A concert of contemporary chamber music performed by the Boston-based Callithumpian Consort will occur on Thursday, April 2 at the Indiana Historical Society. Noted American composer Christian Wolff, who has composed a new work for the group’s spring 2015 tour, will be present to give a pre-concert lecture. Admission is free and open to the general public. The Consort, configured for this tour in a quartet of two pianos and two percussionists, will also perform works by Bela Bartok, Earl Brown, and Lee Weisert. The Callithumpian tour and Wolff lecture is made possible with funding from the IUPUI Arts and Humanities Institute, the Donald Tavel Arts and Technology Research Center at IUPUI, the New England Conservatory, and Georgia State University.
Founded by pianist and conductor Stephen Drury in the 1980s, the Callithumpian Consort is a professional ensemble producing concerts of contemporary music at the highest standard. Flexible in size and makeup, its repertoire includes the classics of the last 100 years and new works in the avant-garde and experimental traditions. It is grounded in the musical discoveries of John Cage, Karlheinz Stockhausen, John Zorn, Giacinto Scelsi, Morton Feldman, and Iannis Xenakis. With grants from the Fromm Foundation, Meet the Composer, the Ernst von Siemens Music Foundation and the French American Cultural Exchange, the Callithumpian Consort has commissioned new works from Christian Wolff, Tristan Murail, Chaya Czernowin Lee Hyla, Alvin Lucier and Lei Liang as well as a substantial number of younger composers. The Consort has also worked closely with John Cage, Steve Reich, Frederic Rzewski, Helmut Lachenmann, Michael Finnissy, Jonathan Harvey, John Zorn, John Luther Adams, Brian Ferneyhough, Jo Kondo, and many others. The Boston-based group’s 2015 spring tour will see them premiering a new Christian Wolff work in Boston with throughout the Eastern US, with a final concert in Indianapolis. Indianapolis-based percussionist Scott Deal, who is a professor of music at IUPUI, will be performing with the Consort throughout the tour.
American composer Christian Wolff (b. 1934) was a primary force in a musical movement historically known as the New York School, consisting of composers who revolutionized music in the 20th century. Along with John Cage, Morton Feldman, and Earle Brown, Wolff helped to change the way musicians across a broad spectrum of genres think about composition and performance. Most profoundly, Wolff has impacted how classical musicians interpret their own craft. A particular feature of his music is the various freedoms it allows performers at the time of performance as well as the variable results possible for any one particular piece, for which various new notations have been invented. He has received awards and grants from the American Academy and National Institute of Arts and Letters, the Ford Foundation, DAAD Berlin, the Asian Cultural Council, the Fromm Foundation, the Foundation for Contemporary Performance Arts (the John Cage Award for music) and the Mellon Foundation. He is a member of the Akademie der Kuenste in Berlin and the American Academy of Arts and Sciences. In 2004 he received an honorary Doctor of Arts degree from the California Institute of the Arts. Academically trained as a classicist, Wolff was professor of classics and music at Dartmouth College from 1971 to 1999.
Pianist and conductor Stephen Drury has performed throughout the world with a repertoire that stretches from Bach to Liszt to the music of today. He has appeared at Carnegie Hall, the Kennedy Center, the Barbican Centre and Queen Elizabeth Hall in London, the Cité de la Musique in Paris, and the Leipzig Gewandhaus, and from Arkansas to Seoul. A champion of contemporary music, he has taken the sound of dissonance into remote corners of Pakistan, Greenland and Montana. Drury has performed or recorded with the American Composers Orchestra, the Cologne Radio Symphony Orchestra, the Vienna Radio Orchestra, and the Brooklyn Philharmonic. His performances of music written in the last hundred years, ranging from the piano sonatas of Charles Ives to works by György Ligeti, Frederic Rzewski and John Cage have received the highest critical acclaim. Drury has worked closely with many of the leading composers of our time, including Cage, Ligeti, Rzewski, Steve Reich, Olivier Messiaen, John Zorn, Luciano Berio, Helmut Lachenmann, and Christian Wolff.
Yukiko Takagi received Bachelor’s and Master’s degrees from the New England Conservatory where she studied with Veronica Jochum and Stephen Drury. While a student at the Conservatory she was selected to perform in several Honors programs and appeared regularly with the NEC Contemporary Ensemble. Ms. Takagi has performed with the orchestra of the Bologna Teatro Musicale, the John Zorn Ensemble, the Auros Group for New Music, Santa Cruz New Music Works, the Harvard Group for New Music and the Chameleon Arts Ensemble. She performs regularly with the Eliza Miller Dance Company and the Ruth Birnberg Dance Company and gives frequent duo-piano concerts with Stephen Drury. Ms. Takagi is a featured performer with the Callithumpian Consort. Her recording of Colin McPhee’s Balinese Ceremonial Dances was released by MusicMasters. At New England Conservatory, Ms. Takagi is a teacher and guest artist for NEC’s Summer Institute for Contemporary Piano Performance.
Lauded as having “consummate virtuosity” by The New York Times, Stuart Gerber has performed extensively throughout the US, Europe, Australia, and Mexico as a soloist an chamber musician. He is Associate Professor of Percussion at Georgia State University in Atlanta. As an active performer of new works, Stuart has been involved in a number of world-premiere performances. He gave the world premiere of Karlheinz Stockhausen’s last solo percussion work Himmels-Tür in Italy, and his percussion trio Mittwoch-Formel at the annual Stockhausen-Courses in Kürten, Germany. He has also given the US and Australian premieres of Stockhausen’s duo version of Nasenflügeltanz for percussion and synthesizer, and the US premiere of his solo percussion work Komet. Dr. Gerber has been the faculty percussionist for the Stockhausen-Courses since 2005 and has recorded a number of pieces for the Stockhausen Complete Edition released by the Stockhausen-Verlag. In addition to his work with Stockhausen, Stuart has worked with many other notable composers, such as Kaija Saariaho, Steve Reich, Tristan Murail, Frederic Rzewski, George Crumb, Tania Lèon, Michael Colgrass, Ricardo Zohn-Muldoon, and John Luther Adams.
Performer, composer and media artist Scott Deal engages new works of chamber music, computer interactivity, networked systems, electronics and percussion. His percussion performances have been described as “riveting” (Sequenza21), and executed with “phenomenal virtuosity” (Artsfuse). His recordings have been described as “soaring, shimmering explorations of resplendent mood and incredible scale”….”sublimely performed”, and his recent recording of Pulitzer Prize/Grammy Award-winning composer John Luther Adams’ Four Thousand Holes, was listed in New Yorker Magazine’s 2011 Top Ten Classical Picks. He has performed at venues worldwide, including Musicacoustica Beijing, Almeida Opera London, Arena Stage Washington, Supercomputing Global, Zerospace, SIGGRAPH, Chicago Calling, IEEE CloudCom, Ingenuity Festival, ICMC, NIME, SEAMUS, PASIC, SICK PUPPY, and with groups that include ART GRID, Another Language, Digital Worlds Institute, Callithumpian Consort, Percussion Group Cincinnati, and the Helsinki Computer Orchestra. He is the percussionist for the computer-acoustic trio Big Robot, who have performed to audiences worldwide. In 2011, Deal and composer Matthew Burtner won the coveted Internet2 IDEA Award for their co-creation of Auksalaq, a telematic opera called “an important realization of meaningful opera for today’s world”. Deal’s work has received funding from organizations that include Meet the Composer, Lilly Foundation New Frontiers, Indiana Arts Council, Clowes Foundation, IUPUI Arts and Humanities Institute, and the University of Alaska. He resides in Indianapolis, Indiana where he is a Professor of Music and Director of the Donald Louis Tavel Arts and Technology Research Center at Indiana University Purdue University Indianapolis (IUPUI).
The Africana Studies Program in the IU School of Liberal Arts at Indiana University-Purdue University Indianapolis will inaugurate the first Africana Studies Heritage Week Feb. 9 to 13.
The weeklong celebration will feature a series of public lectures; panel discussions; an art exhibit curated by Bessie House-Soremekun, professor and director of Africana studies; a book signing by Ronda Henry Anthony, public scholar of African American studies and undergraduate research; and film viewings based on the theme of “Reconnecting the African Diaspora to Africa.”
“It is entirely fitting and important for us to establish Africana Studies Heritage Week as one of the important traditions that we will celebrate yearly at IUPUI,” House-Soremekun said.
“We are delighted that we will celebrate the creation of black studies/Africana studies as a viable discipline in academia and pay tribute to the numerous contributions of Africa and of African-descended people who reside in the African Diaspora as part of the broader Black History Month activities. Africa is the birthplace of humankind as we know it and has been central in the development of global civilization processes. Our goal is to expose students, faculty and members of the broader community as a whole to these important issues.”
The Heritage Week celebrations will kick off Monday, Feb. 9, with a lecture featuring Dawn Batson, the former chair of the Department of Visual & Performing Arts at the Florida Memorial University and former chair of the National Steel Orchestra of Trinidad and Tobago, as the keynote speaker.
The event begins at 11:40 a.m. in Room 104 of Taylor Hall, 815 W. Michigan St., with introductions from House-Soremekun and Khalilah Shabazz, director of the IUPUI Multicultural Center. Batson will speak from noon to 12:45 p.m.
As part of the Heritage Week observance, House-Soremekun will present an art exhibit and lecture, “The Africa the World Seldom Sees.” Using African artwork from her personal collection, as well as photos she took when she served as a faculty host on the “Treasures of East Africa Tour” to Tanzania and Kenya in 2014 (sponsored by the Indiana University Alumni Association), House-Soremekun will challenge stereotypical images of Africa often presented in popular culture by presenting a compelling counter-narrative that illuminates many positive attributes and beauty of African society.
The art exhibit is open for public viewing Feb. 9 to 28 in Taylor Hall, Room 101.
“The inaugural Africana Studies Heritage Week features a full line-up of very interesting and enjoyable events,” said William Blomquist, dean of the IU School of Liberal Arts at IUPUI. “I commend all those who have collaborated on the organization of this new program, and we’re looking forward to its successful launch.”
Other events open to students, faculty and the general public during Heritage Week include:
12:50 to 2:15 p.m. Monday, Feb. 9, Taylor Hall, Room 115k — Panel discussion about the recent critically acclaimed film “Selma,” moderated by Monroe Little, associate professor of Africana studies and history.
6:30 to 7:45 p.m. Tuesday, Feb. 10, Taylor Hall, Room 101 — A public reception with an Evening of Jazz performed by Bryan Thompson.
1:15 to 2:15 p.m. Wednesday, Feb. 11, Taylor Hall, Room 104 — The lecture “Negotiating Patriarchy, Colonial Legacies and Human Rights Law in Africa” by Obioma Nnaemeka, Chancellor’s professor of French, Africana studies and women’s studies;
Noon to 1:30 p.m. Thursday, Feb. 12, Taylor Hall, Room 104 — A lecture by Ronda Henry Anthony about her book, “Searching for the New Black Man, Black Masculinity and Women’s Bodies.”
10 a.m. to noon Friday, Feb. 13, Taylor Hall, Room 115K — Viewing of the film “Honor & Glory,” the story of the co-discoverer of the North Pole, Matthew Henson.
Additional sponsors for the weeklong event include the IUPUI Office of Admissions; the IU School of Liberal Arts; Office for Diversity, Access, and Inclusion; Multicultural Center, IUPUI Arts and Humanities Institute and the Center for Global Entrepreneurship and Sustainable Development.
The first annual Africana Studies Heritage Week is free and open to the public. A complete listing of events is available online.
For more information, call the Africana studies program at 317-274-8662.
The IAHI Grant Program exists to support campus-wide attainment of excellence in research and creative activity in arts and humanities. It is designed to enhance the research and creative activity mission of IUPUI by supporting research projects and scholarly activities that are conducted by arts and humanities faculty. The program is intended to stimulate existing and new research and creative activity, and to support faculty in becoming competitive in securing external funding and sponsorship.
The three funding programs are:
- Category A (up to $15,000). This program is designed to enhance research projects conducted by arts and humanities faculty. It allows for things such as up to one month of salary, release time, research assistant support or conference or workshop participation. This grant requires a 1 to 2 match by the faculty member’s department, center or school.
- Category B (up to $5,000). This is a travel and research support grant that covers travel, equipment, materials, etc. and does not require a match.
- Category C (up to $30,000). This is a collaborative research grant to support projects conducted by a teams of two or three faculty from different units on campus. May be used for release time, summer salary, research assistant support, etc. This does not require a match.
Deadline: February 15, 2015 (SLA Internal Deadline February 8), 5 pm
Award-winning novelist Randa Jarrar will conclude the fall Rufus & Louise Reiberg Reading Series with a presentation at the Herron School of Art & Design Basile Auditorium as part of the Al-Mutanabbi Street Starts Here Symposium at Indiana University-Purdue University Indianapolis.
Jarrar’s reading at 7 p.m. Nov. 17 is free, but registration is required .
Jarrar grew up in Kuwait and Egypt and moved to the United States after the first Gulf War. Her first novel, “A Map of Home,” was published in half a dozen languages and won a Hopwood Award and an Arab-American Book Award. Barnes and Noble Review named it one of the best novels of 2008.
In 2010, the Hay Festival and the Beirut UNESCO’s World Capital of the Book named Jarrar one of the Beirut 39 — the 39 most gifted writers of Arab origin under the age of 40. Her work, which includes short stories and essays, has appeared in The New York Times Magazine, Utne Reader, Salon.com, Guernica, The Rumpus, the Oxford American, Ploughshares and Five Chapters.
IUPUI is hosting the inaugural Al-Mutanabbi Street Starts Here Symposium on Nov. 17 and Nov. 18 at University Library, 755 W. Michigan St. In conjunction with Jarrar’s reading and the symposium, Herron is exhibiting its “Al-Mutanabbi Street Starts Here” collection.
On March 5, 2007, in the middle of the Iraq war, a car bomb killed dozens and injured more than 100 people. The bomb also devastated al-Mutanabbi Street, a busy avenue of cafés and bookstores that had served as a meeting place for generations of writers and thinkers.
In response to the attack, San Francisco bookseller Beau Beausoleil rallied a community of international artists and writers to produce “Al-Mutanabbi Street Starts Here,” a collection of letterpress-printed broadsides (poster-like works on paper), artists’ books (unique works of art in book form) and an anthology of writing focused on expressing solidarity with Iraqi booksellers, writers and readers.
“Al-Mutanabbi Street Starts Here” includes 260 artists’ books, a publication titled “Al-Mutanabbi Street Starts Here: Poets and Writers Respond to the March 5, 2007, Bombing of Baghdad’s ‘Street of the Booksellers,'” plus 130 broadsides — one for every person killed or injured in the 2007 bombing of al-Mutanabbi Street.
The Herron Art Library at IUPUI will serve as one of only three repositories in the world — and the only U.S. location — to permanently host the complete Al-Mutanabbi Street collection. The symposium is the first of three biennial conferences IUPUI will sponsor to explore the themes and implications of the collection through papers, panels, posters and presentations.
Visitor parking for Jarrar’s reading is available in the North Street Garage, 819 W. North St.; the Vermont Street Garage, 1004 W. Vermont St.; and the Sports Complex Garage, 875 W. New York St.
The reading is co-sponsored by the IUPUI Arts and Humanities Institute in collaboration with the Reiberg Family and several IUPUI academic units: Herron School of Art & Design, the IU School of Liberal Arts, the Office of the Vice Chancellor for Research, the Office of Academic Affairs, University College and University Library.
Poet Marianne Boruch will direct a readers’ theater performance of her latest poetry collection, “Cadaver, Speak,” at 7:30 p.m. Thursday, Oct. 30, in the Emerson Hall Anatomy Lecture Hall, 545 Barnhill Drive.
“Cadaver, Speak” is Boruch’s eighth collection of poetry. The collection is centered on a sequence of 30 poems — narrated by a 99-year-old woman who is dissected as part of an anatomy class — that explore issues of life and death, knowledge and bodies. Six students from the IU School of Medicine and five students from the IU School of Liberal Arts at IUPUI will read segments of “Cadaver, Speak” with Boruch.
“Marianne Boruch gets us to confront the most intimate details of our lives in a language that is both talky and imagistically rich,” says Karen Kovacik, professor of English at IUPUI and former Indiana Poet Laureate. “Thanks to the wily narrator of this poem, the human body becomes a site of wonder.”
The reading, free and open to the public, is part of the 2014 Rufus & Louise Reiberg Reading Series at IUPUI.
Boruch will also talk about the poem on WFYI’s “Sound Medicine” at 2 p.m. Oct. 26.
Boruch, who teaches creative writing at Purdue University, has published in The New Yorker magazine and was anthologized in the 1997 and 2009 editions of “The Best American Poetry.” She has been awarded fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and she was a Fulbright/visiting professor at the University of Edinburgh, Scotland, in 2012. In 2013, she received the prestigious Kingsley Tufts Poetry Award for her previous collection, “The Book of Hours.” She also completed a residency at the Rockefeller Foundation’s Bellagio Center.
Emily Beckman, assistant clinical professor in the medical humanities and health studies program and adjunct assistant professor in the Department of Medicine, said the reading will be especially beneficial to first-year medical students.
“Students need to realize that the body on which they are working used to belong to a living, breathing human being with a story,” she said. “Boruch’s poem aims to not only tell that story, but encourages us to consider the individual, unique stories of all who are seeking healing.”
The Rufus & Louise Reiberg Series is sponsored by the Department of English in the IU School of Liberal Arts at IUPUI. Founded in 1997 in honor of former IUPUI Department of English chair and Professor Emeritus Rufus Reiberg and his wife, Louise, the annual Reiberg Reading Series brings nationally and regionally known writers to the IUPUI campus to present their work. The Rufus & Louise Reiberg Series is also made possible by the generous support of the Reiberg Family; the Office of the Vice Chancellor for Research; the Office of Academic Affairs; University College; and University Library.
The Oct. 30 reading is co-sponsored by the Department of Anatomy and Cell Biology in the IU School of Medicine and the Medical Humanities and Health Studies Program in the School of Liberal Arts IUPUI as well as the IUPUI Arts and Humanities Institute. The event was made possible by a grant from Indiana Humanities in cooperation with the National Endowment for the Humanities.
Visitor parking is available for a fee in the Riley Hospital outpatient parking garage, 575 Riley Hospital Drive; the University Hospital garage, 600 University Blvd.; and the Vermont Street garage, 1004 W. Vermont St.
RSVPs are requested to email@example.com or 317-278-1669.
INDIANAPOLIS — The Fall 2014 Rufus & Louise Reiberg Reading Series at Indiana University-Purdue University Indianapolis features poets Marcus Wicker and Marianne Boruch and novelist Randa Jarrar.
The Department of English in the IU School of Liberal Arts at IUPUI is the series sponsor. All events, which take place at various locations on the IUPUI campus, are free and open to the public.
The series kicks off with poet Marcus Wicker at 7:30 p.m. on Thursday, Oct. 9 in the IUPUI University Library Lilly Auditorium, 755 W. Michigan St. This event is co-sponsored by the Office for Academic Affairs at IUPUI.
D.A. Powell selected Wicker’s poetry collection, “Maybe the Saddest Thing” (Harper Perennial), for the National Poetry Series. Wicker received a 2011 Ruth Lilly Fellowship and his work has appeared in American Poetry Review and many other magazines. Wicker is an assistant professor of English at the University of Southern Indiana.
Wicker served as the final judge for the 2014 IUPUI Poetry Contest. Contest winners and finalists will share their original poems in an awards ceremony preceding the Wicker reading.
Poet Marianne Boruch will read her work at 7 p.m. on Thursday, Oct. 30 in the Emerson Hall Anatomy Lecture Hall, 545 Barnhill Drive. This event is co-sponsored by the IU School of Medicine, the Medical Humanities and Health Studies Program in the IU School of Liberal Arts at IUPUI, and the IUPUI Arts and Humanities Institute.
Boruch is the author of the recently published poetry collection, “Cadaver, Speak,” along with eight other books of poetry. Her poetry has been anthologized in the 1997 and 2009 editions of “The Best American Poetry.” Boruch, a Fulbright visiting professor at the University of Edinburgh, Scotland, in 2012, currently teaches creative writing at Purdue University.
Novelist Randa Jarrar will conclude the fall series with a reading at 7 p.m. on Monday, Nov. 17, at the Herron School of Art & Design Basile Auditorium, 735 W. New York St. This reading is part of the Al-Mutanabbi Street Starts Here Symposium and is co-sponsored by the IUPUI Arts and Humanities Institute in collaboration with the IUPUI Library. This event is free but registration is required.
Jarrar is an award-winning novelist, short story writer, essayist, and translator. She grew up in Kuwait and Egypt, and moved to the United States after the first Gulf War. Her novel, “A Map of Home,” was published in half a dozen languages and won a Hopwood Award, an Arab-American Book Award, and was named one of the best novels of 2008 by the Barnes and Noble Review. In 2010 Jarrar was named one of the most gifted writers of Arab origin under the age of 40.
The Rufus & Louise Reiberg Series was founded in 1997 in honor of former IUPUI Department of English chair and Professor Emeritus Rufus Reiberg and his wife, Louise. The series is made possible by the generous support of the Reiberg Family; the IUPUI Arts and Humanities Institute; the Office of the Vice Chancellor for Research; the Office of Academic Affairs; University College; and University Library.
Visitor parking for the readings is available in the North Street Garage, 819 W. North St.; the Vermont Street Garage, 1004 W. Vermont St.; and the Sports Complex Garage, 875 W. New York St.
For additional information, contact Terry Kirts at firstname.lastname@example.org or 317-274-8929 or visit http://liberalarts.iupui.edu/reiberg. Facebook user can “like” the series’ page at The Rufus & Louise Reiberg Reading Series @ IUPUI.
Well before the global invasion of Hollywood and the movies, American popular recreations and entertainments established a substantial beachhead in Victorian Britain, a lesser known but historically significant adjunct to the growth of American economic power. This illustrated presentation opens with a case study of the roller skating boom or ‘rinkomania’ in 1870s Britain, an American transplant of its distinctive technology, business practice and social manners. The study reanimates successive American showbiz genres, artists and their influence on the British music halls and popular stage, from minstrelsy to the sensational song and dance of ragtime – – ‘Everybody’s Doin’ It’ – – on the eve of the World War. The Americanisation of Victorian Britain, it is argued, was no one-way process but a complex interaction of modernising cultures, providing a revealing take on an emergent ‘special relationship’, its harmonies and discords. While it intensified the grip of American consumer capitalism, it generated greater expressive freedoms, aesthetically, socially and sexually, in the British host culture.
Peter Bailey is a historian, writer, and jazz musician. An Emeritus Professor at the University of Manitoba, Bailey is currently based in Bloomington, Indiana. His area of specialty is the social and cultural history of modern Britain, especially the history of the Victorian music hall, jazz, and stage. He is the author of many articles and books including Leisure and Class in Victorian England, Popular Culture and Performance in the Victorian City, Music Hall: The Business of Pleasure.
April 11, 2013, 7-8 pm
IUPUI Campus Center, CE 405 (Yale Pratt Meeting Room)
Nearest Guest Parking Garage Vermont Street Garage (XB)
Free tickets available at http://www.eventbrite.com/event/5744403666