Popular Combat Paper workshops return to Herron School of Art and Design in November

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Paper making at a combat paper workshop Image courtesy of Combat Paper project

This November, Drew Cameron will return to Herron School of Art and Design with his internationally successful Combat Paper workshops, where veterans or anyone touched by war may bring uniforms or other cloth to be turned into paper and then made into works of art.

Established in 2007, the Combat Paper Project has grown from its San Francisco base to an international phenomenon that has helped to heal war-torn people from Canada to Kosovo.

In his own post-combat search for meaning, Cameron, the project’s co-founder, discovered that papermaking could be a transformative process that broadens “the traditional narrative surrounding the military experience and warfare.” The workshops are returning to Indiana at the urging of Juliet King, director of Herron School of Art and Design’s Art Therapy Program.

With the support of faculty and students from bookbinding, other fine arts programs and art therapy, the workshops will take place on Thursday and Friday, November 6 and 7, at the Eskenazi Fine Arts Center, 1410 Indiana Avenue, from 10:00 a.m. to 4:00 p.m. Lunch will be provided from noon to 1:30 p.m.

Attendance is free, but reservations are required. Anyone interested in attending the workshops may reserve a seat by contacting Juliet King at kingjul@iupui.edu or 317-278-5466 by October 30.

Cameron also will be providing a lecture series to graduate art therapy students where they will engage in an interactive discussion on the similarities and differences between therapeutic art experiences such as Combat Paper and the clinical profession of art therapy.

Herron alumnus’ paint hits the wall at Clowes and in exhibit at his alma mater

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Sax on the Rocks, Deep Down Series, Artist:Phil O’Malley, Oil on Canvas, 12″ x 12″

INDIANAPOLIS — An upcoming solo exhibit at Herron School of Art and Design at IUPUI includes a multimedia chronicle of the making of the “jaw-dropping” monumental painting going on display at Clowes Memorial Hall.

The Herron show, “The Moment of Conception?” features the work of Herron alumnus and Clowes artist-in-residence Phil O’Malley and runs Aug. 29 to Sept. 19 in the Marsh Gallery of Herron School of Art and Design, 735 W. New York St., on the Indiana University-Purdue University Indianapolis campus.

The Herron show is a companion exhibit to O’Malley’s “Finding Your Way: From Wander to Wonder,”the 40-foot-tall by 20-foot-wide wall art that will hang in the front lobby of Clowes Memorial Hall, on the Butler University campus. The painting is available for public viewing during regular business hours for two years, beginning today.

“‘Finding Your Way: From Wander to Wonder,’ is the apex to my series of paintings known as ‘Deep Down,’” O’Malley said. “This series consists of paintings that are individual abstract visual representations of that amazing personal journey one experiences by going deep down inside to find the strength or the courage that it takes to accomplish something, get through something, or grow beyond something.

“Going deep down into all that muck, chaos and confusion can be an intimidating endeavor, but when we do, that journey can be beautifully awakening to yield incredible growth,” O’Malley said of personal experiences captured in “Finding Your Way” and other “Deep Down” pieces.

O’Malley earned a Bachelor of Fine Arts degree from Herron. He also studied interior design in the Purdue School of Engineering and Technology at IUPUI.

His “Deep Down” series was spurred by selections of popular music from his formative years, translated via paint into vivid visual representations, the artist said.

Three videos chronicling the making of the Clowes painting will play continuously as part of the Herron show. The Clowes wall project is also being documented by local PBS station WFYI.

The Herron show also includes a sculpture, timeline sketches and drawings of parts of the painting. Herron alumni artists C. J. Martin, Naylor Musko and Steve Smolinski assisted with professional art production for the exhibit co-curated by O’Malley and Martin.

O’Malley created “Finding Your Way: From Wander to Wonder” on the stage at Clowes Hall with the support of the Clowes staff. Martin and Musko also were assistants on the Clowes project.

“We used 800 square feet of canvas, 20 gallons of acrylic primer and one dozen gallons of oil paints,” O’Malley said.

“The process included poured paint, sprayed paint, squirted paint, drawn paint, mopped paint and even some brushed paint. At times the canvas was tied on a batten and flown in (onto the stage) and flown back out (off stage) to assist with the application and flow of the paint.”

The result is “jaw dropping” both in terms of the sheer scale of the canvas and O’Malley’s “inventiveness to start with small sketches and synthesize and scale up and adapt to the viewer’s experience of the work from different angles and levels,” said Glennda McGann, Herron’s assistant dean of development and external affairs.

“This is a prime example of an artist’s ability to problem solve,” McGann said. “He even had to collaborate with crew members and invent a way to hang this huge painting.”

O’Malley estimates he has spent about 500 hours making both the Clowes piece and the art for the Herron exhibit.

Herron Galleries host reception Friday, August 29

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Herron School of Art and Design

A public reception will celebrate the beginning of the new academic year and the three shows filling the galleries at Herron School of Art and Design on Friday, August 29 from 6:00 p.m. – 9:00 p.m.

Continuing through September 10th in the Berkshire, Reese and Paul galleries is the 2014 Faculty Exhibition. This year’s exhibition is an exercise in eclecticism with faculty members exhibiting from a variety of departments. All tenured and tenure-track faculty, lecturers and program technicians were invited to participate

The Moment of Conception? is in the Marsh Gallery through September 19th. Phil O’Malley, B.F.A. ’07, has planned a “making of” exhibition, The Moment of Conception?, as a companion to the mid-August unveiling of his, 20’ x 40’ Finding Your Way: From Wander to Wonder, a monumental installation which will hang in the front lobby of Clowes Memorial Hall. The work is the pinnacle creation in a series called Deep Down. Its creation and installation is also being documented by local National Public Broadcast Service station, WFYI.

Katie Hudnall’s exhibition of current work, in the Frank and Katrina Basile Gallery through September 19th, blurs the lines between woodworking and furniture techniques and media and those of sculpture and drawing in a search for new and compelling ways to reach the audiences for these forms.

“The language of furniture, and of utilitarian objects in general, has greatly influenced these hybrids as I search for ways to directly interact with my viewers,” Hudnall said.

Midwest meadows, Madrid, mapping influence October Herron exhibitions

UntitledBerkshire, Reese and Paul Galleries
Shawn Decker Prairie

Positioned at the intersection of music composition, visual art and performance, Chicago Artist Shawn Decker’s work uses physical and electronic media to investigate the natural and unnatural world.

By way of its most recent stop in Austria, his work Prairie will arrive at Herron School of Art and Design’s Berkshire, Reese and Paul galleries with an opening artists talk and reception on September 26 beginning at 6:00 p.m.

Prairie is a large-scale kinetic sound sculpture. This installation presents visual elements that mimic prairie grasses as well as sound elements that evoke sounds of the prairie—from insects to wind playing in the grasses. The irony of a human construction with digital programming that ends up producing a meditative, seemingly natural environment is not lost on the artist.

Basile Auditorium
Artists Talk: Shawn Decker and Lanny Silverman

Joining Decker for a discussion of the current state of contemporary and avant garde art forms will be independent curator Lanny Silverman, formerly curator of exhibitions for the Chicago Cultural Center Department of Cultural Affairs.

Marsh Gallery
Lost in Translation:
Student Work from Herron’s Summer Study Abroad Program in Spain

Professors Anila Agha and Stefan Petranek not only conducted a summer scholarly excursion to Spain, the two will curate a showcase of student sculptures, drawings and photographs compelled by student travel experiences in Madrid and Barcelona. Some of the works were exhibited at the Makers of Barcelona gallery in June 2014, but this exhibit will include work created since the students’ return. Participating artists are: Helen ArthBrianna Campbell,Devan HimstedtJessica KartawichCarolyn KypchikChristine (Jazz) LongMary McClungEvan RiceBrittany Rudolf andHadia Shaikh.

Basile Gallery
Reagan Furqueron

A solo exhibition will feature new works by Director of Foundation Studies and Assistant Professor Reagan Furqueron that explore the ideas of transition and mapping through a sculptural approach to making—a departure from Furqueron’s usual making mode.

Demonstrating extraordinary generosity through legacy gifts

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Alumna Doris J. Brinkman (1950s) remembered Herron in her estate plans Image Herron staff

Ordinary people are demonstrating extraordinary generosity by leaving legacy gifts to Herron in their wills and estate plans. Each of their stories represents something important to them. Because of their commitment to Herron’s mission, their priorities will continue, and their gifts will remind us that we, too, can make a difference in the lives that follow.

 

Read about some of Herron’s friends and alumni who have done just that:

Ruth Lilly
Robert B. Berkshire
Doris Brinkman
Harry and James Esamann
Frank and Katrina Basile
Edith Moore

How do you get started?

Think beyond cash gifts made today. Options include a simple directive in your will or naming Herron as a beneficiary of your life insurance, pension plan, IRA or trust. Click here for bequest language.

As a professional school of Indiana University, Herron works closely with the IU Foundation as it stewards and maintains your gift. To learn more about other types of gifts and various ways to give visit IUF’s website.

Have you already remembered Herron in your plans?

Perhaps you have already remembered Herron in your will or estate plans. If so, we invite you to notify Herron’s Office of Development so that we can celebrate with you. We can help document your gift to help ensure your intentions are carried out in the future.

As always, your support may be given anonymously, if you prefer. Simply notify Herron’s development staff about your philanthropic plans.

Want to learn more?

Herron’s staff and faculty look forward to learning about your philanthropic plans today so that your generosity can be recognized during your lifetime. To learn more about leaving a legacy at Herron School of Art and Design, contact Kim Hodges at (317) 278-9472 or kshodges@iupui.edu or Glennda McGann at (317) 278-9477 or gmmcgann@iupui.edu

First Herron Open: Mini Golf Mega Art an unqualified success

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(r to l) IUPUI alumnus Carlos Knox, player development with the Indiana Fever; Herron Dean’s Advisory Board member Conrad Piccirillo; his daughter, Caitlyn Piccirillo; and Indiana Fever star forward Tamika Catchings enjoying the Herron Open. Image John R. Gentry Jr.

The first Herron Open: Mini Golf Mega Art, which took place in early June, was an unqualified success. Nearly 200 attendees were on hand to play the nine-hole miniature golf course inside Eskenazi Hall, created by teams of Herron students and faculty. The Herron Alumni Association designed a hole, too. It won the People’s Choice Award. The Sculpture Department’s hole, which came complete with students dressed as moles, won the Chairs’ Choice Award.

The event netted more than $30,000 in new scholarship support for Herron students.

Herron Open: Mini Golf Mega Art was selected as a NUVO Top Pick of the Week and featured in the Indianapolis Star’s 10 Things To Do. It was also covered by the Indianapolis Recorder, WTHR’s sports reporter Rich Nye, and mentioned on WFYI’s The Art of the Matter.

One thing is for sure (although at press time we don’t know exactly when) the event will return!

Central Indiana Community Foundation helps Herron’s art therapy program produce a skilled and in-demand workforce

UntitledJob placement is 100 percent for the first cohort of eight graduate students who earned a master’s degree in Art Therapy from Herron School of Art and Design this May, said Juliet King, program director and professor of Art Therapy. Launched only two years ago, the program has developed vigorously, in large part due to philanthropic support from individuals and foundations.

The Frank Curtis and Irving Moxley Springer Fund, a fund of the Central Indiana Community Foundation, put its support into bringing together Herron students—who must complete 1,000 hours of supervised, clinical training as part of their degrees requirements—and community members who can benefit from art therapy services.

Herron’s Art Therapy program is one of only 34 two-year, full-time, residential programs in the country—offering graduate art therapy education in preparation for the dual credentials of Registered Art Therapist and Licensed Mental Health Counselor.

Herron currently is working with nearly 30 community organizations to pair its art therapy students with programs that serve youths, adults, the aged and other vulnerable populations. Qualified professionals must supervise Herron’s students in a clinical setting. That requires investment.

Andrew Black, a grants officer of the Central Indiana Community Foundation, said “The Art Therapy grant was in alignment with The Frank Curtis and Irving Moxley Springer Fund because it promotes the making of art and provides important health and social services to improve the physical, mental and emotional well-being of people of all ages, many of whom are dealing with significant physical and/or mental health challenges.”

Frank began work at Eli Lilly and Company in 1937. He and his wife, Irving, became incredibly generous philanthropists. Both are now deceased, but their fund, established in 1998, will continue in perpetuity as they wished.

King said, “It’s exciting to see the full cycle of the impact of the program. We are helping children and adults cope with illness, injury and trauma while the graduate students gain the academic experience necessary to become a trained professional and contribute to the workforce of Indiana and beyond.” She added, “We are grateful to the Frank Curtis and Irving Moxley Springer Fund and CICF for the assistance in successfully developing the program.”

The program’s first eight graduates are Linda Adeniyi, Uriah Graham, Amy Granger, Katherine Hearn, Amanda Krieger, Heidi Moffat, Hillary Timmerman and Natalie Wallace. These alumni were hired by providers including Adult & Child Community Mental Health, MENTOR Network, Midtown Community Mental Health, Season’s Hospice, Legacy House, Meridian Health Services and Gallaudet University that provide school- and home-based counseling, health therapy and hospice care.

Nine students are projected to graduate in 2015 and 13 in 2016.

Black added, “Not only does this therapy provide counselors, therapists, or case workers with an additional and often times necessary alternative method for communication, it also provides some of our most vulnerable populations with a creative outlet that promotes self-expression, increases their ability to cope with their circumstances or challenges, and ultimately aids in their rehabilitative progress and contributes to their quality of life.”

To learn more about supporting Herron’s Art Therapy Program, contact Kim Hodges, Office of Development, at 317-278-9472 or kshodges@iupui.edu.

Furniture Design graduate students imagine a new version of Brunswick Billiard’s most iconic pool table

UntitledBrunswick Billiards President Brent Hutton approached Herron School of Art and Design to connect with the talented faculty and students in its Furniture Design Program. The task? To reimagine the Gold Crown pool table for its sixth edition. The Gold Crown is Brunswick’s most iconic table—preferred by the pros and tapped by Hollywood to serve as the centerpiece of such classic movies as The Color of Money and The Hustler.

Through the school’s Basile Center for Art, Design and Public Life, 11 furniture design graduate students got the chance to create a new version. The Basile Center pairs Herron students and faculty with real client projects. Everyone involved gets an education in the process.

Brunswick views pool as a more than a game. Each pool table is a finely crafted piece of furniture, so the pairing was perfect.

Over the years, Hutton’s exposure to Herron as a Bedford, Indiana native and an alumnus of Indiana University has made a favorable impression. He has spent lunches between business meetings in Indianapolis at Herron, looking at student work. “The thing I remembered most is the freshness of the ideas,” he said. “I really did not see that anywhere else, and at the time I was traveling to New York and Chicago.

“The fit for me,” Hutton continued, “was, unlike an industrial design school, this was studio design, and I thought leading edge in terms of art and thinking.” Hutton considered the leap he was about to take working with students. “It was a risk we took,” he said, “but I tell you, it could not have worked out any better.”

Guided by faculty members Cory Robinson, Katie Hudnall and Glen Fuller, a detailed specification provided by Brunswick and their own research, the students had the opportunity to work on a project that would have been an exhilarating and challenging assignment for a seasoned professional—refreshing the Gold Crown’s appeal to a tech culture and a female audience while retaining its iconic brand attributes.

At the end of June, three finalists remained; Sam Ladwig, Shelley Spicuzza and Colin Tury. When the designs were presented to a gathering of Brunswick Billiards’ top retailers, they met with an enthusiastic response. The students will gain more than a hefty notch on their belts; the first place designer wins an award of $2,500, and the two honorable mention designers will walk away with $500 each. A decision about which design goes into production is expected later this summer. We’ll keep Herronline readers updated as this story develops. Click the link below to hear an interview with the finalists produced by James Gray of WFIU radio. http://indianapublicmedia.org/arts/brunswick-billiards-iupui-team/

Explore IUPUI’s public art collection

sculpture5_iIUPUI’s public art collection is high in quality and vast in subject matter. It includes sculptures from world-renowned artists such as Dale Chihuly and John Torreano, but is also privileged to feature artwork by IUPUI alumni.

As home to the only professional, accredited school of art in Indiana, the Herron School of Art and Design, IUPUI has access to a large community of creative and talented students. Their work can be seen throughout IUPUI’s public art collection. In the cooperative nature of public art, IUPUI has enabled students past and present to take part in the development of the campus’s public identity through these outdoor sculptures.

IUPUI’s public art collection functions not only to create points of interest, but also to provide students and the public with spaces to come together, have meaningful conversations and take part in campus life.

A fun way to start exploring public art at IUPUI is by visiting the Indianapolis Public Art website, which allows users to plan a public art walking tour through campus and the greater Indianapolis area.

This photo gallery is a small sample of a larger collection consisting of more than 30 works of sculpture located throughout the IUPUI campus. For more information, visit Wikipedia’s IUPUI Public Art Collection page, a project by an IUPUI Museum Studies class to promote research and conservation of the outdoor sculptures on campus.

by Emma Hernandez

Herron School of Art and Design faculty, alumni to strut their stuff in August

Sax on the Rocks 12x12 oil canvas

Phil O’Malley,      Sax on the Rocks,  Oil on Canvas,      12” x 12”

The Biennial Faculty Show will kick off the fall gallery season at Herron School of Art and Design in Eskenazi Hall’s main galleries. This year’s exhibition will be an exercise in eclecticism with faculty members exhibiting from a variety of departments. All tenured and tenure-track faculty, lecturers and program technicians were invited to participate.

Also opening in the Marsh Gallery August 1 is Print or Die an annual print exchange created and curated by Dominic Senibaldi (M.F.A. in Printmaking, 2013). Print or Die will showcase works from two years of the exchange, and illustrate the ideas behind the print exchange culture and its importance in contemporary printmaking. Artists from coast to coast participate.

In the Basile Gallery, also opening August 1, is 316: A Thesis Exhibition by Eric D. Johnson (M.F.A. in Printmaking, 2014). Johnson describes the concept for the exhibition as emerging from strain on the support systems of the modern world caused by mass production, consumption and waste, and observation of critical tipping points and cascading failures.

Works will be available for purchase on opening night.

Rounding out the month, opening on August 29 and continuing through September 19, will be solo shows by alumnus Phil O’Malley (B.F.A., ‘07) in the Marsh Gallery and Assistant Professor in Furniture Design Katie Hudnall in the Basile Gallery.

O’Malley has planned a “making of” exhibition, The Moment of Conception?, as a companion to the mid-August unveiling of his, 20’ x 40’ as yet untitled work, a monumental installation which will hang in the front lobby of Clowes Memorial Hall. The work is the pinnacle creation in a series called Deep Down. Its creation and installation is also being documented by local National Public Broadcast Service station, WFYI. O’Malley said the series was spurred by “several selections of popular music” from his formative years, translated via paint into vivid visual representations. “Now they’re laid out, varnished, nailed to their boards,” he said, “and placed in their four-sided coffins for their viewing. We’re so sorry, Uncle Albert.”

Hudnall’s exhibition of current work blurs the lines between woodworking and furniture techniques and media and those of sculpture and drawing in a search for new and compelling ways to reach the audiences for these forms.

“The language of furniture, and of utilitarian objects in general, has greatly influenced these hybrids as I search for ways to directly interact with my viewers,” Hudnall said. “In the newest work, an interactive element is integral to experiencing the piece. The viewer might open and close a door, or a drawer might activate another section of the work, revealing intricate drawings that open like books, or umbrella-like forms that raise and lower out of the top of the piece. This exhibition raises questions about the notion of communication. Viewers may work together to operate a piece, making it something that a single viewer cannot fully experience on their own.”