:15 p.m. Wednesday, Feb. 11, Taylor Hall, Room 104 — The lecture “Negotiating Patriarchy, Colonial Legacies and Human Rights Law in Africa” by Obioma Nnaemeka, Chancellor’s professor of French, Africana studies and women’s studies;
Noon to 1:30 p.m. Thursday, Feb. 12, Taylor Hall, Room 104 — A lecture by Ronda Henry Anthony about her book, “Searching for the New Black Man, Black Masculinity and Women’s Bodies.”
10 a.m. to noon Friday, Feb. 13, Taylor Hall, Room 115K — Viewing of the film “Honor & Glory,” the story of the co-discoverer of the North Pole, Matthew Henson.
Additional sponsors for the weeklong event include the IUPUI Office of Admissions; the IU School of Liberal Arts; Office for Diversity, Access, and Inclusion; Multicultural Center, IUPUI Arts and Humanities Institute and the Center for Global Entrepreneurship and Sustainable Development.
The first annual Africana Studies Heritage Week is free and open to the public. A complete listing of events is available online.
For more information, call the Africana studies program at 317-274-8662.
Two professors on the Indiana University-Purdue University Indianapolis campus are among the young professionals recognized as the Indianapolis Business Journal’s Class of 2015 Forty Under 40.
Genevieve Shaker of the IU School of Liberal Arts at IUPUI, and Daniel Vreeman of the Indiana University School of Medicine, also on the IUPUI campus, are named on the list of rising stars in their respective professions who were recognized not only for their early professional success, but also for their accomplishments in the greater Indianapolis community and the likelihood they will remain Indianapolis residents and build on those achievements.
This year’s IBJ Forty Under 40 are introduced in a special section of the Feb. 2 to 8 edition of the publication. Profiles of the 40 young professionals are also published in an interaction version available online.
Shaker, 39, associate dean for development and external affairs in the School of Liberal Arts, is also an assistant professor of philanthropic studies in the Indiana University Lilly Family School of Philanthropy.
Her IBJ profile cites Shaker’s “successful conclusion of the School of Liberal Arts’ seven-year, $18 million campaign, earning an award from the Association of Fundraising Professionals in the process.”
The Association of Fundraising Professionals named Shaker as the recipient of the organization’s 2015 Emerging Scholar Award. The award honors an early-career scholar or scholar-practitioner whose research has and will continue to shape the discourse on philanthropy and fundraising.
Shaker, who teaches the giving and volunteering in America course in the Lilly Family School of Philanthropy, also received the Indiana University Trustees Teaching Award in 2013 and the IUPUI Student Athlete “Favorite Professor” award in 2013.
Vreeman, 36, is associate research professor in the School of Medicine and associate director of terminology services and research scientist with the Center for Biomedical Informatics at the Regenstrief Institute. As a child experimenting with his dad’s Commodore 64 computer, Vreeman created a database to keep track of his baseball card collection.
Today Vreeman has combined his love for computer science and technology with a career in medicine and biology and is advancing the use of computers in health care. He is directing development of a medical vocabulary standard, Logical Observation Identifiers Names and Codes, or LOINC, for short. The language allows for the exchange and aggregation of results across clinics using universal codes. As a principal investigator, he has received $16 million in external funding, and has collaborated on another $40 million in projects.
“Reading about the Forty Under 40 is inspiring for all of us — and Professors Shaker and Vreeman demonstrate how IUPUI faculty make a difference — whether shaping health information or philanthropy,” IUPUI Chancellor Charles R. Bantz said. “Incredibly talented and passionate about their work, they are making long-lasting impact on Indiana and beyond.”
IBJ’s Forty Under 40 recognition program is in its 23rd year. New this year for each honoree is the chance to support causes important to him or her. Central Indiana Community Foundation has provided $40,000 in grants to be designated to local organizations by this year’s Forty Under 40 honorees.
A committee of three IBJ staff members and two members of the 2014 Forty Under 40 class selected this year’s class from among 269 nominations made by IBJ readers and staff.
All 40 young professionals will be honored during a reception Tuesday, Feb. 3 at the Skyline Club.
An Indiana University-Purdue University Indianapolis administrator and professor has received national recognition for demonstrating a promising career as a researcher whose scholarship will shape the disciplines of philanthropy and fundraising.
The Association of Fundraising Professionals has selected Genevieve G. Shaker, associate dean for development and external affairs in the IU School of Liberal Arts at IUPUI and assistant professor in the IU Lilly Family School of Philanthropy, as the recipient of the organization’s 2015 Emerging Scholar Award.
Established by the Research Council of the Association of Fundraising Professionals in 2013, the Emerging Scholar Award honors an early-career scholar or scholar-practitioner whose research has and will continue to shape the discourse on philanthropy and fundraising.
“The Emerging Scholar jury recognized Dr. Shaker’s extremely impressive training and experience,” said Russell James, chair of the association’s Emerging Scholar Award Committee. “Her research provides a greater understanding of academic workplace giving and motivation of faculty in seeking academic careers. Her work will further enhance fundraising strategy development for the field and will provide insights regarding donor motivations, interests and giving trends.”
Emerging Scholar jurors rated nominated scholars on their record of scholarship; demonstrated evidence of a further promising career as an academic researcher or scholar-practitioner; demonstrated impact on the state of scholarship or advancement of knowledge; and evidence of impact on fundraising practice.
“I’m humbled to have been chosen by my peers in AFP for this wonderful award and grateful for the support I have received at IUPUI to pursue my research interests as well as to serve the university as an advancement professional,” Shaker said. “I’m looking forward to the opportunity to make further contributions to the field, higher education and society.”
Shaker, who is also an adjunct professor of liberal arts, focuses her research on workplace giving and higher education advancement, as well as the faculty profession. She has been recognized with several other national awards, including the Dissertation of the Year Award in 2009 from the Association for the Study of Higher Education; and, with her co-authors, the 2009 Robert Menges Award for research in educational development and a 2013 Charles F. Elton Best Paper Award from the Association for Institutional Research.
“Dr. Shaker has quickly become a highly productive and influential researcher on fundraising within colleges and universities, and especially on the philanthropic activities of faculty and staff,” said Bill Blomquist, dean of the IU School of Liberal Arts. “It is very gratifying to see her work receive this well-deserved national recognition through the AFP Emerging Scholar Award.”
Shaker completed her doctorate in higher education at Indiana University Bloomington and holds a master’s in philanthropic studies from the Center on Philanthropy, the Lilly Family School of Philanthropy’s predecessor.
Since 1960, the Association of Fundraising Professionals has advanced effective and ethical philanthropy by providing advocacy, research, education, mentoring, collaboration and technology opportunities for the world’s largest network of professional fundraisers. AFP’s more than 30,000 members raise more than $100 billion annually.
The AFP Research Council leads the association’s efforts to identify research priorities for AFP; recognize and promote research that informs philanthropy and fundraising practice; and translate and disseminate research-based knowledge to practitioners.
In an out-of-court settlement announcement Wednesday, Shell Petroleum Development Co. of Nigeria agreed to a compensation package of 55 million pounds — about $83.4 million — for a Nigerian farming and fishing community damaged by massive oil spills in 2008 and 2009. An Indiana University-Purdue University Indianapolis professor had been among witnesses for the residents of Bodo, Nigeria, in their three-year legal battle.
According to a statement by Leigh Day, the London-based law firm representing the community of Bodo, 15,600 individual claimants will received a total of 35 million pounds, with the remainder of the settlement going to the Bodo community as a whole. Shell has also agreed to clean up the Bodo Creek, Day said.
Scott Pegg, chair of the Department of Political Science in the Indiana University School of Liberal Arts at IUPUI, has been actively involved in the life of Bodo for more than 14 years. As someone who has worked in Bodo for years and as an honorary chief in the village, Pegg said it was the least he could do to provide a detailed witness statement on behalf of the Bodo plaintiffs.
Pegg first visited the community in 2000 and returned a year later with his wife, Tijen Demirel-Pegg. The then newlyweds donated $2,800 of their wedding gift money to the Bebor Model Nursery and Primary School in Botor Village, Bodo. This money finished a roofing project and funded a cement floor for a five-classroom primary school building at the school that now serves more than 300 children.
The couple continued to raise money for the school, and in 2002 their work was formally incorporated into the work of the Indianapolis-based charity now known as Timmy Global Health. The Peggs’ work with the school in Bodo now includes providing boreholes for drinking water; boys’, girls’ and teachers’ toilets for better sanitation; and a pilot health program providing immunizations, health exams and deworming treatments to students at the school.
In 2002, the Bodo Council of Chiefs named the Peggs honorary chiefs in recognition of their contribution to the community’s educational development. In August 2005, Botor Village in Bodo dedicated the “Chief Prof Scott Pegg Road.”
Pegg’s written testimony, filed in the case before the High Court in London, used numerous pictures to document the story of Bodo’s transformation after the oil spills from a vibrant fishing community to a land of “environmental devastation as far as the eye could see.”
Of particular interest to the British lawyers representing the Bodo claimants were the many photographs Pegg had from earlier visits to Bodo before the 2008-09 oil spills. Pegg and people who visited with him often would go down to the waterfront and paddle out into Bodo Creek on a traditional fishing canoe for recreation. Pegg said he never envisioned that his “tourist photos” along the waterfront would actually be used to help document how green and verdant the mangrove forests in Bodo were before the oil spills.
Pegg, who holds a doctorate in political science, described himself as “sort of a perfect storm” as a witness in that the combination of his academic training and interests and his track record of publications on the oil industry in Africa, plus his local status as a chief in the village, made his testimony hard to discredit. At IUPUI, Pegg primarily teaches courses on international relations, war and conflict, U.S. foreign policy, globalization and African politics.
The IUPUI professor is proud of the fact that the Bodo case is the first major legal settlement where compensation has been paid directly to individual Africans and not just done through chiefs or community leaders. He believes the success or failure of the promised environmental cleanup of Bodo Creek will ultimately be even more important than the compensation itself. He also hopes the case will set a precedent and establish benchmark standards for oil companies to follow in dealing with other oil spills throughout the Niger Delta.
“Bodo has suffered and continues to suffer horribly because of the two massive oil spills that hit the community in 2008-09 and for which any kind of clean-up effort has still not yet started,” Pegg said in an email message to Timmy Global Health supporters and other friends. “Even if everything goes well with this settlement, the community faces a daunting list of challenges and problems.
“Still, this is a great day for the people of Bodo. As people who have supported them in various ways, I hope you can savor and enjoy this news as well.”
Despite what many history books say, certain forms of slave labor continued to exist in the American South during the years between the Civil War and World War II. Scenes from the documentary Slavery by Another Name will serve as a starting point of a moderated discussion by Alex Lichtenstein, Assoc. Prof. of History at Indiana University and Brian C. Reeder, Director of Re-Entry for the Dept. of Public Safety in Indianapolis. The discussion will also include a performance by Freetown Village.
Freetown Village, Indiana State Museum, and IUPUI invite the public to a free event, featuring the film “Slavery by Another Name.” “Slavery by Another Name” is one of four powerful documentary films (The Abolitionist, Slavery by Another Name, Freedom Riders and the Loving Story) featured in a series presented by the National Endowment for Humanities, as part of its Bridging Cultures initiative called, Created Equal: America’s Civil Rights Struggle. The film series is part of a project developed by the National Endowment for Humanities to coincide with the 150th anniversary of the Emancipation Proclamation with the purpose to encourage diverse communities across the country to revisit the history of civil rights in the U.S. and to reflect on the ideals of freedom and equality that have helped bridge deep racial and cultural divides in American life. These films tell a remarkable story about the importance of race in the making of American democracy, about the power of individuals to effect change, and about the historical contexts in which Americans have understood and struggled with ideas of freedom, equality, and citizenship.
It was a shocking reality that often went unacknowledged, then and now: A huge system of forced, unpaid labor, mostly affecting Southern black men that lasted until World War II. Based on the Pulitzer-Prize-winning book by Douglas Blackmon, Slavery by Another Name tells the stories of men, charged with crimes like vagrancy, and often guilty of nothing, who were bought and sold, abused, and subject to sometimes deadly working conditions as unpaid convict labor. Interviews with the descendants of victims and perpetrators resonate with a modern audience. Christina Comer, who discovered how her family profited from the system, comments that, “the story is important no matter how painful the reality is.”
For more information about this film, please visit the PBS website.
What: Free public discussion of excerpts from the documentary “Slavery by Another Name,” discussion to be facilitated by Alex Lichtenstein, Assistant Professor of History at Indiana University and Brian C. Reeder, Director of Re-Entry for the Department of Public Safety in Indianapolis. There will also be a special performance by Freetown Village.
When: Thursday, January 29, 2015, 12-1:30 p.m.
Where: Indiana State Museum, Dean and Barbara White Auditorium
Admission is free and registration is not required.
For more information, call 317.232.1637 or visit indianamuseum.org.
Professor Bingham’s presentation of Life, Death and All That Jazz: Bob Fosse and the Hollywood Renaissance of the 1970s on December 5, 2014 will explore the film style of the director-choreographer Bob Fosse (1927-1987), examining Fosse’s heretofore unacknowledged role in the “Hollywood Renaissance” of the 1970s. Bingham artfully examines how Fosse changed Hollywood cinema and American culture in ways that, though not always positive, have been lasting and pervasive. The talk focuses on Fosse’s first two films, Sweet Charity (1969) and especially, Cabaret (1972). These musicals feature unmotivated protagonists and discontinuous editing styles redolent of avant-garde and European Art Cinema. In their tendency toward ambivalence and ambiguity they deconstruct their traditionally optimistic genre, resulting in a uniquely revisionist form of the film musical.
In addition to being a director and choreographer for both film and musical theater, Fosse was also a dancer, screenwriter, and actor. He won an unprecedented eight Tony Awards for choreography, as well as one for direction. He was nominated for an Academy Award four times, winning one. Fosse’s first film, Sweet Charity, starring Shirley MacLaine, is an adaptation of the Broadway musical he had directed and choreographed. His second film, Cabaret, won eight Academy Awards, including Best Director, which he won over Francis Ford Coppola for The Godfather starring Marlon Brando, as well as Oscars for both Liza Minnelli and Joel Grey for their roles.
About the Liberal Arts Sabbatical Series Lectures
The Sabbatical Speaker Series was established to provide a venue for sharing research completed by Liberal Arts faculty while on sabbatical leaves. It is a sampling of the diverse work and excellence of IUPUI faculty, and an opportunity to come together for an hour of intellectual exploration with students, alumni, faculty, staff, retirees and friends from the community.
About the speaker
The academic interests of Dr. Dennis Bingham, professor of English and director of the film studies program, include film theory, gender theory, film biography and stardom and acting. In 2011, Professor Bingham was a finalist for the Theatre Library Association Richard Wall Memorial Award for “Whose Lives Are They Anyway: The Biopic as Contemporary Film Genre” published by Rutgers University Press. He has published numerous articles and entries on Clint Eastwood and Biopics on Oxford Bibliographies Online.
One of the biggest questions in Shakespeare studies is, “Why are there three different versions of ‘Hamlet,’ printed respectively in 1603, 1605 and 1623?”
Are they all written by Shakespeare? And when? And why should we care?
A new, heavily researched and anticipated book — “Young Shakespeare’s Young Hamlet” (Palgrave MacMillan) by Terri Bourus, associate professor of English drama in the IU School of Liberal Arts at IUPUI — looks to solve the mystery of the earliest printed version of the play, sometimes called “Q1 Hamlet.”
Bourus, who is also director and general editor of the New Oxford Shakespeare Project, has long been writing and teaching about a “younger, less philosophical” “Hamlet.” She examines the life of William Shakespeare, the late-16th-century London theatre environment, the London printing houses and book shops, and, of course, the play itself. How did Shakespeare come to write it? What did the play mean to him? Why are there three versions, and of those three, why is the earliest so different from the other two?
The book grew out of Bourus’ research for a graduate seminar on the book trade in Shakespeare’s London. For the required research paper, she chose to investigate the printing operations of Nicholas Ling, a prominent businessman who published some of Shakespeare’s plays, including the early “Hamlets.” Her exploration grew beyond the class research paper and eventually became her dissertation. Bourus said a book was the next natural step.
Researching the project included visiting London printing houses and theaters and, most importantly, several research trips to the British Library and the National Archives in London (for which she won several prestigious grants). Only by working with original documents in London and in Norwich (Ling’s birthplace) could Bourus track down the events in both Ling’s and Shakespeare’s lives that might lead to some answers about this troublesome quarto. The printers might be the key.
“After all, without the printing houses, we would not have Shakespeare’s plays today,” Bourus said. “Shakespeare’s plays come down to us, not only on the stage, but primarily from the page.”
One of the findings that most fascinated Bourus was what she discovered about the interactions between the printers and actors, the printing houses and theaters.
“These ‘dramatic intersections,’ as I like to call them, added a rich layer of story to my research,” she said. “I was able to talk about the relationship of Nicholas Ling to the players, especially Shakespeare, and I was also able to discuss the personal relationship between Shakespeare and his friend and longtime colleague Richard Burbage (the earliest actor to play Hamlet). This allowed me to get to know these Elizabethan and Jacobean Players (as actors were called) and businessmen in an entirely new light.”
Because Shakespeare wrote plays — not novels — Bourus said viewing the play is crucial to understanding the work.
“The best way to really understand a play is to see it on stage and to hear the words on the page spoken by actors,” she said. “A play does not have a ‘narrative voice’ like a book. Instead, a play is explicated through ‘action,’ the action of an actor on a stage with his or her primary tool: language. … Through theater, through performance, through the stage, we come to understand Shakespeare’s use of the English language — language that creates images, ideas, colors, landscapes … paintings made of words.”
In 2011, as she worked on the mystery of the printed “Hamlet,” Bourus decided to see whether she could stage this version of the play successfully and formed Hoosier Bard Productions. Her first production, based on “Q1 Hamlet,” was called “Young Hamlet” because of the age of the protagonist and the young age, she believes, of the playwright himself. Bourus’ book includes images and lively details about how directing the production further shaped her understanding of the history of the text.
Bourus said one of her toughest challenges in completing the project was the continuing resistance to any change in the Shakespearian “tradition.” Some Shakespeare scholars refuse to accept evidence that alters Shakespeare’s legacy. Even the thought that Shakespeare, like all writers, revised his work in order to craft his masterpiece is preposterous to some.
“But he was young once, too, and he was learning his trade,” Bourus said. “The first edition of ‘Hamlet’ was, I argue, Shakespeare’s first play. It’s a good story for university students because they are all, as Shakespeare once was, just embarking on the life they will lead and the legacy they will create.”
The African Studies Association will be holding its 57th Annual Meeting in Indianapolis next week. As part of our Annual Meeting, the Association will host a pre-conference workshop, “Responding to Ebola-Related Stigma and Violence Targeting Africans and First Responders” on Wednesday, Nov 19, 9:30 am-12:00 pm at the JW Marriott Indianapolis, Room 105. This workshop is being organized by a member of the African Studies Association Board of Directors, Dr. Sheryl McCurdy.
This workshop seeks to bring together interdisciplinary experts to discuss the Ebola crisis and possible ways forward, as well as the development of possible responses and resources for future teach-ins and forums. Current panelists include Dr. McCurdy, Dr. Pamela Scully, Emory University, Dr. Mary Beth Riner, Indiana University, and Dr. Ruth Stone, Indiana University.
The School of Liberal Arts at Indiana University-Purdue University Indianapolis is a sponsor of this year’s meeting, and as part of your sponsorship benefits, we would like to open the workshop, free of charge, to interested students and faculty from the School.
Interested students and faculty can sign up to attend the workshop via this form.
Registration will be granted on a first come, first serve basis, and will remain open until the workshop hits capacity.