IUPUI Motorsports engineering and furniture design students build Formula-style race car

391007_w296INDIANAPOLIS — The Indiana University-Purdue University Indianapolis Formula-style race car competing this week in Lincoln, Neb., is the unique collaborative work of students from two diverse programs on the IUPUI campus – motorsports engineering and furniture design.

The vehicle is one of more than 90 cars entered in the Formula SAE student design competition organized by SAE International, formerly known as the Society of Automotive Engineers.

Students from the motorsports engineering program in the Purdue School of Engineering & Technology at IUPUI designed, built and tested the majority of the IUPUI race car. However, the bodywork is the team work of motorsports students and students in the furniture design program of the Herron School of Art and Design at IUPUI.

“This inventive collaboration is a perfect example of the relevance of art and design to a broad array of applications beyond ‘fine art.’ It also serves as an example of the opportunities afforded to students at IUPUI by faculty who are more than willing to work across school boundaries with their colleagues,” said Glennda McGann, assistant dean for development and external affairs at Herron.

Pete Hylton, associate professor of mechanical engineering technology, is director of the motorsports engineering program at IUPUI, the first U.S. university to offer a bachelor’s degree in motorsports engineering.

Furniture craftsman Cory Robinson, associate professor and chair of Herron’s fine arts department, directed the Herron students working on the race car project.

“It was very interesting to see the kinds of machines that they use to make furniture….and to figure out how to translate our needs to their equipment,” said Nikky Saxon, a motorsports engineering student who worked on the race car project. “The Herron students were very helpful and easy to work with.  It was a great experience.”

According to the description on the SAE website, the concept behind Formula SAE is that a fictional manufacturing company has contracted a design team to develop a small Formula-style race car for a non-professional weekend autocross racer. Each collegiate team designs, builds and tests a prototype based on a series of rules set up both to ensure onsite event operations and promote clever problem solving.

Motorsports engineering students developed the IUPUI race car’s basic shape using 3D computer modeling to fit a shape around the chassis, including an aerodynamic underbody which provides ground effects. The shape of the underside of the body creates down-force by channeling the airflow through a venturi shaped passageway, similar to what is done on IndyCar and Formula One racecars.

The IUPUI engineering students handed off their design to the Herron students who went to work using their school’s gantry mill — typically used to shape wood for furniture design projects — to shape the pieces which were assembled to form the car’s required body shape.

A fiberglass mold was then made of this shape, and finally a composite layup was made using that mold and it was cured with the help of Indy Performance Composites to complete the body parts.  These were then fitted to the chassis, which is a steel tube-frame configuration built with materials donated to the program by AED Motorsports of Indianapolis.

“We were able to make a much more complex shape by using the Herron gantry mill,” Hylton said. “We were able to design the car on the computer using 3D modeling and translate that to hardware using the gantry mill. Working with specialists from another (non-engineering) realm is excellent experience for our students….and very real world.”

The IUPUI vehicle completed its tech inspection Wednesday as one of less than 40 entries to accomplish that requirement on Day 1 of the four-day racing event.

Design judging took place Thursday. Dynamic competitions such as acceleration, skidpad, autocross, and endurance events will take place today and Saturday.

IUPUI last competed in Formula SAE in 2011 when the school was the top finishing rookie team at the event held at Michigan International Speedway.

For further information, contact Motorsports Engineering Director Pete Hylton at phylton@iupui.edu or FSAE faculty advisor, Andy Borme at aborme@iupui.edu.

 

IUPUI liberal arts student curates photography exhibit that bridges physical, virtual spaces

389465_w296INDIANAPOLIS — A new photography exhibit curated by Aaron Pierce, a graduate student in the IU School of Liberal Arts at IUPUI, brings together photographers from around the world in both a physical gallery space and a virtual space via Instagram and blogs.

Social Photography: Art in Progress” runs through June 27 at Indy Indie Artist Colony & Gallery, 26 E. 14th St. During the exhibit, photographers will share an Instagram account. The pictures they post will be projected onto the gallery’s walls, thus creating a worldwide, ever-changing art exhibit.

The exhibit seeks to create a dialog about the nature of photography in frequently changing social media environments.

Pierce, who also holds a bachelor’s degree in English from the School of Liberal Arts, is finishing a master’s degree in geographic information science at Indiana University-Purdue University Indianapolis. He describes the exhibit as a social experiment that is interactive and engages with the audience.

“We will be hosting a ‘Topic of the Day’ blog at our website where we will bring up topics that fit within the gallery themes, but each photographer’s photographic post will work as an individual pillar of conversation to build off of and connect with other topics, themes and ideas,” he said. “This will be a very fluid and active discussion; it could easily take us for completely unexpected spins.

“We are engrossed into virtual lives now, and this physical gallery serves as the place where we will get experimental with our space,” Pierce said. “We will be hosting artist talks through Google Hangouts from this location as well as interacting with both virtual and physical works hosted in the gallery.”

Pierce, a Carmel resident, said his interest in photography reaches back to childhood. He has also been able to incorporate photography into his academic work during study-abroad trips to Cuba and Morocco.

Pierce has also used social media platforms to showcase his photography, and he organized an IUPUI campus event where students could talk with Lauren Bohn, a journalist based in Cairo during the Arab Spring, via Skype. Bohn is among the photographers participating in the exhibit.

Other artists participating in the exhibit, some with ties to Herron School of Art and Design, include Milli Apelgren, Nabil Attia, Denise Conrady, Kevin Scott Davis, Juan Jerez, Amina Khazie, Sam Ladwig, Zun Lee, and Scott Witt.

“I saw this gallery exhibit as a way to not just show my work, but as an opportunity to use the space for a bigger role in exploring and discussing social media with photography through a collective of artists and an audience that is encouraged to engage with the exhibit,” Pierce said.

Social Photography: Art in Progress” can also be viewed on Instagram at @socphotogallery and followed via the #socphotogallery hashtag. Photo prints are available for purchase.

International Violin Competition Exhibition

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June 20- July 24, 2014

   Frank & Katrina Basile Gallery
    Marsh Gallery

 

 

Herron is partnering on two gallery exhibitions for the 9th Quadrennial International Violin Competition of Indianapolis, one of the most respected music competitions in the world (taking place in September 2014).

A Juried Exhibition of Student Art, 30 prize-winning entries from first through 12th graders around Indiana will fill the Basile Gallery.

An exhibition of 19 works from a commission competition for Herron junior painting students, through a project of the Basile Center for Art, Design and Public Life, will be exhibited in the Marsh Gallery.

About the Basile Center for Art, Design and Public Life:

The Basile Center for Art, Design and Public Life enables Herron faculty and students to apply their talent and skill to real-world situations and needs. The Basile Center brings together Herron artists, designers, and art educators to serve the needs of the broader Indianapolis community. The projects that the Basile Center manages range from permanent public art installations to visual communication design projects, to arts administration and fine art exhibitions, and they yield incredible opportunities for professional practice for our students, including both our undergraduates and students in our graduate programs.

Al-Mutanabbi Street Project

al-mutanabbi streetThe Herron Art Library—a full-service branch of the University Library—has recently been selected to house a unique collection of artists’ books.

On March 5th 2007, in the middle of the Iraq war, a car bomb exploded in Baghdad, destroying a busy avenue of cafés and bookstores that had served as a meeting place for generations of middle-eastern writers and thinkers. In response to the attack, a San Francisco bookseller, Beau Beausoleil, rallied a community of international artists and writers to produce a collection of letterpress-printed broadsides (poster-like works on paper), artists’ books (unique works of art in book form), and an anthology of writing, all focused on expressing solidarity with Iraqi booksellers, writers and readers. The coalition calls itself Al-Mutanabbi Street Starts Here.

The coalition has agreed to donate a complete run of the Al-Mutanabbi Street Starts Here collection to the Herron Art Library. Valued at over $250,000, the Al-Mutanabbi Street Starts Here collection includes 260 artists’ books; a publication entitled Al-Mutanabbi Street Starts Here: Poets and Writers Respond to the March 5th, 2007, Bombing of Baghdad’s “Street of the Booksellers”, plus 130 broadsides—one for every person killed or injured in the bombing of al-Mutanabbi Street. The Herron Art Library will be one of only three libraries worldwide to be a permanent home to the collection, and the only library in the U.S.

Along with the collection, the library is hosting a conference this fall on the IUPUI campus and a show featuring some of the collection in August at the Harrison Center for the Arts. For more information on the collection, please go to this website.

Art legends inspire creative miniature golf course for Herron student scholarship fundraiser

unnamed     June 7, 2014

   Indianapolis, IN

 

Andy Warhol’s soup can paintings and Picasso’s bull series are among the inspirations for a nine-hole miniature golf course created for a fundraiser at Herron School of Art and Design on the Indiana University-Purdue University Indianapolis campus.

“The Herron Open: Mini Golf Mega Art” takes place from 6 to 9 p.m. on Saturday, June 7 on the first floor of the art school building, Eskenazi Hall, 735 W. New York St.
Tickets for the evening of miniature golf, food and drinks, along with music and a silent auction, are $35 to $125. The event is open to the general public, and proceeds will help fund scholarships for Herron students.
Reagan Furqueron, director of foundation studies at Herron and faculty coordinator for the Herron Open, is spearheading the construction projects needed to transform Eskenazi Hall classrooms into one of the most creative miniature golf courses Hoosiers will ever play.
Nine student-faculty teams representing  the school’s academic programs — art history, sculpture, foundation studies, art education, print and painting, visual communication design, ceramics, and furniture design — and the school’s alumni association, have each built a hole, clocking in a total of at least 200 hours on the three-month project.
“None of us have ever built a mini golf course, so we have been making up the rules as we have gone along; but as artists, we are pretty well-prepared for that,” Furqueron said. “I gave them two rules to follow: One was that each hole had to be well-made. And the other was that (a hole) had to be playable. Then they could do whatever they wanted to from there.”
The builders played some mini golf around town to get a feel for what should happen along the course. While miniature golf enthusiasts will see some similarities with other courses, there are some creative twists to the Eskenazi course.
“It is a little more dimensional than what you are used to … the (course) at the mall is pretty flat. There are some challenges in this one that are pretty interesting, some tricks,” he said.
Although the event can be seen as a “really great cocktail party with mini-golf,” its value goes beyond entertainment.
“The fundraiser is for student scholarships, which is why many of our faculty wanted to get involved,” Furqueron said. “We know our students give a lot to come to school. All IUPUI students do. And this is a way for us to give back to them.”
The project has provided opportunities for freshmen to collaborate with faculty as peers outside a classroom setting, and it has provided graduate students the opportunity to practice their project management skills. The event also provides the community an opportunity to visit Herron’s first-class facility.
Tickets are available online.

 

Dual shows at Indiana State Museum and Herron School re-create Indianapolis art scene of ’80s and ’90s

386205_w296INDIANAPOLIS — The Indiana State Museum and Herron School of Art and Design have collaborated to present a window into the Indianapolis art scene of the early 1980s and 1990s. The iconic institutions will exhibit “431 Gallery: Art and Impact” and “Ed Sanders/Life and Art,” respectively.

A June 27 opening reception featuring passed hors d’oeuvres, beverages and live music will begin at the museum from 6 to 7:30 p.m. and continue at Herron from 7:30 to 9 p.m. Ticket information is available at the Indiana State Museum ticket counter, 317-232-1637.

“431 Gallery: Art and Impact” will feature a partial re-creation of the gallery, where visitors can view two- and three-dimensional works by former Herron students from the original cooperative. The exhibition is funded in part by the Buckingham Foundation, the Arts Council of Indianapolis and the City of Indianapolis and is free with museum admission after the opening reception.

“The 431 Gallery was one of the original galleries operating on Massachusetts Avenue from 1984 to 1993,” said Mark Ruschman, the museum’s curator of fine art. “The area is considered Indianapolis’ first arts district and was integral in driving the downtown renaissance. The exhibition will connect many people to a time in Indianapolis when there were few venues for artists to showcase cutting-edge, contemporary works.”

Featured artists include Bill Adkins, Anita Giddings, Larry Kline, Carla Knopp, Steve Paddock and Ed Sanders. “431 Gallery: Art and Impact” will continue through Sept. 14.

“Ed Sanders/Life and Art” is a posthumous, solo exhibition of paintings and drawings. Critics and fellow artists recognized the Herron graduate as a major figure in the Indianapolis art scene of the time. He died in 2006 at the age of 59.

Bret Waller, director emeritus of the Indianapolis Museum of Art, organized the exhibition and authored the companion, illustrated catalog. He said Sanders supported himself by architectural work during the day, painting in his studio until late at night, producing a remarkable body of work. One observer wrote, “[I]t often seemed that Ed was trying to tackle bigger game than most artists attempted, here or anywhere else. Ed’s paintings seemed like a no-holds-barred wrestling match with existence … he painted as if painting really mattered, as if truth itself depended on it.”

“Ed Sanders/Life and Art,” in the Berkshire, Reese and Paul galleries of Herron’s Eskenazi Hall, will bring together important works spanning Sanders’ quarter-century career. The free exhibition will continue through July 24.

On Saturday, June 28, there will be two panel discussions related to the exhibitions, funded by the Efroymson Family Fund, a Central Indiana Community Foundation Fund, and moderated by Steve Mannheimer, a professor in the School of Informatics at IUPUI who, as a professor of painting at Herron, challenged his students to create the 431 Gallery, and David Hoppe, contributing editor at NUVO. Panelists will include Bill Adkins, David Andrichik, Dave Lawrence, Richard Emery Nickolson, Mark Ruschman, Constance Scopelitis, Joyce Sommers and Jim Walker.

“431 Gallery,” a conversation about the gallery’s role and impact on the Central Indiana art scene, will take place from 10 a.m. to noon in the museum’s Dean and Barbara White Auditorium. “Our Journey: 30 Years of Art,” a look at what’s next for the larger art scene in Indiana, will take place from 1 to 2 p.m. in Herron School of Art and Design’s Basile Auditorium. Both exhibitions will be open. The discussions are free and open to the public, but due to limited seating, reservations are required. RSVP by calling the museum at 317-232-1637. The deadline is June 22.

“This is the first time Herron and the Indiana State Museum have partnered on a major program, and we’re excited about it,” Ruschman said. “Since the 431 Gallery was founded by former Herron students, and Ed Sanders was a founding member, the collaboration on the exhibitions and panel discussions makes perfect sense.”

For more details, contact Mark Ruschman at 317-232-1633 or mruschman@ indianamuseum.org, or visit the museum website at www.indianamuseum.org.

Laurette McCarthy will explain why you should care about Walter Pach and the Armory Show

Independent Scholar and Curator Laurette McCarthy will speak at Herron School of Art and Design on March 27 at 6:00 p.m. in the Basile Auditorium about her new book and The International Exhibition of Modern Art—also referred to the Armory Show.

Although it happened in 1913—ancient history for people absorbed in the here and now—this colossal granddaddy of an exhibition awakened America to new ways of seeing. Housed in New York City’s 69th Regiment Armory, which still stands on Lexington Avenue, the works in the Armory Show set the town on its ear.

All manner of experimental art—postimpressionism, fauvism, cubism, even a couple nonobjective paintings—was presented to a public steeped in realism. The Armory Show works were so edgy that even decades later, Hitler would seek to purge these “degenerate” treasures from the earth as a part of his horrific master plan.

Cézanne. Duchamp. Matisse. Hopper. With hundreds upon hundreds of works by more than 300 European and American artists, the Amory Show was the first exhibition of its kind in America, and it traveled from New York to Chicago and Boston.

A century hence, Laurette McCarthy has written Walter Pach (1883- 1958): The Armory Show and the Untold Story of Modern Art in America. She focuses on Pach as “one of the prime movers behind this seminal event,” about whom “surprisingly little has been written.”

Academics hail McCarthy’s book as a “meticulously documented biography” and “an important contribution to the history of American modernism.” It’s also a juicy backstory—one you’ll want to hear presented in person by the author.

McCarthy’s talk will touch on a Herron angle: faculty members Wil­liam Forsythe and Clifton Wheeler attended the exhibition in Chicago. Their connections to and opinions on the show may surprise you.
She will also discuss a centennial exhibition at the Montclair Art Mu­seum (http://www.montclair-art.com/): The New Spirit: American Art in the Armory Show, 1913, which opened exactly 100 years to the day from the original, on Feb 17, and continues through June 16 2013.
McCarthy’s books will be available for purchase with a signing by the author immediately following the lecture. She holds a doctorate in philosophy from the University of Delaware and a master of arts degree from the George Washington University. She lives in Brazil, Indiana.
Rob Bullock
Assistant to the Dean
External Affairs &  Development Specialist
Herron School of Art and Design
IUPUI – HR 224
735 West New York Street
Indianapolis, IN 46202

Owen Mundy fragments public space in Packet Switcher

Herron School of Art and Design will host Packet Switcher, an exhibition of recent projects by artist, designer and programmer Owen Mundy. The exhibition opens in the Robert B. Berskhire, Eleanor Prest Reese and Dorit and Gerald Paul Galleries on February 27 with a lecture by Mundy at 6:00 p.m. There will be a reception immediately following from 7:00 p.m. to 9:00 p.m. Packet Switcher runs through April 13.

Mundy is an assistant professor of art at Florida State University. He earned an M.F.A. degree in Visual Art from the University of California, San Diego and a B.F.A. degree from Indiana University, Bloomington. He’s a founder of Your Art Here http://yourarthere.org, an art organization that creates venues where art and ideas can be expressed freely through the use of billboards and other public spaces. In 2009 he created Give Me My Data http://givememydata.com, an online application that helps people get their data out of Facebook in reusable formats.

Packet Switcher contains a survey of recent and never before exhibited works. The individual pieces are varied; from dystopian visualizations of anonymous network data, to custom software which generates print resolution tests from news images. Owing to the increasingly decentralized models of artistic and cultural practice, as well as new forms of authorship like crowdsourcing, this exhibition features numerous collaborative projects with Mundy and other artists including Joelle Dietrick, Ryan Boatright, The Periscope Project, and Commodify, Inc.

The exhibition title references the process used to move digital communication by breaking files into smaller, faster blocks, or packets, of data. The packets travel through networks via the quickest available route and are reassembled at their destination. A digital photograph, for example, might be broken into several packets, each of which may travel through a different city before delivery.

Through a similar process, the artists underscore how incidental fragmentation and automation can streamline markets, but also make them vulnerable to systems failure. The use of architectural images points to recent real estate market volatility and considers how the technology-enabled pursuit of profit alters basic needs.

As a U.S. Navy photographer, Mundy observed militarism’s effect on cultures, sites and bodies. These experiences became an important influence on his work.

Also opening on February 27 and continuing through March 19 in the Marsh Gallery will be an exhibition of new works by Herron faculty members Ray Duffey and Marc Jacobson, and in the Basile Gallery, an exhibition of new works by Herron faculty member Stephanie Doty.
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Gallery Hours
MON. 10 a.m. – 5 p.m.
TUE. 10 a.m. – 5 p.m.
WED. 10 a.m. – 8 p.m.
THU. 10 a.m. – 5 p.m.
FRI. 10 a.m. – 5 p.m.
SAT. 10 a.m. – 5 p.m.
SUN. Closed
Limited parking is available in the Sports Complex Garage just west of Herron. Park in the visitor side of the garage and bring your ticket to the Herron Galleries for validation. Complimentary parking courtesy of The Great Frame Up. Parking in the surface lot next to Herron School of Art and Design requires a valid IUPUI parking permit at all times.
Rob Bullock
Assistant to the Dean
External Affairs &  Development Specialist
Herron School of Art and Design
IUPUI – HR 224
735 West New York Street
Indianapolis, IN 46202
Phone:  317-278-9470
Fax:        317-278-9471