Date(s) - 09/06/2012
7:30 pm - 9:00 pm
Category(ies) No Categories
Tim Hardy looks at our seemingly constant need for drama of one kind or another — stories, theater, film, opera, literature. Concentrating principally on theater, he identifies how drama has changed through the centuries, reflecting the society it serves. By staying relevant to its audiences, theater still succeeds in “holding a mirror up to nature” in such a way that we can both recognize ourselves and be wonderfully surprised and informed.
As a professional actor since the mid-sixties, Tim Hardy argues that if we don’t keep an ever-vigilant eye out for lazy, repetitive theatre — and he offers examples — if we don’t truthfully and completely re-invent the means whereby we would excite, inform, and delight our audiences, then we are on the short route to what the great director Peter Brook calls “dead theatre.” From this there can be no recovery.
The IUPUI Arts and Humanities Institute is pleased to welcome internationally-acclaimed actor/director Tim Hardy as a 2012 artist-in-residence. Based in London, Mr. Hardy is on the faculty of the Royal Academy of Dramatic Art (RADA) and has performed with the Royal Shakespeare Company (in Peter Brook’s Marat/Sade and Peter Hall’s Henry V) and at prestigious theatres across the United Kingdom and Europe. A company member of Opera Music Theatre London, Mr. Hardy has also performed in numerous operas and musical theatre productions including La Traviata, The Magic Flute, and Guys and Dolls. He has narrated over 300 television documentaries, including series for The Discovery Channel and The History Channel, and his on-camera television work includes roles opposite Ian McKellen and Michael Gambon. Mr. Hardy’s extensive directing credits include Romeo and Juliet, Othello, Twelfth Night, Julius Caesar, Twelve Angry Men, The Crucible, Gaslight, Lady Windermere’s Fan, The Seagull, The Arcadians, and The Doll’s House.