Herron Galleries host reception Friday, August 29

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Herron School of Art and Design

A public reception will celebrate the beginning of the new academic year and the three shows filling the galleries at Herron School of Art and Design on Friday, August 29 from 6:00 p.m. – 9:00 p.m.

Continuing through September 10th in the Berkshire, Reese and Paul galleries is the 2014 Faculty Exhibition. This year’s exhibition is an exercise in eclecticism with faculty members exhibiting from a variety of departments. All tenured and tenure-track faculty, lecturers and program technicians were invited to participate

The Moment of Conception? is in the Marsh Gallery through September 19th. Phil O’Malley, B.F.A. ’07, has planned a “making of” exhibition, The Moment of Conception?, as a companion to the mid-August unveiling of his, 20’ x 40’ Finding Your Way: From Wander to Wonder, a monumental installation which will hang in the front lobby of Clowes Memorial Hall. The work is the pinnacle creation in a series called Deep Down. Its creation and installation is also being documented by local National Public Broadcast Service station, WFYI.

Katie Hudnall’s exhibition of current work, in the Frank and Katrina Basile Gallery through September 19th, blurs the lines between woodworking and furniture techniques and media and those of sculpture and drawing in a search for new and compelling ways to reach the audiences for these forms.

“The language of furniture, and of utilitarian objects in general, has greatly influenced these hybrids as I search for ways to directly interact with my viewers,” Hudnall said.

Herron School of Art and Design faculty, alumni to strut their stuff in August

Sax on the Rocks 12x12 oil canvas

Phil O’Malley,      Sax on the Rocks,  Oil on Canvas,      12” x 12”

The Biennial Faculty Show will kick off the fall gallery season at Herron School of Art and Design in Eskenazi Hall’s main galleries. This year’s exhibition will be an exercise in eclecticism with faculty members exhibiting from a variety of departments. All tenured and tenure-track faculty, lecturers and program technicians were invited to participate.

Also opening in the Marsh Gallery August 1 is Print or Die an annual print exchange created and curated by Dominic Senibaldi (M.F.A. in Printmaking, 2013). Print or Die will showcase works from two years of the exchange, and illustrate the ideas behind the print exchange culture and its importance in contemporary printmaking. Artists from coast to coast participate.

In the Basile Gallery, also opening August 1, is 316: A Thesis Exhibition by Eric D. Johnson (M.F.A. in Printmaking, 2014). Johnson describes the concept for the exhibition as emerging from strain on the support systems of the modern world caused by mass production, consumption and waste, and observation of critical tipping points and cascading failures.

Works will be available for purchase on opening night.

Rounding out the month, opening on August 29 and continuing through September 19, will be solo shows by alumnus Phil O’Malley (B.F.A., ‘07) in the Marsh Gallery and Assistant Professor in Furniture Design Katie Hudnall in the Basile Gallery.

O’Malley has planned a “making of” exhibition, The Moment of Conception?, as a companion to the mid-August unveiling of his, 20’ x 40’ as yet untitled work, a monumental installation which will hang in the front lobby of Clowes Memorial Hall. The work is the pinnacle creation in a series called Deep Down. Its creation and installation is also being documented by local National Public Broadcast Service station, WFYI. O’Malley said the series was spurred by “several selections of popular music” from his formative years, translated via paint into vivid visual representations. “Now they’re laid out, varnished, nailed to their boards,” he said, “and placed in their four-sided coffins for their viewing. We’re so sorry, Uncle Albert.”

Hudnall’s exhibition of current work blurs the lines between woodworking and furniture techniques and media and those of sculpture and drawing in a search for new and compelling ways to reach the audiences for these forms.

“The language of furniture, and of utilitarian objects in general, has greatly influenced these hybrids as I search for ways to directly interact with my viewers,” Hudnall said. “In the newest work, an interactive element is integral to experiencing the piece. The viewer might open and close a door, or a drawer might activate another section of the work, revealing intricate drawings that open like books, or umbrella-like forms that raise and lower out of the top of the piece. This exhibition raises questions about the notion of communication. Viewers may work together to operate a piece, making it something that a single viewer cannot fully experience on their own.”

Herron School of Art and Design’s spring events promise a visual and intellectual feast of ideas

Free Public art exhibitions, film screenings and artists talks abound at Herron School of Art and Design, with new opportunities from January through the end of the school year in May to visit and make your own observations of and about contemporary art.

January 10–February 15

Ossuary

Laurie Beth Clark invited hundreds of artists to create an artwork that is inspired by, uses, or plays with the idea of bones. The works are in many media and two, three, or four dimensions. The contributions range from political statements to personal elegies, memorials to individuals or broader statements about mortality. Some connect ancestors to descendants. Some are serious and some use bones in a completely playful manner.

January 10–January 29

Making Memory

This exhibition explores the relationships among objects, memory and the experience of both the artist and the viewer. Curator Laura Holzman, assistant professor and public scholar of curatorial practices and visual art at IUPUI, developed this exhibition with selected artists from Herron’s M.F.A. program.

Viewer

The work of Benjamin Martinkus, photography technician and adjunct faculty member, is a skeptical yet loving response to the implicit politics, subversive power relations and intoxicating pleasures inherent in an image-based culture. In this exhibition, Martinkus shows a new suite of work comprised of video, imagery and objects both appropriated and fabricated. Together, these works recast the experience of contemporary life as one defined by viewership and imageness.

January 29

6:00 p.m.: ARTIST TALK with Laurie Beth Clark

7:00 p.m.–9:00p.m.: RECEPTION for Ossuary

February 5–22

Hope Seekers

This multi-partner exhibition features photographs of child-led households in Swaziland, where AIDS infects more than one in four people, making it the country with the highest HIV/AIDS rate in the world. The result is an exploding number of households headed by children, some as young as eight or nine years old.

Brent Aldrich

New installations by Brent Aldrich, MFA candidate in photography and intermedia and community art activist, draw on geology, participation and neighborhood organizing.

February 5

6:00 p.m.: DISCUSSION on child-led households in Southern Africa

February 19

7:00p.m.: FILM SCREENING, Searching for Sugar Man

Two South Africans set out to discover what happened to their unlikely musical hero, the mysterious 1970s rock ‘n’ roller, Rodriguez (IMDb).

February 25

6:00 p.m.: CHRISTEL DEHAAN FAMILY FOUNDATION VISITING ARTIST LECTURE with Frances Whitehead, who will discuss her contemporary art practice as it relates to the process of shaping the future city.

March 5–April 17

Richard Ross: Juvenile in Justice

Exhibited worldwide, Juvenile In Justice is Ross’ photographic documentation of the placement and treatment of American juveniles housed by law in facilities that treat, confine, punish, assist and, occasionally, harm them.

Intake at Los Padrinos Juvenile Hall, Downey, California, photo by Richard Ross

Intake at Los Padrinos Juvenile Hall, Downey, California, photo by Richard Ross

March 5

6:00 p.m.: ARTIST’S TALK with Richard Ross

7:00-9:00 p.m.: OPENING RECEPTION for Richard Ross: Juvenile in Justice

March 5–20

Weapon


A multi-disciplinary exhibition of work by Herron studio technicians that meditates on the themes of attack, defense and security.

Rachel Bleil

This exhibition will feature new works by ceramic artist Rachel Bleil, an instructor at Herron who earned her M.F.A. degree in ceramics from Indiana University-Bloomington.

March 26

7:00p.m.: FILM SCREENING, Art & Copy

A film about advertising and inspiration that reveals the work and wisdom of some of the most influential advertising creatives of our time—people who’ve profoundly impacted our culture, yet are virtually unknown outside their industry (IMDb).

March 28–April 17

High School Art Invitational

This exhibition will feature top works by high school juniors from across Indiana.

in·ter·sect /ˌintƏrˈsekt/

in·ter·sect / explores parallel processes present in the electronic and physical nature of modern interpersonal relationships. The work develops on themes of shared intimacy and emotional memory. Working in tandem with students enrolled in Stefan Petranek’s advanced digital course, Daniel Cosentino will construct a Pre-, Live- and Post-opening exhibition experience via mediums of video, performance and sculpture.

April 16

6:00 p.m.: ARTIST’S TALK with Wendy White

Presented by Herron’s Active Student Artists student group, this artist’s talk features Wendy White, who is recognized internationally for her merger of painting, sculpture and architecture into large-scale works.

May 1–22

M.F.A. Thesis Exhibition 
This exhibition will feature work by Herron’s graduating class of M.F.A. students. Departments represented will include ceramics, furniture design, painting, photography, printmaking and sculpture.

 Crowd in Grand Hall at 2012 M.F.A. Exhibition, photo by Michelle Pemberton

Crowd in Grand Hall at 2012 M.F.A. Exhibition, photo by Michelle Pemberton

May 1

5:00 p.m.–9:00p.m.: OPENING RECEPTION for M.F.A. Thesis Exhibition

Limited parking is available in the Sports Complex Garage just west of Herron. Park in the visitor side of the garage and bring your ticket to the Herron Galleries for validation. Complimentary parking courtesy of The Great Frame Up.

Parking in the surface lot next to Herron School of Art and Design requires a valid IUPUI parking permit at all times.