Emerging Voices: You Are A Writer

Emerging Voices is a literary fellowship that aims to provide new writers, who lack access, thwith the tools they will need to launch a professional writing career. The eight-month fellowship includes:

PROFESSIONAL MENTORSHIP: Emerging Voices Mentors are carefully chosen from PEN Center USA’s membership and from professional writers based in Los Angeles. The Mentor-Fellow relationship is expected to challenge the fellow’s work and compel significant creative progress. Over the course of the fellowship, Emerging Voices Fellows and Mentors should meet three times in person, and be in contact at least once a month. In these three meetings, Mentors will offer written feedback on the Emerging Voices Fellows’ work in progress. Authors who have been mentors in the past include Ron Carlson, Harryette Mullen, Chris Abani, Ramona Ausubel, Meghan Daum, and Sherman Alexie.

CLASSES AT THE UCLA EXTENSION WRITERS’ PROGRAM: Participants will attend two free courses (a 12-week writing course and a one-day workshop) at UCLA Extension, donated by the Writers’ Program. Program Manager will assist the Emerging Voices Fellows with course selection.

AUTHOR EVENINGS: Every Monday, fellows will meet with a visiting author, editor or publisher and ask questions about craft. Fellows must read each visiting author’s book before the evening. A schedule of Author Evenings will be distributed at the first Emerging Voices orientation meeting. Authors who have participated in the past have included Jonathan Lethem, Percival Everett, Maggie Nelson, Cynthia Bond, Aimee Bender, Jerry Stahl, and Bruce Bauman, senior editor of the literary magazine Black Clock.

MASTER CLASSES: After completing the UCLA Extension Writers’ Program courses, Emerging Voices Fellows will enroll in a Master Class. The Master Class is a genre-specific workshop with a professional writer that affords fellows the opportunity to exchange feedback on their works in progress. Previous Master Class Instructors have included Diana Wagman, Alex Espinoza , and Paul Mandelbaum.

VOLUNTEER PROJECT: All Emerging Voices Fellows are expected to complete a 25-hour volunteer project that is relevant to the literary community. A few of the organizations that have participated included WriteGirl, 826LA, Cedars-Sinai Hospital, and STARS – San Diego Youth Services.

VOICE INSTRUCTION CLASS: The Fellowship will provide a one-day workshop with Dave Thomas, a professional voice actor. The Emerging Voices Fellows will read their work in a recording studio and receive instruction on reading their work publicly.

PUBLIC READINGS: Fellows will participate in three public readings, The Welcome Party, Tongue & Groove Salon, and the Final Reading. Fellows have read in various venues and events including the Los Angeles Times Festival of Books, Silver Lake Jubilee, Skylight Bookstore, The Standard, Downtown LA. and Hotel Café. For the past five years, the fellowship has culminated in a Final Reading held in Hammer Museum’s Billy Wilder Theater, showcasing the progress each fellow has made in his or her work.

STIPEND: The fellowship includes a $1,000 stipend, given in $500 increments.

Participants need not be published, but the fellowship is directed toward poets and writers of fiction and creative nonfiction with clear ideas of what they hope to accomplish through their writing.

Deadline for applications: August 10, 2015
The Emerging Voices Fellowship runs from January to July.

Download the application here.

RESEARCH NOTICE: NEH Summer Stipends – Limited Submission

Brief Description:
Summer Stipends support individuals pursuing advanced research that is of value to NEH Logohumanities scholars, general audiences, or both. Recipients usually produce articles, monographs, books, digital materials, archaeological site reports, translations, editions, or other scholarly resources. Summer Stipends support continuous full-time work on a humanities project for a period of two consecutive months. Summer Stipends support projects at any stage of development.

The Common Good: The Humanities in the Public Square
NEH invites projects related to its new initiative, The Common Good: The Humanities in the Public Square. This initiative seeks to connect the study of the humanities to the current conditions of national life. Many of today’s challenges require more than ever the forms of understanding and knowledge represented by the humanities. They require the broadest possible engagement of scholars and the public with the resources of the humanities, including but not limited to the study of language, literature, history, philosophy, comparative religion, and ethics. The study of the humanities can help illuminate the complexity of many contemporary challenges while enriching our understanding of the common good.

Summer Stipends may not be used for:
· projects that seek to promote a particular political, religious, or ideological point of view;
· projects that advocate a particular program of social action;
· specific policy studies;
· research for doctoral dissertations or theses by students enrolled in a degree program;
· the preparation or revision of textbooks;
· curriculum development;
· the development of pedagogical tools (including teaching methods or theories);
· educational or technical impact assessments;
· empirical social science research, unless part of a larger humanities project;
· inventories of collections;
· the writing of guide books, how-to books, or self-help books;
· the writing of autobiographies, memoirs, or works of creative nonfiction; or
· works in the creative or performing arts (for example, painting, fiction or poetry, or dance performance).

Award Amount:
Summer Stipends provide $6,000 for two consecutive months of full-time research and writing. Recipients must work full-time on their projects for these two months and may hold other research grants supporting the same project during this time. Summer Stipends normally support work carried out during the summer months, but arrangements can be made for other times of the year. NEH Summer Stipends are awarded to individuals, not to institutions. They do not require cost sharing and do not include indirect costs.

Eligibility:
· Faculty members teaching full-time at colleges or universities must be nominated by their institutions.
· All applicants must have completed their formal education by the application deadline. While applicants need not have advanced degrees, individuals currently enrolled in a degree-granting program are ineligible to apply.
· Individuals who have been awarded a major fellowship or research grant or its equivalent within the three academic years prior to the deadline are ineligible. (Applicants who have held such fellowships or research grants are eligible only if their award period ended at least three years before the deadline for Summer Stipends applications.) . A “major fellowship or research grant”; is a postdoctoral research award that provides a stipend of at least $15,000. Sabbaticals and grants from an individual’s own institution and stipends and grants from other sources supporting study and research during the summer are not considered major fellowships. See Program details.
· Individuals who have received Summer Stipends may apply to support a new stage of their projects.
· See Program details for more specific information.

INTERNAL COMPETITION NECESSARY: TWO FACUTLY MEMBERS PER CAMPUS
Each college and university in the United States and its jurisdictions (campus) may nominate two faculty members. Any faculty member teaching full-time is eligible for nomination.

APPLICANTS EXEMPT FROM NOMINATION / NO INTERNAL COMPETITION NEEDED
The following individuals may apply online without a nomination or internal competition:
· independent scholars not affiliated with a college or university;
· college or university staff members who are not faculty members and will not be teaching during the academic year preceding the award tenure
· emeritus faculty; and
· adjunct faculty, part-time faculty, and applicants with academic appointments that terminate by the summer of the award tenure.

IUPUI Internal competition:
For consideration, submit the following documents electronically to Etta Ward,emward@iupui.edu by July 1, 2015 for internal competition.

Format pages with one-inch margins and with a font size no smaller than eleven point.
The narrative should not assume specialized knowledge and should be free of technical terms and jargon.
The narrative limitation does not include references.
Limited Submission URL:  http://limsub.iu.edu/limsub/LimSubDetail.asp?Number=2320

IU Internal Deadline: 7/1/2015
NEH Online Application Deadline: 10/1/2015

Indiana University researchers awarded grant to study employment behavior of artists

BLOOMINGTON, Ind. — With a newly announced grant from the National Endowment for the Arts, two Indiana University researchers will examine key economic issues facing IU Logoartists.

School of Public and Environmental Affairs faculty members Doug Noonan and Joanna Woronkowicz will use data from the U.S. Census Bureau’s Current Population Survey and data from crowdfunding websites including Kickstarter and Indiegogo to study these questions:

What was the effect of the Great Recession on the employment of artists and how have they fared during the recovery?
How do crowdfunding campaigns for arts projects differ in their results from similar campaigns for technology and other non-arts projects?

The $15,000 research grant is one of only 19 research projects nationwide funded by the NEA through its Research: Art Works program.

“We want to better understand the role of artists in creating economic value,” Noonan said. “We want to develop data that shows the impact of artists on the economic fabric of society.”

Tracking employment and salary for artists is difficult because of the nature of their work. They have flexibility in schedules, often hold multiple jobs and can be footloose in regard to where they live and work.

“We know a good deal about artists from data taken at a particular moment in time, but this research goes in a new direction,” Woronkowicz said. “By studying how artists work and move across years and during a sustained and challenging economic period, we can get a much broader understanding of how they survive and how, as a society, we can help them thrive.”

Noonan and Woronkowicz will analyze data from the 2003-14 Current Population Surveys as well as data from Kickstarter and Indiegogo from 2009 to 2014.

“We hope to create data sets that other researchers can use to further define the economic contributions of artists,” Noonan said. “They enrich our lives in so many ways, but too little is known about the many ways artists earn a living.”

Noonan is a professor at the School of Public and Environmental Affairs at Indiana University-Purdue University Indianapolis. He is also research director for the IU Public Policy Institute. Woronkowicz is an assistant professor at SPEA at IU Bloomington.

Scholarships Available for the 2015 Humanities Intensive Learning and Teaching (HILT) Institute

We are pleased to announce that the IUPUI Arts and Humanities Institute will offer four full scholarships to the 2015 Humanities Intensive Learning and Teaching (HILT) Institute which will take place on IUPUI’s campus from Monday, July 27th through Friday, July 31st.

To apply for the scholarship, please send a 1-2 page letter of application to iahi@iupui.edu by May 22. In the letter, clearly outline how attendance at the HILT Institute will assist you in your current or future research or professional development in the arts or humanities. Please attach a 2-page CV to the email.

All full-time tenured and tenure-eligible faculty from all schools and units at IUPUI are eligible to apply. Under certain circumstances, non-tenure-track faculty members whose evaluation criteria include research or creative activity may also be eligible with an explanation in a letter of support from their chair or dean.

Please see the list of courses below. For additional information and detail on the events and schedule, click here.

HILT 2015 is sponsored by the Center for Digital Scholarship at the Indiana University-Purdue University Indianapolis University Library, the Maryland Institute for Technology in the Humanities at the University of Maryland, and MATRIX: Center for Digital Humanities and Social Sciences at Michigan State University.     

 

HILT LogoCROWDSOURCING CULTURAL HERITAGE

led by Mia Ridge and Ben BrumfieldSuccessful crowdsourcing projects help organizations connect with audiences who enjoy engaging with their content and tasks, whether transcribing handwritten documents, correcting OCR errors, identifying animals on the Serengeti or folding proteins. Conversely, poorly-designed crowdsourcing projects find it difficult to attract or retain participants. This class will present international case studies of best practice crowdsourcing projects to illustrate the range of tasks that can be crowdsourced, the motivations of participants and the characteristics of well-designed projects. We’ll study crowdsourcing projects from the worlds of citizen science, investigative journalism, genealogy and free culture to look for lessons which might apply to humanities projects. We’ll discuss models for quality control over user-generated projects, explore the cross-overs between traditional in-house volunteer projects internet-enabled crowdsourcing, and look at the numbers behind real-world projects. Finally, the course will give students hands-on experience with several different crowdsourcing platforms for image annotation, manuscript transcription, and OCR correction. Students are encouraged to bring their project ideas and some scanned material for the lab sessions.

DE/POST/COLONIAL DIGITAL HUMANITIES

led by Roopika Risam and micha cárdenas

“…we must discuss, we must invent…”
—Frantz Fanon, The Wretched of the Earth

From Sandra Harding’s interventions in postcolonial science studies to Radhika Gajjala’s articulation of digital subalternity to Kavita Philip’s work on postcolonial computing, postcolonial approaches to technology have provoked lively discussion. New conversations have emerged around essential questions: can the digital be “decolonized?”; what are the limits of decolonial, postcolonial, or anti-colonial approaches to digital cultures?; and how can these theoretical approaches be marshaled to build communities, tools, and justice?Together, we will explore these questions at the intersections of theory and praxis as we consider how tools can be theorized, hacked, and used in service of decolonization. This course undertakes this task through three goals: 1) learning about, understanding, analyzing the history and present processes of colonization, decolonization, neocolonialism and the postcolonial, with attention to local, hemispheric and global contexts; 2) analyzing digital technologies, with attention to how they intersect with humanities disciplines such as art, literature and performance, and how they produce, reproduce or enact processes of colonization; and 3) inventing new and/or alternative technologies, or new uses of existing technologies, that work against colonization and post-colonial legacies that maintain social injustice.

Our days will be spent engaging with theory, hands-on experimentation, and reflection on practice. Theoretical topics may include digital labor, subalternity, embodiment, and aesthetics. Applied activities may include Scalar-based game design, mobile media/film/photography, digital exhibits, and mapping. In the spirit of our theoretical approach, we emphasize accessiblity and low-cost technology, as well as creativity and interpretation. Therefore, no prior experience with theory or practice is required, just an openness to discuss and invent the theories and practices of De/Post/Colonial Digital Humanities.

DIGITAL ACCESSIBILITY: DESIGNING AND ADAPTING PROJECTS FOR ALL USERS

led by George Williams and Erin Templeton

In order to successfully reach a wide audience, digital projects must take into account the variety of potential users and their diverse needs.. Not everyone accesses information in the same way, though we often assume otherwise. For example, people with disabilities of many different kinds–sensory, physical, and cognitive–represent a significant percentage of users for many digital projects, but most of these projects are designed without thinking about accessibility. However, digital humanists can ensure that they are designing for all users by taking accessibility into account from the beginning of a project. And existing projects can be adapted to improve their accessibility.

This course will take a two-fold approach: students will read and discuss key works from disability studies scholarship in order to consider various applications for the digital humanities; these readings will form a critical framework for students’ hands-on work with tools that enable them to evaluate and create scholarly digital resources. Mornings will involve readings-based discussions on topics such as emerging standards for accessibility in digital environments, the social model of disability, user-centered design, and embodiment. Afternoons will be reserved for guided individual exercises and small-group work. Students are encouraged to bring their own projects or project ideas in order to evaluate them for accessibility and to make or plan changes as appropriate. Knowledge of and experience with web design is not required, but curiosity and a willingness to learn are a necessity.

DIGITAL PEDAGOGY AND NETWORKED LEARNING

led by Lee Skallerup-Bessette and Jesse Stommel

Many argue digital humanities is about building stuff and sharing stuff, reframing the work we do in the humanities as less consumptive and more curatorial—less solitary and more collaborative. In this workshop, participants will experiment with ways technology can be used to build learning communities within the classroom, while also thinking about how we can connect our students to a much larger global classroom. We’ll start at the level of the syllabus, thinking about how we organize and structure hybrid courses and digital assignments, before delving into specific tools and critical orientations to technology.

Participants should expect that the workshop will be hands-on, collaborative, and iterative; we will be using and building, experimenting with the pedagogy we are learning, making our learning environment as we go. The course has no prerequisites. We will work together across skill levels, experimenting with new tools, while adapting and remixing our pedagogies. This isn’t about digital tricks or gimmicks, but a profound re-examination of how we teach. The best digital tools inspire us, often to use them in ways the designer couldn’t anticipate. The worst digital tools attempt to dictate our pedagogies, determining what we can do with them and for whom. The digital pedagogue teaches her tools, doesn’t let them teach her.

DIGITAL STORYTELLING

led by Jarom McDonald

When YouTube launched to the public in 2005, the now-ubiquitous red play-button logo contained a simple yet powerful tagline, “Broadcast Yourself.” Inherent in such an imperative is a concept that’s at the core of this course — in today’s wired world, digital video is a powerful storytelling medium, one that can influence constructions of identity, community, culture, and the nature of narrative itself. In this course, we’ll explore the interactivity and narrative of digital video by positioning it as a tool for seeing, exploring, expressing and critiquing within the digital Humanities.

We will look at the various forms of dynamic storytelling, investigate the history of the video medium and what bearing it plays on the broadcast zeitgeist of today, explore formal techniques of digital storytelling including subjectivity, sequencing and transitioning, rhythm and repetition, interactivity, linearity, and meta-narration, tackle analytic tasks such as video annotation and video data analysis, and grapple with the physics of representing moving images in digital form. We will also emphasize, in addition to understanding the theories and specificities of digital video, how we might start acquiring production skills — including exposure to multimedia editing tools, working with codecs and compression, and, of course, leveraging online video dissemination channels such as YouTube. Ultimately, this class allows for students to begin to develop a critical perspective of engaging with digital video in the Humanities as a way to articulate fundamental, narrative-driven application of these rapidly changing paradigms.

Students will need to bring with them a new-ish laptop and a cell-phone (or other portable device) capable of shooting video, but no other equipment is needed nor knowledge assumed.

GETTING STARTED WITH DATA, TOOLS, AND PLATFORMS

led by Brandon Locke, Thomas Padilla, and Dean Rehberger

Starting a digital humanities research project can be quite intimidating. This course is designed to make that process less so by exploring tools and platforms that support digital humanities research, analysis, and publication. We will begin by reframing sources as data that enable digital research. We will work throughout the week on approaches to (1) finding, evaluating, and acquiring (2) cleaning and preparing (3) exploring (4) analyzing (5) communicating and sharing data. Emphasis will be placed across all stages on how to manage a beginner digital research project in such a way that helps to ensure that your project remains accessible, that the process is well documented, and that the data are reusable.

Throughout this course, we will examine several existing projects, and move through the process of collecting, cleaning, and structuring humanities data and sources and plugging them into tools and platforms to analyze, visualize, share, and publish the data and analysis. Exploration of these stages of project-building will include a technical walk-through, as well as an examination of the tools and their underlying methodologies. Participants are strongly encouraged to bring their own research material to work with, but sample data will be provided.

HUMANITIES DATA CURATION PRAXIS

led by Trevor Muñoz and Katie Rawson

This course is for people who have or are making textured, rich humanities data and want to be able to use, share, and preserve their information. We will take a multi-faceted approach to the challenges of curating data that integrates

* immediate, practical concerns of preparing, transforming, and analyzing data,
* strategic tasks of mapping data models and developing maintenance plans,
* and foundational thinking about the role of data curation in research.

We will move between hands-on work with data sets and tools to discussions about the nature of data curation. Working with the tools like IPython notebooks and OpenRefine and with open data sets in a variety of formats from institutions like the Metropolitan Museum and the Digital Public Library of America, we will explore topics such as defining data quality and identifying data problems; translating data models between different systems; developing best practices for data reuse and interchange. Participants will be able to use data from their own research or work with practice sets we will supply.

We ask that people who take this course have some experience using open source software, including reading technical documentation and help forums, and that they have a basic understanding of programming (e.g. what is a variable, some familiarity with loops, etc.). Please contact the instructors if you need guidance in attaining these prerequisites in time for HILT.

HUMANITIES PROGRAMMING

led by Brandon Walsh and Wayne Graham

This course focuses on introducing participants to humanities programming through the creation and use of the Ruby on Rails web application framework. This course will introduce programming and design concepts, project management and planning, workflow, as well as the design, implementation, and deployment of a web-based application. Technologies covered in this course will include git, HTML, CSS, JavaScript, Ruby, Rails, and relational (and non-relational) data stores. Over the course of the week, we will work through the practical implementation of a developing and deploying a small-scale web application.

LARGE-SCALE TEXT ANALYSIS WITH “R”

led by Mark Algee-Hewitt

Text mining, the practice of using computational and statistical analysis on large collections of digitized text, is becoming an increasingly important way of extracting meaning from writing. Whether working on survey data, medical records, political speeches or even digitized collections of historical writing, we are now able to use the power of computational algorithms to extract patterns from vast quantities of textual data. This technique gives us information we could never access by simply reading the texts. But determining which patterns have meaning and which answer key questions about our data is a difficult task, both conceptually and methodologically; particularly for those who work in the humanities who are able to benefit the most from these methods.

Large-Scale Text Analysis with R will provide an introduction to the methods of text mining using the open source software Environment “R”. In this course, we will explore the different methods through which text mining can be used to “read” text in new ways: including authorship attribution, sentiment analysis, genre studies and named entity extraction. At the same time, our focus will also be on the analysis and interpretation of our results. How do we formulate research questions and hypothesis about text that can be answered quantitatively? Which methods fit particular needs best? And how can we use the numerical output of a text analysis to explain features of the texts in ways that make sense to a wider audience?

While no programming experience is required, students should have basic computer skills and be familiar with their computer’s file system. Participants will be given a “sample corpora” to use in class exercises, but some class time will be available for independent work and participants are encouraged to bring their own text corpora and research questions so they may apply their newly learned skills to projects of their own.

PROJECT DEVELOPMENT

led by Simon Appleford and Jennifer Guiliano

This course will explore the fundamentals of project planning and design including, but not limited to: formulating appropriate disciplinary questions for digital humanities research, investigating digital humanities tools and resources, structuring your first project, critical path scheduling, understanding roles and responsibilities, risk management, documenting your project work, writing your first grant proposal, budget setting and controls, building the project team, and selecting and implementing project management tools and software.

This is an advanced course and, as such, you are expected to have an understanding of the definition of digital humanities. Materials will be covered through lectures, discussions, presentations, and hands-on activities. Participants will get the most from the course if they arrive with at least some sense of a potential digital humanities project that they would like to develop throughout the week.

NEH Summer Stipends

NEH Logo provided by neh.govNEH Summer Stipends
Limited Submission URL: here.
IU Internal Deadline: 7/1/2015
NEH Online Application Deadline: 10/1/2015

Brief Description:
Summer Stipends support individuals pursuing advanced research that is of value to humanities scholars, general audiences, or both. Recipients usually produce articles, monographs, books, digital materials, archaeological site reports, translations, editions, or other scholarly resources. Summer Stipends support continuous full-time work on a humanities project for a period of two consecutive months. Summer Stipends support projects at any stage of development.

The Common Good:  The Humanities in the Public Square
NEH invites projects related to its new initiative, The Common Good: The Humanities in the Public Square. This initiative seeks to connect the study of the humanities to the current conditions of national life. Many of today’s challenges require more than ever the forms of understanding and knowledge represented by the humanities. They require the broadest possible engagement of scholars and the public with the resources of the humanities, including but not limited to the study of language, literature, history, philosophy, comparative religion, and ethics. The study of the humanities can help illuminate the complexity of many contemporary challenges while enriching our understanding of the common good.

Summer Stipends may not be used for:
• projects that seek to promote a particular political, religious, or ideological point of view;
• projects that advocate a particular program of social action;
• specific policy studies;
• research for doctoral dissertations or theses by students enrolled in a degree program;
• the preparation or revision of textbooks;
• curriculum development;
• the development of pedagogical tools (including teaching methods or theories);
• educational or technical impact assessments;
• empirical social science research, unless part of a larger humanities project;
• inventories of collections;
• the writing of guide books, how-to books, or self-help books;
• the writing of autobiographies, memoirs, or works of creative nonfiction; or
• works in the creative or performing arts (for example, painting, fiction or poetry, or dance performance).

Award Amount:
Summer Stipends provide $6,000 for two consecutive months of full-time research and writing. Recipients must work full-time on their projects for these two months and may hold other research grants supporting the same project during this time. Summer Stipends normally support work carried out during the summer months, but arrangements can be made for other times of the year. NEH Summer Stipends are awarded to individuals, not to institutions. They do not require cost sharing and do not include indirect costs.

Eligibility:
• Faculty members teaching full-time at colleges or universities must be nominated by their institutions.
• All applicants must have completed their formal education by the application deadline. While applicants need not have advanced degrees, individuals currently enrolled in a degree-granting program are ineligible to apply.
• Individuals who have been awarded a major fellowship or research grant or its equivalent within the three academic years prior to the deadline are ineligible. (Applicants who have held such fellowships or research grants are eligible only if their award period ended at least three years before the deadline for Summer Stipends applications.) . A “major fellowship or research grant”; is a postdoctoral research award that provides a stipend of at least $15,000. Sabbaticals and grants from an individual’s own institution and stipends and grants from other sources supporting study and research during the summer are not considered major fellowships. See Program details.
• Individuals who have received Summer Stipends may apply to support a new stage of their projects.
• See Program details for more specific information.
INTERNAL COMPETITION NECESSARY: TWO FACUTLY MEMBERS PER CAMPUS
Each college and university in the United States and its jurisdictions (campus) may nominate two faculty members. Any faculty member teaching full-time is eligible for nomination.

APPLICANTS EXEMPT FROM NOMINATION / NO INTERNAL COMPETITION NEEDED
The following individuals may apply online without a nomination or internal competition:
• independent scholars not affiliated with a college or university;
• college or university staff members who are not faculty members and will not be teaching during the academic year preceding the award tenure
• emeritus faculty; and
• adjunct faculty, part-time faculty, and applicants with academic appointments that terminate by the summer of the award tenure.

IUPUI Internal competition:
For consideration, submit the following documents electronically to Etta Ward,emward@iupui.edu by July 1, 2015 for internal competition.
Format pages with one-inch margins and with a font size no smaller than eleven point.
The narrative should not assume specialized knowledge and should be free of technical terms and jargon. The narrative limitation does not include references.

1. Provide a 1-3 page narrative that includes the following:
• Project Title
• Project Director Name and Credentials
• Research and contribution: Describe the intellectual significance of the proposed project, including its value to humanities scholars, general audiences, or both. Provide an overview of the project, explaining the basic ideas, problems, or questions examined by the study. Explain how the project will complement, challenge, or expand relevant studies in the field.
• Methods and work plan: Describe your method(s) and clarify the part or stage of the project that will be supported by the Summer Stipend. Provide a work plan, describing what you will accomplish during the award period. Your work plan must be based on a full-time commitment to the project; part-time work is not allowed. If you do not anticipate finishing the entire project during the award period, discuss your plan for doing so. For book projects, explain how the final project will be organized. If possible, provide a brief chapter outline. For digital projects, describe the technologies that will be used and developed, and how the scholarship will be presented to benefit audiences in the humanities.
• Competencies, skills, and access: Explain your competence in the area of your project. If the area of inquiry is new to you, explain your reasons for working in it and your qualifications to do so. Specify your level of competence in any language or digital technology needed for the study. Describe where the study will be conducted and what research materials will be used.
• Final product and dissemination: Describe the intended audience and the intended results of the project. If relevant, explain how the results will be disseminated and why these means are appropriate to the subject matter and audience.

2. A Letter from the Chair or Dean

3. 1-2 page abbreviated CV which includes:
• Current and Past Positions
• Education: List degrees, dates awarded, and titles of theses or dissertations
• Awards and Honors: Include dates. If you have received support from NEH, indicate the dates of these grants and any resulting publications.
• Publications: Include full citations for publications and presentations
• Other Relevant Professional Activities & Accomplishments

WONDER AND THE NATURAL WORLD: A Call for Grant Proposals

Logo for CSRES courtesy of News.iupui.eduCALL FOR GRANT PROPOSALS: Symposia, workshops, performances, and seminar series for departments, institutes, and research centers at all IU campuses
Deadline for submission: June 15, 2015
Awards announced by mid-July 2015

The IU Consortium for the Study of Religion, Ethics, and Society (CSRES) announces a grant competition on the theme of Wonder and the Natural World. Departments, research centers, and institutes across all IU campuses may apply for funds to support or supplement symposia, workshops, seminar series, performances, or small conferences during the 2015-2016 academic year that align with the Consortium’s two-year theme of Wonder and the Natural World. This call for proposals is part of a two-year thematic initiative sponsored by CSRES.

Wonder has been framed as a key moral disposition, as well as an aesthetic, emotional, or cognitive response; depending on its objects and orientation, it may display both salutary and sinister dimensions. Wonder at nature is prompted by the odd and uncanny, the strange and novel, the transcendent and sublime, as well as encounters with the monstrous and horrific. It has variously been associated with, or dissociated from, curiosity, awe, intimations of divinity, infinity, the sublime, the miraculous or supernatural, feelings of astonishment and puzzlement. We welcome projects that explore wonder or its cognate terms in relation to nature or the natural, broadly construed. Proposals should clearly relate the project to the announced theme.

Grants will be awarded in amounts up to $2500, $5000, and $7500 depending on the scope of the proposed project. Funds can be used for travel and honoraria for external speakers, as well as hospitality expenses in keeping with university regulations. IU faculty may not receive honoraria. Applications for funding should include:

• summary of the project (750 words max.)
• a list of invited presenters
• a detailed budget
• letter of support from department chair or school/unit dean (included with the application or emailed separately)
• evidence of other funding obtained or requested (for requests over $2000)

Questions about the grant competition, and complete grant proposals may be emailed to CSRES Director Lisa Sideris at lsideris@indiana.edu.

The Indiana University Consortium for the Study of Religion, Ethics, and Society is an interdisciplinary association of scholars, academic programs, and research centers from the eight campuses of Indiana University. Their mandate is to aid in the development of research and scholarship to better understand religion, ethics, values, and spirituality in society. An initiative of the IU Vice President for Research Office, CSRES is also supported by the Office of the President, The Office of the Executive Vice President and Chancellor, IUPUI, and the College of Arts and Sciences at IU Bloomington.

15 teams to share $1 million in collaborative grants through IU Research program

IU Vice President of Research Jorge JosIU Vice President of Research Jorge JoséBLOOMINGTON, Ind. — Indiana University Vice President for Research Jorge José has announced over $1 million in collaborative research grants to be shared among 15 newly formed research teams. Members of the teams represent 21 departments from eight schools on three IU campuses.

The IU Collaborative Research Grants program, initiated by José and now in its fifth year, awards teams of researchers up to $75,000 to support collaborative, innovative projects with a high likelihood of securing external funding. Each project team includes faculty members from different campuses, schools, departments or disciplines.

“As it was envisioned to do, the Collaborative Research Grants program continues to increase the capacity for our investigators to do meaningful and innovative work through new partnerships,” José said. “This increased capacity for collaboration is an especially important outcome of this program.”

This year, 44 investigators make up 15 teams that represent departments and schools from Indiana University Bloomington, Indiana University-Purdue University Indianapolis and IU Southeast, in addition to one team that had a member from Purdue University.

IU President Michael A. McRobbie called the program and the most recent round of awards integral to stimulating new opportunities for sharing knowledge and expertise that lead to discovery.

“Vice President José has energetically promoted and supported this program to encourage faculty to contribute their expertise in shared, innovative ways,” McRobbie said. “As the end of his tenure draws near, Indiana University can reflect positively on the distinct successes that have been achieved by this program: New and highly productive partnerships have been forged that have already led to new discoveries; the university’s investment has been realized more than ten-fold thanks to subsequent related funding; and a new framework has been developed for our faculty that stimulates creative, passionate investigation through shared knowledge.”

Since a collaboration funded by the inaugural round of grants in 2010-11, Giovanna Guidoboni, an associate professor of mathematics at IUPUI, and Alon Harris, professor of cellular and integrative physiology at the IU School of Medicine, have seen their initial round of work on modeling glaucoma result in enormous benefits.

Following their original round of research, the pair received three external grants, including one from the National Science Foundation for over $275,000. They have also founded a new scientific journal, the Journal for Modeling in Ophthalmology; established an agreement of international cooperation with the Polytechnic University of Milan (Italy); and co-organized an international workshop in Europe.

“That 2011 collaborative research grant has indeed led to an incredible number of great successes,” Guidoboni said.

Craig Pikaard, the Carlos O. Miller Professor and Distinguished Professor of Biology at IU Bloomington, was funded in 2011 with Haixu Tang, an associate professor in the School of Informatics and Computing at IU Bloomington. Pikaard said spin-out benefits from that original grant continue to this day.

“This is a valuable university program that helped jump-start the collaboration between my lab and the group Haixu Tang leads,” he said “It also helped me obtain a highly coveted Howard Hughes Medical Institute-Gordon and Betty Moore Foundation investigator position. Haixu and I continue to collaborate, and we hold regular meetings of our groups.”

In total, it is estimated that the $3 million distributed by IU during just the first three years of the grants program has thus far helped Collaborative Research Grant-funded investigators earn more than $88 million in new external funding. This figure is expected to grow as those funded more recently pursue external funding opportunities.

“The idea behind the program was to create incentives for researchers to initiate new collaborations to address important problems in transformative ways,” José said. “While we can fund only about 15 percent of the applications, just the process of preparing applications has created some new partnerships across the university. The program has been a success so far, and we believe it will continue to be in the future.”

The 15 projects awarded funding this year are:

Single Cell Studies With Scanning Sniffer Patch Microscopy:
Lane Allen Baker, Department of Chemistry, College of Arts and Sciences, IU Bloomington; and Theodore Cummins, Department of Pharmacology and Toxicology, IU School of Medicine.

Investigating the Relationship Between Cumulative Disadvantage and Telomere Length as a Contributor to Cancer Disparities:
Silvia Bigatti, Department of Social and Behavioral Sciences, Richard M. Fairbanks School of Public Health, IUPUI; Brittney-Shea Herbert, Department of Medical and Molecular Genetics, IU School of Medicine; Kenzie Latham, Department of Sociology, School of Liberal Arts, IUPUI; and Anna Maria Storniolo, Department of Medicine, Division of Hematology/Oncology, IU School of Medicine.

Mechanism of the Regulation of DNA Replication by PIF1 Family Helicases:
Matthew L. Bochman, Department of Molecular and Cellular Biochemistry, College of Arts and Sciences, IU Bloomington; Yuichiro Takagi, Department of Biochemistry and Molecular Biology, IU School of Medicine; and Amber Mosley, Department of Biochemistry and Molecular Biology, IU School of Medicine.

Matrix Engineering With Adipose Stem Cells to Promote Islet Function and Longevity: Robert V. Considine, Department of Medicine, Division of Endocrinology, IU School of Medicine; Raghu Mirmira, Department of Pediatrics, IU School of Medicine; and Sherry L. Voytik-Harbin, Department of Biomedical Engineering, Weldon School of Biomedical Engineering, Purdue University.

Using in vivo Microscopy to Build Predictive Models of Drug-induced Liver Injury: Kenneth Dunn, Department of Medicine, Division of Nephrology, IU School of Medicine; Richard Day, Department of Cellular and Integrative Physiology, IU School of Medicine; and Steve Pressé, Department of Physics, School of Science, IUPUI.

Understanding Naturalistic Bicyclist Behavior for Safety and Sustainability:
David Good, School of Public and Environmental Affairs, IU Bloomington; Lauren Christopher, Department of Electrical and Computer Engineering, School of Engineering and Technology, IUPUI; Stanley Chien, Department of Electrical and Computer Engineering, School of Engineering and Technology, IUPUI; Jiang Zheng, Department of Computer and Information Science, School of Science, IUPUI; and Yaobin Chen, Department of Electrical and Computer Engineering, School of Engineering and Technology, IUPUI.

Neurotherapeutic Potential of Adipose Stem Cell-Conditioned Medium in ALS:
Kathryn Jones, Department of Anatomy and Cell Biology, IU School of Medicine; and Keith March, Department of Medicine, Krannert Institute of Cardiology, IU School of Medicine.

The Impact of the Public Investment in Education in the Academic Performance of K-12 English Language Learners in Southern Indiana:
Haeil Jung, SPEA, IU Bloomington; Magdalena Herdoíza-Estévez, School of Education, IU Southeast; Cathy Johnson, School of Education, IU Southeast; and Jacquelyn Singleton, School of Education, IU Southeast.

Developing Remote Sensing Techniques for Detection of Toxin-Producing Cyanobacteria:
Lin Li, Department of Earth Sciences, School of Science, IUPUI; Kevin Mandernack, Department of Earth Sciences, School of Science, IUPUI; and David Kehoe, Department of Biology, College of Arts and Sciences, IU Bloomington.

Effect of Antarctic Weathering on Global Climate:
Kathy Licht, Department of Earth Sciences, School of Science, IUPUI; and David Bish, Department of Geological Sciences, College of Arts and Sciences, IU Bloomington.

A Novel Approach to Discover Drug Resistance Genes in Breast Cancer Cells:
Tao Lu, Department of Pharmacology and Toxicology, IU School of Medicine; and Lang Li, Department of Medical and Molecular Genetics, IU School of Medicine.

Induction and Maintenance of Chronic Migraine: Regulation of TRP Channels by Endogenous N-acyl Amide Lipids:
Gerry Oxford, Department of Pharmacology and Toxicology, IU School of Medicine; Heather Bradshaw, Department of Psychological and Brain Sciences, College of Arts and Sciences, IU Bloomington; and Joyce Hurley, Department of Biochemistry and Molecular Biology, IU School of Medicine.

Optical-Based, Label-Free Multiplex Assay for Direct Quantification of microRNAs in Serum and Cancer Cells:
Rajesh Sardar, Department of Chemistry and Chemical Biology, School of Science, IUPUI; and Murray Korc, Department of Medicine, Division of Endocrinology, IU School of Medicine.

Developmental Adaptation to Chronic Hypoxia:
Robert Tepper, Department of Pediatrics, IU School of Medicine; Mircea Ivan, Department of Microbiology and Immunology, IU School of Medicine; and Kenneth Nephew, Medical Sciences Program, IU School of Medicine-Bloomington.

Hippo/YAP Signaling Controls Protein Redistribution and Organ Size in Critical Illness:
Clark Wells, Department of Biochemistry and Molecular Biochemistry, IU School of Medicine; Teresa Zimmers, Department of Surgery, IU School of Medicine; and Leonidas Koniaris, Department of Surgery, IU School of Medicine.

NEH awards IUPUI-Ivy Tech partnership $119,009 grant to create world religions curriculum

With funding from the National Endowment for the Humanities, Indiana University-Purdue University Indianapolis will work in partnership with Ivy Tech Community College faculty to create 150 course modules on world religions for Ivy Tech humanities classes.Photo courtesy of Center for Interfaith Cooperation.

The NEH, in Washington, D.C., recently announced it has awarded IUPUI $119,009 to conduct “World Religions in Greater Indianapolis,” a two-year study program on contemporary religious traditions in greater Indianapolis for 15 faculty members at the Indianapolis campus of Ivy Tech Community College.

Led by IUPUI professors Edward Curtis and Arthur Farnsley and Ivy Tech humanities chair Jack Cooney, the program will help the Ivy Tech faculty develop course modules on five world religions for the existing Ivy Tech humanities core, including courses on history, literature and cultural anthropology.

“This NEH grant for ‘World Religions in Greater Indianapolis’ exemplifies all we reach for at Ivy Tech Community College as we provide our students with learning opportunities which lead them to flourishing lives as well-educated citizens and as resourcefully nimble employees,” Cooney said. “We are both honored and proud to partner with our teacher colleagues at IUPUI whose vision for this substantial NEH grant is not without regard to our possibilities.”

The Center for the Study of Religion and American Culture, a unit of the IU School of Liberal Arts at IUPUI, will operate the program, which will connect Ivy Tech faculty to experts on Judaism, Christianity, Islam, Hinduism and Buddhism at IUPUI, Indiana University Bloomington, Butler University and Marian University.

The program seeks not only to bolster humanities content at Ivy Tech but also to create more understanding of Central Indiana’s religious diversity, especially of recent immigrant communities.

“This project will aid faculty in helping students understand the breadth of religious traditions in America and in central Indiana,” IUPUI Chancellor Charles R. Bantz said. “At a time when there are far too many examples of misunderstandings about religions, this is a vital project. I am pleased that the Center for the Study of Religion and American Culture, one of our outstanding research and public outreach centers, is willing to lead this project.”

Ivy Tech faculty in the program will be introduced to world religious traditions and their sacred texts, and study their significance to U.S. history and culture. After their study of a particular tradition, the faculty will then arrange discussions with members of a recent immigrant community from that tradition. The faculty will create the Ivy Tech course modules as capstone projects based on their comprehensive studies.

Participating religious communities from Central Indiana include Jews from the former Soviet Union, Russia and Ukraine; Spanish-speaking Roman Catholic Christians from Latin America; Muslims from West Africa; Hindus from India; and Buddhists from Vietnam.

“We are grateful to all of our community partners for making it possible to bring together Central Indiana’s academic experts and its rich immigrant cultures in a program for Ivy Tech faculty,” said Bill Blomquist, dean of the IU School of Liberal Arts.

NEH grants are among the most prestigious research awards in the humanities. The “World Religions in Greater Indianapolis” program received one of only four grants awarded in the NEH’s “Bridging Cultures at Community Colleges” category, for which there were 46 applications.

Created in 1965 as an independent federal agency, the NEH supports research and learning in history, literature, philosophy and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation.

Exhibition: Dontrell: Think and Drink

http://www.sunkingbrewing.com/

On Monday, April 13 from 5:30-8:00 pm, Nathan Alan Davis and cast-members will kick off the 2015 “Think and Drink” series at Sun King Brewery. This event will be subtitled “Think and Drink: Brews, Beats, and Rhymes,” and will feature DJ Kyle Long and Tatjana Rebelle (host of Lingo and Vocab). This event will feature some of the top beat poets and spoken word artists who will perform along with attendees and Sun King employees to create and spit their own rhymes. DJ Kyle Long will be spinning an eclectic fusion of international music throughout the evening. Donations will be taken at the door to benefit the Starfish Initiative.

25 IU faculty from five campuses earn New Frontiers in Arts and Humanities grants

IU Vice President for Research Jorge José | Photo by Indiana UniversityOn the heels of President Michael A. McRobbie’s announcement as part of Indiana University’s Bicentennial Strategic Plan of continued funding for the New Frontiers in the Arts and Humanities program, Vice President for Research Jorge José has named 25 more faculty members to receive New Frontiers grants.

Considered one of the largest internally funded university arts and humanities programs supporting scholarship and creative activity, the New Frontiers program has awarded more than $9.3 million to 451 faculty members in the past 10 years.

The new five-year extension was the second made by McRobbie after the Lilly Endowment’s Excellence in Indiana Initiative funded an initial five years beginning in 2004-05. This latest round of awards provides up to $50,000 each in Creativity and Scholarship Awards to 19 faculty members from four campuses and up to $15,000 each in Experimental Fellowship Awards for six faculty members from three campuses.

New Frontiers has helped define IU’s commitment to support innovative and creative scholarship with the potential for transformative achievement, McRobbie noted.

“New Frontiers has repeatedly fostered exciting new opportunities for our faculty by integrating the arts, scholarship and creativity, and empowering that relationship with a strong commitment of support,” he said. “This program has allowed our faculty to expand the breadth and depth of their research and creative activity and led to the development of innovative works across a wide range of disciplines. In doing so, it has guaranteed that IU’s longstanding tradition of excellence in the arts and humanities continues to thrive and enrich our quality of life.”

José said continued support of the program validates IU’s commitment to the arts and humanities as a sustaining stakeholder in IU’s mission set down in the Bicentennial Strategic Plan.

“The New Frontiers program, which is unique among major research universities, fosters and strengthens the university’s commitment to transformative innovation, outstanding scholarship, and creative and intellectual achievement,” José said. “More broadly, New Frontiers helps demonstrate the importance of the arts and humanities in contemporary life and is truly a signature program for the university.”

In addition to these grant programs, New Frontiers also supports outstanding and topical scholarly symposia through the New Currents program, and faculty travel for research and creative activity through the Exploratory Travel Fellowship program.

Jean Robertson, the Chancellor’s Professor of Art History at Indiana University-Purdue University Indianapolis’ Herron School of Art and Design, has been a New Frontiers grant recipient and later a member of the IU faculty panel that reviews new grant applications. She said receipt of the award provided her the support, motivation and freedom to attain new levels of academic achievement.

“Beyond the practical benefits, New Frontiers funding has given me moral support and strong motivation. I want to justify the confidence Indiana University has expressed in me, thus I aim even higher than I would on my own,” she said. “I don’t know of another university in the country that provides such generous financial support for faculty who specialize in arts and humanities disciplines, and the sheer volume of research that IU faculty members have been able to accomplish as the outcomes of New Frontiers grants is jaw dropping.”

Recipients of 2014-15 New Frontiers grants are:

New Frontiers of Creativity and Scholarship

  • Heather Blair, Department of Religious Studies, IU Bloomington, “The Gods Make You Giggle: Finding Religion in Japanese Children’s Picture Books”
  • Purnima Bose, Department of English, IU Bloomington, “Intervention Narratives: Afghanistan, the United States, and the War on Terror”
  • Judith Brown, Department of English, IU Bloomington, “Passive States: India and Global Modernism”
  • Maria Bucur-Deckard, Department of History, IU Bloomington, “The Century of Women”
  • Konstantin Dierks, Department of History, IU Bloomington, “Globalization of the United States, 1789-1861: An Interactive Digital Atlas”
  • Jeffrey Gould, Department of History, IU Bloomington, “Port Triumph”
  • Patricia Ingham, Department of English, IU Bloomington, “A Cultural History of Curiosity: Part 1, Monkey Business”
  • Sarah Knott, Department of History, IU Bloomington, “Mother: the past in our present”
  • Elizabeth Kryder-Reid, Department of Anthropology, IUPUI, “An Investigation of Stakeholder-Defined Value at Two Contested Cultural Heritage Sites in Indiana”
  • C. Thomas Lewis, Department of Human-Centered Computing, IUPUI, “Participatory Filmmaking Confronting HIV Stigma”
  • Eden Medina, School of Informatics and Computing, IU Bloomington, “How Data Become Law: Computer-Mediated Evidence in Cases of Human Rights Violations”
  • Jonathan Rossing, Department of Communication Studies, IUPUI, “Humor, Race, and Rhetorical Agency in Post-apartheid South Africa”
  • Kelly Alisa Ryan, Department of History, IU Southeast, “Violence, Self Presentation and Power”
  • R. Matthew Shockey, Department of Philosophy, IU South Bend, “The Bounds of Self: An Essay on Heidegger’s ‘Being and Time'”
  • Ruth Stone, Department of Folklore and Ethnomusicology, IU Bloomington, “Ebola in Town: Critical Musical Connections in Liberian Communities during the 2014 Ebola Crisis in West Africa”
  • Alberto Varon, Department of English, IU Bloomington, “Textual Citizens: Literary Manhood and the Making of Mexican Americans, 1848-1959”
  • John Walsh, Department of Information and Library Science, IU Bloomington, “CoBRA: Comic Book Readership Archive”
  • Brenda Weber, Department of Gender Studies, IU Bloomington, “Gendered Modernity and Mediated Mormonism”
  • Gregory Witkowski, Lilly Family School of Philanthropic Studies, IUPUI, “Donors in a Dictatorship”

New Frontiers Experimentation Fellowships

  • Jim Ansaldo, Indiana Institute on Disability and Community, IU Bloomington, “Exploring the Impact of Improv Classes for Teens on the Autism Spectrum”
  • Lesley Baker, Herron School of Art and Design, IUPUI, “Digital Clay — Extrapolation”
  • Andrew Hopson, Department of Theatre, Drama and Contemporary Dance, IU Bloomington, “Using Motion Tracking to Control Audio Playback”
  • Gregory Schrempp, Department of Folklore and Ethnomusicology, IU Bloomington, “Science the Second Time Around”
  • Susan Skoczen, Department of Humanities, IU Kokomo, “Electroformed Metal Mesh as New Material in the Creation of Wearables”
  • Rachel Wheeler, Department of Religious Studies, IUPUI, “Songs of the Spirit: Building Bridges between Eighteenth and Twenty-first Century Mohican Music”