Bodenhamer publishes new book on mapping and the humanities

The Polis Center’s Executive Director David Bodenhamer shares his expertise in spatial 9780253015600_medhumanities in a recently published book, Deep Maps and Spatial Humanities. Part of the IU Press Series on Spatial Humanities, the book appeared in February 2015 and features essays that investigate deep mapping and the spatial narratives that stem from it.

A deep map is a detailed, multimedia depiction of a place and all that exists within it. Whereas traditional maps serve as statements, deep maps serve as conversations. They use Geographic Information Systems as one tool among many digital technologies to enhance an understanding of space and place. Deep mapping encompasses platform, process, and product, with all three expressions embracing the multiple forms of evidence used by humanists and social scientists. This highly innovative approach to questions of space and place aims to make technology more amenable to the needs of scholars and to facilitate a more robust, visual, and interactive spatial narrative [more about Deep Maps and Spatial Narratives]. Each essay in the volume examines deep mapping as a means of exploring the complex problems of society and culture through new creative spaces that are visual, structurally open, multimedia, and multi-layered.

Contributors to the volume come from a variety of disciplines, including GIScience, computer science, history, religious studies, and geography. “What makes deep mapping exciting as an approach is that it draws upon the insights of many disciplines to help us understand how space and culture influence each other—and it uses new technical means to facilitate this understanding,” said Bodenhamer. “We no longer are confined to the flat map but now can use dynamic virtual spaces to explore our data, develop new questions, and enrich our perspective on how society and culture have evolved.”

In addition to his leadership of the Polis Center, Bodenhamer is Professor of History at the IU School of Liberal Arts and editor of IJHAC: A Journal of the Digital Humanities(Edinburgh University Press). In addition to his international reputation as a leader in the spatial humanities, he also is a well-published scholar in American legal and constitutional history. He is joined as editor of this volume by John Corrigan is the Lucius Moody Bristol Distinguished Professor of Religion and Professor of History at Florida State University and Trevor M. Harris is Eberly Professor of Geography at West Virginia University. The three scholars also serve as founding directors of the Virtual Center for Spatial Humanities; they jointly led an international NEH Advanced Institute on Spatial Narratives and Deep maps that was held at IUPUI in June 2012.

The book is now available for purchase at IU Press and other vendors.

Spirit and Place Festival explores life’s journey

imagesLife’s journey is filled with movement and meaning, but this Nov. 7 to 16, “Journey” also is the theme of a quest for thousands of curious people during the 2014 Spirit & Place Festival in Indianapolis.

The 19th annual festival will explore the various aspects of “Journey” in nearly 40 events scattered throughout the city, focusing on the impact of such topics as immigration, incarceration, marriage and dozens of others, all led by partnerships linking various civic, cultural and religious groups.

Spirit & Place was created 19 years ago by The Polis Center at IUPUI to engage the city’s population in unique conversations about each year’s festival theme.

This year, individual events will study life’s journey, all leading to the annual festival finale: the public conversation. This year’s event will feature renowned authors Gail Sheehy and Mark Nepo and Dr. Timothy Quill and focus on the “Journey’s End” at 4 p.m. Nov. 16 at the Christian Theological Seminary’s Shelton Auditorium.

All three are linked by loss and the quality of one’s end of life. Sheehy, the author of “Passages,” cared for her husband in the last stages of his life. Nepo is a two-time cancer survivor, and is scheduled to tour with television host Oprah Winfrey to discuss his perspectives on the importance of palliative care. Quill is the director of the Center for Ethics, Humanities and Palliative Care at the University of Rochester School of Medicine.

The three also will participate in the Mary Margaret Walther Program in Palliative Care Research and Education symposium “Passages and Promises: Innovations in Palliative Care Research Education and Practice” at the IUPUI Campus Center on Nov. 17.

Linking to other community events of importance is a Spirit & Place goal, said David Bodenhamer, the executive director of The Polis Center and one of those who helped create the festival.

“Spirit & Place’s success ultimately rests upon its ability to connect to the larger civic interests and concerns represented by an ever-growing number of groups in our city who, like Spirit & Place, want to make Indianapolis an even better place tomorrow than it is today,” Bodenhamer said.

Simple, open-ended themes are a deliberate choice, said Pam Blevins Hinkle, the festival director.

“We purposefully choose themes that are timely and resonate broadly in the community,” she said. Such themes help organizations find intriguing partnerships with other groups and explore issues more deeply.

Bodenhamer said he has been pleasantly surprised by some of those partnerships.

“I underestimated both the desire to contribute and the ways in which people wanted to collaborate across sectors,” he said. “People want to experience the whole city, not only their part of it. In this sense, Spirit & Place has touched a longing for connections that make a difference. The festival has encouraged this city’s cultural re-awakening and its belief in itself as a city of worth.”

Simple themes “evoke a wide range of feelings, images, memories and reflections that stoke the imagination and create a sense of anticipation for the November festival,” Hinkle said. The themes often offer an interesting mix of individual and community journeys.

Though other cities have shown an interest in imitating the impact of Spirit & Place, Bodenhamer said none have been able to replicate it.

“Spirit & Place is unique because Indianapolis is unique: we have our own history, our own traditions, our own sense of time and space,” he said.

by Ric Burrous

Learn more about this year’s festival.

 

Professor Jane Stadler-“Spatio-Temporal Storytelling: Mapping the Travels of Red Dog”

The Polis Center and IUPUI Arts and Humanities Institute present:

Professor Jane Stadler
University of Queensland, Australia
“Spatio-Temporal Storytelling: Mapping the Travels of Red Dog”
Monday, March 4, 2013
2:00 p.m.
CA 508
Faculty, staff, and students are invited to attend
Professor Jane Stadler will present her explorations of spatial history, mapping, and mobility in relation to the film Red DogRed Dog is based on three books that narrate the true story of a nomadic Red Cloud Kelpie cattle dog that was adopted by the mining community of Australia’s northwest Pilbara region in the1970s. Representations of Red Dog’s travels highlight the network of economic, geographical, and cultural factors that shape mobility in Australia’s largest, richest, and least densely populated state. In relation to work in progress on The Cultural Atlas of Australia, a cultural heritage project that maps the settings of films, novels, and plays, Professor Stadler considers the challenges of mapping movement through space and time using digital cartography. She argues that using geovisualization techniques to foreground spatial history and mobility in Red Dog reveals complex relationships between the mining industry, the Pilbara community, and myths of national and regional identity conveyed in cultural narratives.
Jane Stadler is Associate Professor of Film and Television Studies in the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Hopton, Atkinson, and Mitchell, 2011), author of Pulling Focus (2008), Screen Media (with McWilliam, 2009), Media and Society (with O’Shaughnessy, 2012), and articles on film and phenomenology, ethics, aesthetics, identity, and landscape.