NEA Chair Jane Chu to attend Indiana University arts symposium and theater production

 Jane Chu Image courtesy NEA


Jane Chu
Image courtesy NEA

Indiana University alumna Jane Chu, chair of the National Endowment for the Arts, will join arts leaders from around the country at a symposium in Indianapolis on Saturday, March 7.

The theme is “Community Engagement and Development Through the Arts” and it is led by arts administration faculty at the IU Bloomington School of Public and Environmental Affairs.

“This is a great way to honor the work of Dr. Chu and a chance to share the experiences and insights of arts leaders from across the U.S. whose work is directly tied to the quality of life and development of their cities and regions,” SPEA’s Michael Rushton said.

The event begins at 8:30 a.m. in the Basile Auditorium at the Herron School of Art and Design on the Indiana University-Purdue University Indianapolis campus. It is open to the public, but organizers request attendees RSVP to soprsvp@iupui.edu.

Chu has been chair of the National Endowment for the Arts since June and formerly served as president and CEO of the Kauffman Center for the Performing Arts in Kansas City, Mo. She earned her doctorate in philanthropic studies from the IU Lilly Family School of Philanthropy in Indianapolis.

Chu will speak about the direction of the NEA as it relates to creative placemaking, including trends and plans for the future. Her address will follow a symposium with two panels. SPEA IU Bloomington professor Joanna Woronkowicz will moderate the first panel on the role of arts organizations in community engagement. Panelists include:

  • Laura Zabel, executive director of Springboard for the Arts in St. Paul, Minn.
  • Joan Squires, president of Omaha Performing Arts in Nebraska.

Rushton will moderate the second discussion on the role of arts funders with panelists:

  • Jennifer Cole, executive director of the Metro Nashville Arts Commission.
  • Karen Gahl-Mills, executive director of the Cuyahoga Arts and Culture in Cleveland.

At the conclusion of the IUPUI symposium, Chu will travel to Bloomington for a visit to the Jacobs School of Music and to attend an IU Opera Theater production of “South Pacific.”

Chu’s visit to Indiana will also include a meeting with all current NEA grantees in Indiana and a site visit to the Indianapolis Art Center with the Indiana Arts Commission, as well as meetings with SPEA IUPUI students and with the Lilly Family School of Philanthropy’s students, board of visitors, faculty and staff.

This is her second recent visit to the region; she delivered the IU Bloomington 2014 winter commencement address in December.

Support for the symposium has been made possible by grants from the Christel DeHaan Family Foundation, USA Funds, Tom and Bonnie Reilly, and the Ball Brothers Foundation, as well as from IUPUI. The host organizations for the Chu visit include SPEA IU Bloomington, SPEA IUPUI, Herron School, Indiana Arts Commission, Jacobs School of Music at IU Bloomington, the IUPUI Arts and Humanities Institute and the Lilly Family School of Philanthropy at IUPUI.

To attend the symposium, RSVP to Nancy Bell by March 1.

 

Herron School of Art and Design is in the thick of IUPUI’s entrepreneurial culture

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At a recent gathering aimed at “Developing an Entrepreneurship Culture at IUPUI,” community thought leaders shared their perspectives on current and future entrepreneurial opportunities for students and faculty. Images courtesy Youngbok Hong

IUPUI provides many pathways for students who want to learn more about the art and science of entrepreneurship. Herron School of Art and Design is one of the places on campus where entrepreneurial spirit is encouraged and supported. Here are a few examples:

Herron’s Visual Communication Design graduate curriculum focuses on design thinking and leadership. It engages students with diverse community members and organizations through projects where students use design thinking processes to lead stakeholders to solutions that address a diverse range of real concerns. A recent meeting about “Developing an Entrepreneurship Culture at IUPUI” provided an opportunity to illustrate the application of these processes. According to Youngbok Hong, associate professor and coordinator of the Design Thinking and Leadership Graduate Program at Herron, “idea generation during this meeting was enhanced through the use of visual modeling, which captured both the breakout session and large group discussions in real time. Students and faculty from Herron served as the visual modelers.”

The latest modification to Herron’s physical space will be the new Think It Make It Lab in Eskenazi Hall. With an anticipated opening this spring, the Lab will give students access to even more digital technologies, building on Herron’s existing equipment and curriculum. Other faculty and students from across campus will also use the equipment, which will create synergy across disciplines. Students will explore the broad applications of design, production and fabrication that are in demand in a variety of fields. The Lab will expand Herron’s capability to educate its students about rapid prototyping and cross-disciplinary investigations with schools and departments including Engineering and Technology, Interior Design, Informatics and Computing, Motorsports and Medicine.

The Basile Center for Art, Design and Public Life at Herron offers students professional practice experiences integrated into the academic curriculum. Students have opportunities to collaborate on projects with businesses, not-for-profit organizations, communities and government agencies that provide professional-level engagement and enhanced experiential learning. There are a wide range of projects—from designing an award in bronze to creating a painting for a magazine cover to developing large-scale installations. Students develop and present their concepts based on the needs of clients. Since the Basile Center was established in 2006, more than 900 students have participated in projects serving approximately 105 community partners.

Herron graduate students may also opt into experiences such as a new, interprofessional class that spans visual communication design, informatics and computing, nursing and more. With a working title of “Healthcare Revolution Challenge 2015,” the course is designed to offer one credit for each of three semesters. Students will go through the course as cohorts, collaborating on cases for actual healthcare clients and presenting their proposed solutions in a “Shark Tank” style setting. Eva Roberts, Visual Communication Design department chair, said “Herron faculty members are among the developers and presenters of this distinctively formatted course, the aim of which is a working endeavor to humanize healthcare and increase access by disrupting the current system.”

Callithumpian Consort with Christian Wolff

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Boston-based Callithumpian Consort

A concert of contemporary chamber music performed by the Boston-based Callithumpian Consort will occur on Thursday, April 2 at the Indiana Historical Society. Noted American composer Christian Wolff, who has composed a new work for the group’s spring 2015 tour, will be present to give a pre-concert lecture. Admission is free and open to the general public. The Consort, configured for this tour in a quartet of two pianos and two percussionists, will also perform works by Bela Bartok, Earl Brown, and Lee Weisert. The Callithumpian tour and Wolff lecture is made possible with funding from the IUPUI Arts and Humanities Institute, the Donald Tavel Arts and Technology Research Center at IUPUI, the New England Conservatory, and Georgia State University.

Founded by pianist and conductor Stephen Drury in the 1980s, the Callithumpian Consort is a professional ensemble producing concerts of contemporary music at the highest standard. Flexible in size and makeup, its repertoire includes the classics of the last 100 years and new works in the avant-garde and experimental traditions. It is grounded in the musical discoveries of John Cage, Karlheinz Stockhausen, John Zorn, Giacinto Scelsi, Morton Feldman, and Iannis Xenakis. With grants from the Fromm Foundation, Meet the Composer, the Ernst von Siemens Music Foundation and the French American Cultural Exchange, the Callithumpian Consort has commissioned new works from Christian Wolff, Tristan Murail, Chaya Czernowin Lee Hyla, Alvin Lucier and Lei Liang as well as a substantial number of younger composers. The Consort has also worked closely with John Cage, Steve Reich, Frederic Rzewski, Helmut Lachenmann, Michael Finnissy, Jonathan Harvey, John Zorn, John Luther Adams, Brian Ferneyhough, Jo Kondo, and many others. The Boston-based group’s 2015 spring tour will see them premiering a new Christian Wolff work in Boston with throughout the Eastern US, with a final concert in Indianapolis. Indianapolis-based percussionist Scott Deal, who is a professor of music at IUPUI, will be performing with the Consort throughout the tour.

American composer Christian Wolff (b. 1934) was a primary force in a musical movement historically known as the New York School, consisting of composers who revolutionized music in the 20th century. Along with John Cage, Morton Feldman, and Earle Brown, Wolff helped to change the way musicians across a broad spectrum of genres think about composition and performance. Most profoundly, Wolff has impacted how classical musicians interpret their own craft. A particular feature of his music is the various freedoms it allows performers at the time of performance as well as the variable results possible for any one particular piece, for which various new notations have been invented. He has received awards and grants from the American Academy and National Institute of Arts and Letters, the Ford Foundation, DAAD Berlin, the Asian Cultural Council, the Fromm Foundation, the Foundation for Contemporary Performance Arts (the John Cage Award for music) and the Mellon Foundation. He is a member of the Akademie der Kuenste in Berlin and the American Academy of Arts and Sciences. In 2004 he received an honorary Doctor of Arts degree from the California Institute of the Arts. Academically trained as a classicist, Wolff was professor of classics and music at Dartmouth College from 1971 to 1999.

Pianist and conductor Stephen Drury has performed throughout the world with a repertoire that stretches from Bach to Liszt to the music of today. He has appeared at Carnegie Hall, the Kennedy Center, the Barbican Centre and Queen Elizabeth Hall in London, the Cité de la Musique in Paris, and the Leipzig Gewandhaus, and from Arkansas to Seoul. A champion of contemporary music, he has taken the sound of dissonance into remote corners of Pakistan, Greenland and Montana. Drury has performed or recorded with the American Composers Orchestra, the Cologne Radio Symphony Orchestra, the Vienna Radio Orchestra, and the Brooklyn Philharmonic. His performances of music written in the last hundred years, ranging from the piano sonatas of Charles Ives to works by György Ligeti, Frederic Rzewski and John Cage have received the highest critical acclaim. Drury has worked closely with many of the leading composers of our time, including Cage, Ligeti, Rzewski, Steve Reich, Olivier Messiaen, John Zorn, Luciano Berio, Helmut Lachenmann, and Christian Wolff.

Yukiko Takagi received Bachelor’s and Master’s degrees from the New England Conservatory where she studied with Veronica Jochum and Stephen Drury. While a student at the Conservatory she was selected to perform in several Honors programs and appeared regularly with the NEC Contemporary Ensemble. Ms. Takagi has performed with the orchestra of the Bologna Teatro Musicale, the John Zorn Ensemble, the Auros Group for New Music, Santa Cruz New Music Works, the Harvard Group for New Music and the Chameleon Arts Ensemble. She performs regularly with the Eliza Miller Dance Company and the Ruth Birnberg Dance Company and gives frequent duo-piano concerts with Stephen Drury. Ms. Takagi is a featured performer with the Callithumpian Consort. Her recording of Colin McPhee’s Balinese Ceremonial Dances was released by MusicMasters. At New England Conservatory, Ms. Takagi is a teacher and guest artist for NEC’s Summer Institute for Contemporary Piano Performance.

Lauded as having “consummate virtuosity” by The New York Times, Stuart Gerber has performed extensively throughout the US, Europe, Australia, and Mexico as a soloist an chamber musician. He is Associate Professor of Percussion at Georgia State University in Atlanta. As an active performer of new works, Stuart has been involved in a number of world-premiere performances. He gave the world premiere of Karlheinz Stockhausen’s last solo percussion work Himmels-Tür in Italy, and his percussion trio Mittwoch-Formel at the annual Stockhausen-Courses in Kürten, Germany. He has also given the US and Australian premieres of Stockhausen’s duo version of Nasenflügeltanz for percussion and synthesizer, and the US premiere of his solo percussion work Komet. Dr. Gerber has been the faculty percussionist for the Stockhausen-Courses since 2005 and has recorded a number of pieces for the Stockhausen Complete Edition released by the Stockhausen-Verlag. In addition to his work with Stockhausen, Stuart has worked with many other notable composers, such as Kaija Saariaho, Steve Reich, Tristan Murail, Frederic Rzewski, George Crumb, Tania Lèon, Michael Colgrass, Ricardo Zohn-Muldoon, and John Luther Adams.

Performer, composer and media artist Scott Deal engages new works of chamber music, computer interactivity, networked systems, electronics and percussion. His percussion performances have been described as “riveting” (Sequenza21), and executed with “phenomenal virtuosity” (Artsfuse). His recordings have been described as “soaring, shimmering explorations of resplendent mood and incredible scale”….”sublimely performed”, and his recent recording of Pulitzer Prize/Grammy Award-winning composer John Luther Adams’ Four Thousand Holes, was listed in New Yorker Magazine’s 2011 Top Ten Classical Picks. He has performed at venues worldwide, including Musicacoustica Beijing, Almeida Opera London, Arena Stage Washington, Supercomputing Global, Zerospace, SIGGRAPH, Chicago Calling, IEEE CloudCom, Ingenuity Festival, ICMC, NIME, SEAMUS, PASIC, SICK PUPPY, and with groups that include ART GRID, Another Language, Digital Worlds Institute, Callithumpian Consort, Percussion Group Cincinnati, and the Helsinki Computer Orchestra. He is the percussionist for the computer-acoustic trio Big Robot, who have performed to audiences worldwide. In 2011, Deal and composer Matthew Burtner won the coveted Internet2 IDEA Award for their co-creation of Auksalaq, a telematic opera called “an important realization of meaningful opera for today’s world”. Deal’s work has received funding from organizations that include Meet the Composer, Lilly Foundation New Frontiers, Indiana Arts Council, Clowes Foundation, IUPUI Arts and Humanities Institute, and the University of Alaska. He resides in Indianapolis, Indiana where he is a Professor of Music and Director of the Donald Louis Tavel Arts and Technology Research Center at Indiana University Purdue University Indianapolis (IUPUI).

Steward Speakers Series brings Hollywood to Indianapolis

Viola Davis

Viola Davis

Two acclaimed TV and film personalities are headed to Indianapolis to take the podium as guest speakers for the 2014-15 Steward Speakers Series.

Steve Harvey

Steve Harvey

The Steward Speakers Series presents award-winning actress Viola Davis and popular talk show and game show host Steve Harvey as keynote speakers for the lecture series that seeks to enhance the community by providing opportunities to engage with America’s best leaders and brightest luminaries.

Davis, currently starring in the ABC hit “How to Get Away With Murder,” is the featured speaker for the March 2 talk. Harvey, who has found success as an actor, writer and producer, as well as TV host, will headline the April 20 lecture.

Activities during both evenings include dinner from 6 to 7 p.m., followed by a lecture at 7:30 p.m. in the second-floor ballroom at the Marriott Downtown, 350 S. Maryland St.

During the March 2 lecture, Davis will discuss her career and how overcoming adversities and preconceived restrictions have all contributed to reinforcing her abilities as an artist and to her becoming a stronger woman.

The Tony Award-winning actress was thrust into the spotlight after her Oscar-nominated portrayal of Aibileen Clark in “The Help,” a big-screen drama about the struggles of black housekeepers working for white families in 1960s Mississippi.

In addition to hosting his TV shows, Harvey is a fashion entrepreneur and bestselling author. The 2012 box office hit, “Think Like a Man,” was adapted from Harvey’s No. 1 book, “Act Like a Lady, Think Like a Man.”

While he is known as a funny man, Harvey’s serious side shows in his longtime dedication to philanthropy. His current projects include The Steve Harvey Mentoring Weekend for Young Men, a camp that shares insights and manhood skills with teenage boys who are without fathers.

Tickets for each dinner and the following lecture are $100 per person. They can be purchased online.

Indiana University-Purdue University Indianapolis is a title sponsor for the Steward Speakers 2014-2015 season that opened with Nov. 20 and Feb. 9 events featuring Michael Eric Dyson and T.J. Holmes as guest speakers.

The Steward Speakers Series provides continuous education and awareness to Indianapolis residents interested in empowerment topics. The program allows the community to dialogue on important issues of the day with celebrities, leaders and experts in particular fields.

Center for Ray Bradbury Studies, IU Cinema pair to present sci-fi film series

Ray Bradbury in 1975 | Photo by Alan Light

Ray Bradbury in 1975 | Photo by Alan Light

Ray Bradbury, one of the best known science-fiction and fantasy writers of our time, will be the focus of a special four-day film series at IU Cinema on Indiana University’s Bloomington campus beginning March 24.

Ray Bradbury: From Science to the Supernatural” is intended as an exploration and celebration of his works on screen. The series, which includes lectures and panel discussions, was programmed by the Center for Ray Bradbury Studies, part of the IU School of Liberal Arts at Indiana University-Purdue University Indianapolis.

Oskar Werner starred in the 1966 film adaptation of "Fahrenheit 451." | Photo by Anglo Enterprise/Vineyard/The Kobal Collection

Oskar Werner starred in the 1966 film adaptation of “Fahrenheit 451.” | Photo by Anglo Enterprise/Vineyard/The Kobal Collection

In addition to being the author of such enduring books as “The Martian Chronicles,” “The Illustrated Man,” “Fahrenheit 451,” “Dandelion Wine” and “Something Wicked This Way Comes,” Bradbury was a successful screenwriter whose works were also adapted for film and television by other writers.

IU Cinema, an internationally recognized center for the study, presentation and preservation of film, will offer the following events:

  • 7 p.m. March 24, “Bradbury TV and Shorts Program” — The series kicks off with a unique gathering of short subjects, including the 1962 Oscar-nominated “Icarus Montgolfier Wright,” scripted by Bradbury and George Clayton Johnson. This animated film showcases paintings by Joseph Mugnaini, the illustrator closely associated with Bradbury’s books. Other short items include Bradbury stories adapted for “Alfred Hitchcock Presents” and “The Twilight Zone.”
  • 7 p.m. March 26, “It Came From Outer Space” — Bradbury fans and scholars will have the opportunity to view the 1953 feature film based on an original Bradbury concept and screen treatment. Paper optic glasses will allow the audience to watch the film in 3-D — a unique opportunity to see this classic Jack Arnold-directed film as it was originally intended.
  • 6:30 p.m. March 27, “A Sound of Different Drummers” and 9:30 p.m. March 27, “Fahrenheit 451″ — This double bill showcases two adaptations of Bradbury’s classic novel “Fahrenheit 451.” The evening begins with “A Sound of Different Drummers,” an uncredited television adaptation of Bradbury’s novel for the 1957 season of “Playhouse 90,” followed by a screening of the well-known 1966 film adaptation by François Truffaut. The intermission will include a panel discussion of the fascinating history surrounding these two landmark productions. Separate tickets are required for each film.
  • 3 p.m. March 28, “Moby Dick” — On its final day, the series closes with two films that showcase the broad range of Bradbury’s own screenwriting talents. The first is John Huston’s 1956 production of the classic novel, which was an early success that secured Bradbury’s Hollywood reputation. A panel discussion will be held following this film and before the evening screening of “Something Wicked This Way Comes.”
  • 6:30 p.m. March 28, “Something Wicked This Way Comes” — Directed by Jack Clayton, this is the result of a 30-year arc of creativity that transformed an original Bradbury short story into a script, a novel and finally a successful film production.

IU Cinema director Jon Vickers has worked closely with Bradbury Center director Jonathan Eller and the center’s senior advisor, Phil Nichols, to develop the program for the Bradbury film series.

“Every session has fascinating cultural connections,” said Eller, an IUPUI Chancellor’s Professor who is also the editor of Bradbury’s early collected stories and the author of two Bradbury biographies. “The Academy Award-nominated ‘Icarus Montgolfier Wright,’ a story of our quest to reach the moon, was screened in the Kennedy White House just as those dreams were beginning to move toward reality.”

The Bradbury Center has preserved Bradbury’s master 35mm reel of that animated film, along with thousands of other Bradbury artifacts, books and papers.

“The highlight of the week may be the chance on Friday to view John Frankenheimer’s masterful direction of ‘A Sound of Different Drummers’ as a prelude to the screening of Truffaut’s adaptation of ‘Fahrenheit 451,'” Eller said. “The uncredited ‘Playhouse 90′ adaptation led to legal actions and appeals that Bradbury eventually won, but these events are outweighed by the unique opportunity to compare the Truffaut film with Frankenheimer’s seldom-seen television precursor. Frankenheimer was not involved in the legal actions, and his acknowledged mastery of television drama would soon translate into a major Hollywood film career.”

“These screenings offer the first curated overview of Bradbury’s legacy in film and television,” said Nichols, a well-known Bradbury media scholar on the Faculty of Arts at the University of Wolverhampton in the United Kingdom. “Selecting the films for this event has been a challenge, because of the range and diversity of Bradbury’s work.”

In discussion panels March 27 and 28, Nichols will reveal some of the findings from his research among the papers in the Bradbury Center.

All “Ray Bradbury: From Science to the Supernatural” events are free and open to the public, but tickets are required for IU Cinema film screenings. Due to expected demand and limited seating, tickets should be secured in advance.

Tickets can be obtained at the IU Auditorium box office from 10 a.m. to 5 p.m. Monday through Friday; or by phone at 812-855-1103 for a $10 service fee per order. If seats remain, tickets also will be available in the IU Cinema lobby 60 minutes before each screening.

“Ray Bradbury: From Science to the Supernatural” is sponsored by IUPUI’s Center for Ray Bradbury Studies; IU Bloomington’s College Arts & Humanities Institute; IUPUI Arts & Humanities Institute; IU’s Advanced Visualization Lab; Science on Screen, an initiative of the Coolidge Corner Theatre Foundation with support from the Alfred P. Sloan Foundation; and IU Cinema.

The symposium and series will take place at the IU Cinema, a 260-seat, THX-certified cinema that is dedicated to the scholarly study of film and the highest standards of exhibition. IU Cinema is one of a small percentage of theaters still able to project 35mm and 16mm films properly, as well as using the latest digital technology.

Bradburymedia blog

Keira Amstutz, William Blomquist, John Dichtl, Valerie Eickmeier, Jonathan Elmer, and David Lawrence discuss “The Future of the Arts & Humanities”

March 5, 2015 | 12:00-1:30
Indiana Humanities
1500 North Delaware Street

Are the arts and humanities in crisis?  What do financial cuts ultimately mean for arts and humanities institutions and their publics?  What role should governments play in supporting the arts and humanities?  What does the future look like for arts and humanities in this country and around the world?  What functions do the arts and humanities provide in sustaining a democratic society?

This roundtable will discuss these and many other questions in this can’t-miss event featuring several of central Indiana’s leaders in the arts and humanities.

Keira Amstutz is the President and CEO of Indiana Humanities.

Dr. William Blomquist is the Dean of the IU School of Liberal Arts at IUPUI.

Dr. John Dichtl is the Executive Director of the National Council on Public History and an Adjunct Assistant Professor in History in the IU School of Liberal Arts at IUPUI.

Dr. Valerie Eickmeier is the Dean of the Herron School of Art and Design.

Dr. Jonathan Elmer is the Director of the College of Arts and Humanities Institute and a Professor of English at IU Bloomington.

David Lawrence is the President and CEO of the Arts Council of Indianapolis.

This event is co-sponsored by Indiana Humanities

Community Engagement and Development Through the Arts Symposium to feature Dr. Jane Chu, Chairwoman, National Endowment for the Arts

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Laura Holzman, Modupe Labode, and Mary Price to discuss “The Value and Values of Public Scholarship”

Indiana Humanities LogoFebruary 24, 2015 | 12:00-1:30
IUPUI University Library, Room 4115P
755 W. Michigan St.

The 21st-century research university is no ivory tower.  It is a vibrant space that cultivates creativity and experiment — a space that encourages and supports multiple ways of knowing and doing.  Public scholarship is an essential pillar of the 21st-century university, building bridges and partnerships between the institution and the many publics with which its members engage.  This roundtable will engage with the following questions. What is public scholarship? What roles does it play in research, creative activity, and teaching?  What misconceptions do people have about public scholarship? How should universities evaluate public scholarship in promotion and tenure? How does one become a public scholar?

Dr. Laura Holzman is an Assistant Professor and Public Scholar of Curatorial Practices and Visual Art in Art History in the Herron School of Art and Design and in Museum Studies in the IU School of Liberal Arts at IUPUI.

Dr. Modupe Labode is an Assistant Professor and Public Scholar of African American History and Museums in History and Museum Studies in the IU School of Liberal Arts at IUPUI.

Dr. Mary Price is the Faculty Development Director in the IUPUI Center for Service and Learning and an Associate Faculty member in Anthropology in the IU School of Liberal Arts at IUPUI.

This event is co-sponsored by Indiana Humanities