Explore IUPUI’s public art collection

sculpture5_iIUPUI’s public art collection is high in quality and vast in subject matter. It includes sculptures from world-renowned artists such as Dale Chihuly and John Torreano, but is also privileged to feature artwork by IUPUI alumni.

As home to the only professional, accredited school of art in Indiana, the Herron School of Art and Design, IUPUI has access to a large community of creative and talented students. Their work can be seen throughout IUPUI’s public art collection. In the cooperative nature of public art, IUPUI has enabled students past and present to take part in the development of the campus’s public identity through these outdoor sculptures.

IUPUI’s public art collection functions not only to create points of interest, but also to provide students and the public with spaces to come together, have meaningful conversations and take part in campus life.

A fun way to start exploring public art at IUPUI is by visiting the Indianapolis Public Art website, which allows users to plan a public art walking tour through campus and the greater Indianapolis area.

This photo gallery is a small sample of a larger collection consisting of more than 30 works of sculpture located throughout the IUPUI campus. For more information, visit Wikipedia’s IUPUI Public Art Collection page, a project by an IUPUI Museum Studies class to promote research and conservation of the outdoor sculptures on campus.

by Emma Hernandez

IUPUI professor offers list of Top 10 favorite museums after visiting 54 in a year

eleew2-webINDIANAPOLIS — Whether you are a motorcycle fan, a Civil War expert or a honeybee enthusiast, museums offer a place to explore ideas and objects that connect us with the rest of the world, said Elizabeth “Elee” Wood, associate professor of museum studies at Indiana University-Purdue University Indianapolis.

“Museums allow us to look back in time and place to see what we’ve been as a society, but more importantly help us know where we might be going,” Wood said. “I love seeing and thinking about the objects that people left behind and what it can mean in our lives today.”

During the 2013-14 school year, Wood visited 54 U.S. museums while on sabbatical. She offers a list of her Top 10 museums as a guide for summer, as well as year-round fun, entertainment and education.

1. Lower Eastside Tenement Museum, N.Y.

A museum to help you think about the role of history in our contemporary culture. All tours are guided and promote dialogue and discussion about the life of the thousands of people who lived in the building over time.

2. Monterey Bay Aquarium, Monterey, Calif.

Art with fish. This is one of the most breathtaking examples of how a museum can build an emotional connection between visitors and animals. Exhibits highlight the important aspects of animal life and conservation.

3. Museum of International Folk Art, Santa Fe, N.M.

The Collective Visions exhibit combines unique examples of folk art traditions from around the world in unusual ways. Wood said she loves the way the displays juxtapose different cultural depictions of life.

4. Milwaukee Public Museum, Milwaukee, Wis.

This is where Wood got her start in the world of museums, working as a youth volunteer in the museum she visited as a child. This museum has some of the best dioramas for both human and natural history.

5. Kew Gardens, London

Lovers of botanical gardens should put this one at the top of their lists. The museum’s attention to the physical beauty of the plant world is integrated into how staff construct their labels and help you think about why plants matter.

6. Science Museum of Minnesota, St. Paul, Minn.

Wood said she appreciates how the museum connects visitors with ideas and issues in science. She said she particularly likes the ScienceBuzz blog that features an object of the month.

7. Cleveland Art Museum, Cleveland, Ohio

The museum’s new Gallery One is a stellar experience, offering new ways to experience artwork both physically and intellectually. For example, a visitor can use facial recognition software to match the expressions on different works of art and in another area, visitors cast their vote on the meaning of different works of art.

8. National Music Museum, Vermillion, S.D.

Those who like musical instruments of any kind will probably find them here. This museum is crammed full of interesting, strange and unusual instruments from around the world.

9. Wing Luke Museum of the Asian Pacific American Experience and the Nordic Heritage Museum, Seattle, Wash.

Wood said she admires museums that draw on community expertise and experience as their primary focus. Both Wing Luke and the Nordic Heritage Museum have extensive involvement from members of the community.

10. Indianapolis

“I’m going to cheat a little and say that a trip to Indianapolis will bring you to some of the absolute best museums in the country,” Wood said, referring to the city’s highly respected and award-winning museums.

For example, The Children’s Museum of Indianapolis, the world’s largest, is offering a once-in-a-lifetime opportunity this summer to see the Terracotta Warriors from China; and the Indianapolis Zoo’s new International Orangutan Center will blow you away with outstanding face-to-face interactions with apes. But the city also has so much more to offer: the Indiana History Center, Indiana State Museum, Eiteljorg Museum of American Indians and Western Art, Conner Prairie Interactive History Park and the Indianapolis Museum of Art, to name a few.

 

 

Elizabeth “Elee” Wood is the director of the museum studies program and an associate professor at Indiana University-Purdue University Indianapolis, with joint appointments in the museum studies program, IU School of Liberal Arts and IU School of Education. In addition, she serves as the public scholar of museums, families and learning in a joint appointment at the internationally renowned Children’s Museum of Indianapolis.

Her book, “The Objects of Experience: Transforming Visitor-Object Encounters in Museums,” co-authored by Kiersten F. Latham and published in 2013 by LeftCoast Press, discusses museum practices that foster the emotional and intellectual connections people have with museum holdings.

To reach Wood for interviews, contact Diane Brown at 317-274-2195 or habrown@iu.edu .

Herron School of Art and Design faculty, alumni to strut their stuff in August

Sax on the Rocks 12x12 oil canvas

Phil O’Malley,      Sax on the Rocks,  Oil on Canvas,      12” x 12”

The Biennial Faculty Show will kick off the fall gallery season at Herron School of Art and Design in Eskenazi Hall’s main galleries. This year’s exhibition will be an exercise in eclecticism with faculty members exhibiting from a variety of departments. All tenured and tenure-track faculty, lecturers and program technicians were invited to participate.

Also opening in the Marsh Gallery August 1 is Print or Die an annual print exchange created and curated by Dominic Senibaldi (M.F.A. in Printmaking, 2013). Print or Die will showcase works from two years of the exchange, and illustrate the ideas behind the print exchange culture and its importance in contemporary printmaking. Artists from coast to coast participate.

In the Basile Gallery, also opening August 1, is 316: A Thesis Exhibition by Eric D. Johnson (M.F.A. in Printmaking, 2014). Johnson describes the concept for the exhibition as emerging from strain on the support systems of the modern world caused by mass production, consumption and waste, and observation of critical tipping points and cascading failures.

Works will be available for purchase on opening night.

Rounding out the month, opening on August 29 and continuing through September 19, will be solo shows by alumnus Phil O’Malley (B.F.A., ‘07) in the Marsh Gallery and Assistant Professor in Furniture Design Katie Hudnall in the Basile Gallery.

O’Malley has planned a “making of” exhibition, The Moment of Conception?, as a companion to the mid-August unveiling of his, 20’ x 40’ as yet untitled work, a monumental installation which will hang in the front lobby of Clowes Memorial Hall. The work is the pinnacle creation in a series called Deep Down. Its creation and installation is also being documented by local National Public Broadcast Service station, WFYI. O’Malley said the series was spurred by “several selections of popular music” from his formative years, translated via paint into vivid visual representations. “Now they’re laid out, varnished, nailed to their boards,” he said, “and placed in their four-sided coffins for their viewing. We’re so sorry, Uncle Albert.”

Hudnall’s exhibition of current work blurs the lines between woodworking and furniture techniques and media and those of sculpture and drawing in a search for new and compelling ways to reach the audiences for these forms.

“The language of furniture, and of utilitarian objects in general, has greatly influenced these hybrids as I search for ways to directly interact with my viewers,” Hudnall said. “In the newest work, an interactive element is integral to experiencing the piece. The viewer might open and close a door, or a drawer might activate another section of the work, revealing intricate drawings that open like books, or umbrella-like forms that raise and lower out of the top of the piece. This exhibition raises questions about the notion of communication. Viewers may work together to operate a piece, making it something that a single viewer cannot fully experience on their own.”

IUPUI liberal arts student curates photography exhibit that bridges physical, virtual spaces

389465_w296INDIANAPOLIS — A new photography exhibit curated by Aaron Pierce, a graduate student in the IU School of Liberal Arts at IUPUI, brings together photographers from around the world in both a physical gallery space and a virtual space via Instagram and blogs.

Social Photography: Art in Progress” runs through June 27 at Indy Indie Artist Colony & Gallery, 26 E. 14th St. During the exhibit, photographers will share an Instagram account. The pictures they post will be projected onto the gallery’s walls, thus creating a worldwide, ever-changing art exhibit.

The exhibit seeks to create a dialog about the nature of photography in frequently changing social media environments.

Pierce, who also holds a bachelor’s degree in English from the School of Liberal Arts, is finishing a master’s degree in geographic information science at Indiana University-Purdue University Indianapolis. He describes the exhibit as a social experiment that is interactive and engages with the audience.

“We will be hosting a ‘Topic of the Day’ blog at our website where we will bring up topics that fit within the gallery themes, but each photographer’s photographic post will work as an individual pillar of conversation to build off of and connect with other topics, themes and ideas,” he said. “This will be a very fluid and active discussion; it could easily take us for completely unexpected spins.

“We are engrossed into virtual lives now, and this physical gallery serves as the place where we will get experimental with our space,” Pierce said. “We will be hosting artist talks through Google Hangouts from this location as well as interacting with both virtual and physical works hosted in the gallery.”

Pierce, a Carmel resident, said his interest in photography reaches back to childhood. He has also been able to incorporate photography into his academic work during study-abroad trips to Cuba and Morocco.

Pierce has also used social media platforms to showcase his photography, and he organized an IUPUI campus event where students could talk with Lauren Bohn, a journalist based in Cairo during the Arab Spring, via Skype. Bohn is among the photographers participating in the exhibit.

Other artists participating in the exhibit, some with ties to Herron School of Art and Design, include Milli Apelgren, Nabil Attia, Denise Conrady, Kevin Scott Davis, Juan Jerez, Amina Khazie, Sam Ladwig, Zun Lee, and Scott Witt.

“I saw this gallery exhibit as a way to not just show my work, but as an opportunity to use the space for a bigger role in exploring and discussing social media with photography through a collective of artists and an audience that is encouraged to engage with the exhibit,” Pierce said.

Social Photography: Art in Progress” can also be viewed on Instagram at @socphotogallery and followed via the #socphotogallery hashtag. Photo prints are available for purchase.

International Violin Competition Exhibition

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June 20- July 24, 2014

   Frank & Katrina Basile Gallery
    Marsh Gallery

 

 

Herron is partnering on two gallery exhibitions for the 9th Quadrennial International Violin Competition of Indianapolis, one of the most respected music competitions in the world (taking place in September 2014).

A Juried Exhibition of Student Art, 30 prize-winning entries from first through 12th graders around Indiana will fill the Basile Gallery.

An exhibition of 19 works from a commission competition for Herron junior painting students, through a project of the Basile Center for Art, Design and Public Life, will be exhibited in the Marsh Gallery.

About the Basile Center for Art, Design and Public Life:

The Basile Center for Art, Design and Public Life enables Herron faculty and students to apply their talent and skill to real-world situations and needs. The Basile Center brings together Herron artists, designers, and art educators to serve the needs of the broader Indianapolis community. The projects that the Basile Center manages range from permanent public art installations to visual communication design projects, to arts administration and fine art exhibitions, and they yield incredible opportunities for professional practice for our students, including both our undergraduates and students in our graduate programs.

Al-Mutanabbi Street Project

al-mutanabbi streetThe Herron Art Library—a full-service branch of the University Library—has recently been selected to house a unique collection of artists’ books.

On March 5th 2007, in the middle of the Iraq war, a car bomb exploded in Baghdad, destroying a busy avenue of cafés and bookstores that had served as a meeting place for generations of middle-eastern writers and thinkers. In response to the attack, a San Francisco bookseller, Beau Beausoleil, rallied a community of international artists and writers to produce a collection of letterpress-printed broadsides (poster-like works on paper), artists’ books (unique works of art in book form), and an anthology of writing, all focused on expressing solidarity with Iraqi booksellers, writers and readers. The coalition calls itself Al-Mutanabbi Street Starts Here.

The coalition has agreed to donate a complete run of the Al-Mutanabbi Street Starts Here collection to the Herron Art Library. Valued at over $250,000, the Al-Mutanabbi Street Starts Here collection includes 260 artists’ books; a publication entitled Al-Mutanabbi Street Starts Here: Poets and Writers Respond to the March 5th, 2007, Bombing of Baghdad’s “Street of the Booksellers”, plus 130 broadsides—one for every person killed or injured in the bombing of al-Mutanabbi Street. The Herron Art Library will be one of only three libraries worldwide to be a permanent home to the collection, and the only library in the U.S.

Along with the collection, the library is hosting a conference this fall on the IUPUI campus and a show featuring some of the collection in August at the Harrison Center for the Arts. For more information on the collection, please go to this website.

Previously unseen photos of 1989 Tiananmen Square movement are online as IUPUI digital collection

tiananmen squareINDIANAPOLIS — University Library at Indiana University-Purdue University Indianapolis is making public more than 400 previously unseen black-and-white photographs of the historic student-led 1989 Tiananmen Square pro-democracy movement. The library has digitized photographs taken by an IUPUI professor and added them to the library’s online digital collections.

It was April 15, 1989, when Hu Yaobang, the ousted general secretary of the Chinese Communist Party, died in Beijing. Thousands of people went to Tiananmen Square to mourn his death. College students in Beijing universities soon turned the mourning into a grassroots movement that called for political reform, including an end to government corruption and a guarantee of freedom of speech. The movement ended abruptly with the killing of hundreds of protesting Chinese citizens during a military crackdown on June 4, 1989.

Thousands of media professionals, along with ordinary citizens, captured the events of the student-led movement on camera. Nevertheless, relatively few of these images survived since the Chinese government confiscated cameras and film in its crackdown on the movement and its leaders.

The photographs in the University Library digital collection, “Tiananmen Square, 1989,” are exhibited in memory of those who died during the movement. The collection can also serve as an educational tool for younger generations to learn about that period of history visually.

The photographer, Edgar Huang, a faculty member from the IU School of Informatics and Computing on the Indianapolis campus, was then a university instructor and a documentary photographer in Beijing. He traveled almost every day to different university campuses and different locations in Beijing, especially Tiananmen Square, to record with his Nikon F3 all the exciting, frustrating and sad moments.

After the government crackdown, some of Huang’s negatives were confiscated, but more than 90 percent of his 54 rolls of 36mm film were carefully hidden in different locations in Beijing to avoid possible raids.

“Many young people in China have no recollection of what happened in Beijing in the spring/summer of 1989,” Huang said. “These photographs will serve as a reminder of numerous ordinary Beijing citizens’ bravery and are exhibited in memory of those who died.

“Thanks to my beloved late wife, Lily Sun, who brought the negatives to the United States in 1994, these photographs are now possible to be exhibited to the public.”

Huang expressed appreciation for the work of IUPUI University Library staff, especially Kristi L. Palmer, Jennifer Ann Johnson and Ann Lys Proctor, in making the digitization of all the negatives and eventually this online exhibition possible.

Located at 755 W. Michigan St. in the heart of the IUPUI campus, the University Library is a public library, serving nearly 1 million visitors a year, 10 percent of them community users. University Library supports students and faculty across all of IUPUI’s more than 200 degree programs with research expertise and a wide array of resources. Any resident of Indiana is eligible for an IUPUI University Library card.

Dual shows at Indiana State Museum and Herron School re-create Indianapolis art scene of ’80s and ’90s

386205_w296INDIANAPOLIS — The Indiana State Museum and Herron School of Art and Design have collaborated to present a window into the Indianapolis art scene of the early 1980s and 1990s. The iconic institutions will exhibit “431 Gallery: Art and Impact” and “Ed Sanders/Life and Art,” respectively.

A June 27 opening reception featuring passed hors d’oeuvres, beverages and live music will begin at the museum from 6 to 7:30 p.m. and continue at Herron from 7:30 to 9 p.m. Ticket information is available at the Indiana State Museum ticket counter, 317-232-1637.

“431 Gallery: Art and Impact” will feature a partial re-creation of the gallery, where visitors can view two- and three-dimensional works by former Herron students from the original cooperative. The exhibition is funded in part by the Buckingham Foundation, the Arts Council of Indianapolis and the City of Indianapolis and is free with museum admission after the opening reception.

“The 431 Gallery was one of the original galleries operating on Massachusetts Avenue from 1984 to 1993,” said Mark Ruschman, the museum’s curator of fine art. “The area is considered Indianapolis’ first arts district and was integral in driving the downtown renaissance. The exhibition will connect many people to a time in Indianapolis when there were few venues for artists to showcase cutting-edge, contemporary works.”

Featured artists include Bill Adkins, Anita Giddings, Larry Kline, Carla Knopp, Steve Paddock and Ed Sanders. “431 Gallery: Art and Impact” will continue through Sept. 14.

“Ed Sanders/Life and Art” is a posthumous, solo exhibition of paintings and drawings. Critics and fellow artists recognized the Herron graduate as a major figure in the Indianapolis art scene of the time. He died in 2006 at the age of 59.

Bret Waller, director emeritus of the Indianapolis Museum of Art, organized the exhibition and authored the companion, illustrated catalog. He said Sanders supported himself by architectural work during the day, painting in his studio until late at night, producing a remarkable body of work. One observer wrote, “[I]t often seemed that Ed was trying to tackle bigger game than most artists attempted, here or anywhere else. Ed’s paintings seemed like a no-holds-barred wrestling match with existence … he painted as if painting really mattered, as if truth itself depended on it.”

“Ed Sanders/Life and Art,” in the Berkshire, Reese and Paul galleries of Herron’s Eskenazi Hall, will bring together important works spanning Sanders’ quarter-century career. The free exhibition will continue through July 24.

On Saturday, June 28, there will be two panel discussions related to the exhibitions, funded by the Efroymson Family Fund, a Central Indiana Community Foundation Fund, and moderated by Steve Mannheimer, a professor in the School of Informatics at IUPUI who, as a professor of painting at Herron, challenged his students to create the 431 Gallery, and David Hoppe, contributing editor at NUVO. Panelists will include Bill Adkins, David Andrichik, Dave Lawrence, Richard Emery Nickolson, Mark Ruschman, Constance Scopelitis, Joyce Sommers and Jim Walker.

“431 Gallery,” a conversation about the gallery’s role and impact on the Central Indiana art scene, will take place from 10 a.m. to noon in the museum’s Dean and Barbara White Auditorium. “Our Journey: 30 Years of Art,” a look at what’s next for the larger art scene in Indiana, will take place from 1 to 2 p.m. in Herron School of Art and Design’s Basile Auditorium. Both exhibitions will be open. The discussions are free and open to the public, but due to limited seating, reservations are required. RSVP by calling the museum at 317-232-1637. The deadline is June 22.

“This is the first time Herron and the Indiana State Museum have partnered on a major program, and we’re excited about it,” Ruschman said. “Since the 431 Gallery was founded by former Herron students, and Ed Sanders was a founding member, the collaboration on the exhibitions and panel discussions makes perfect sense.”

For more details, contact Mark Ruschman at 317-232-1633 or mruschman@ indianamuseum.org, or visit the museum website at www.indianamuseum.org.

Indianapolis Motor Speedway and IUPUI bring racing history to life online

thCAJ85RU0INDIANAPOLIS — In partnership with the Indianapolis Motor Speedway (IMS), IUPUI University Library brings 100 years of track history to life through a collection of free online audio stories. The short oral histories offer race insights and commentary and are accompanied by photographs of some of the most important moments in the life of the Indianapolis 500.

The oral race summaries expand on a one of a kind digital repository that captures the history of IMS through more than 14,000 images taken from 1879 to 2013. Thanks to grants from the U.S. Institute of Museum and Library services and administered by the Indiana State Library, the photographs can be viewed on the IUPUI University Library’s website. Just Google: Digital Indianapolis Motor Speedway.

With the help of Donald Davidson, IMS historian since 1998, the oral histories were created by a 2013 IUPUI graduate, from the school of Informatics, Joe Skibinski. There are currently 66 audio histories and the collection continues to grow. Among the highlights are the 1960 race during which Jim Rathmann edged out Rodger Ward by 12.75 seconds and a flashback to the 2006 showdown when Sam Hornish Jr. pulled alongside Marco Andretti on the front stretch in a sprint to the finish to win by 0.0635 seconds. Some vignettes feature clips of the IMS Radio Network’s broadcast coverage with iconic announcers like Sid Collins and Paul Page.

This online collection allows users from across the world to explore the storied past of the landmark that has put Indianapolis at the epicenter of motorsports history for one hundred years. Visitors to the site can search for a favorite year of Indianapolis 500 racing, a favorite driver or car and more. The Indianapolis Motor Speedway Collection is one of more than 60 online collections created by the IUPUI University Library and its community partners, including Conner Prairie Living History Museum, in nearby Fishers, and the Indianapolis Recorder Newspaper. To browse the digital collections, visit the library on the web at www.ulib.iupui.edu.

Located at 755 W. Michigan Avenue in the heart of the IUPUI campus, the University Library is a public library, serving nearly one million visitors a year, 10 percent of them community users. University Library supports students and faculty across all of IUPUI’s more than 200 degree programs with research expertise and a wide array of resources. Any resident of Indiana is eligible for an IUPUI University Library card.

2014 M.F.A Exhibition

Herron MFA pic

L to R: detail, Lauren Davis (Photography and Intermedia), Musgave; Steve Baker (Furniture Design), Unity; Michael Helsley (Sculpture) untitled; Stephanie Kristen Erin Wichmann (Ceramics), Business As Usual.

May 1-22, 2014

Indianapolis, IN

The Annual Honors and Awards Ceremony for undergraduate students and their families kicks off the day’s celebration at the IUPUI Campus Center, 420 University Blvd., beginning at 4:00 p.m on May 1. All are welcome. The exhibits will be available for viewing until May 22.

Herron School of Art and Design is recognizing the achievements of Herron’s graduating master’s degree candidates with the M.F.A. Exhibition. Graduates work will be displayed in all the galleries in Eskenazi Hall and the Eskenazi Fine Arts Center. The candidates represent Ceramics, Furniture Design, Painting, Photography, Printmaking and Sculpture.

Exhibiting at the Eskenazi Fine Arts Center will be Steven Baker, Michael Helsley, Christopher Martin, John Collins McCormick, Colin Tury and Stephanie Kristen Erin Wichmann.

In the Basile Gallery in Eskenazi Hall will be Samuel R. Ladwig.

In the Marsh Gallery in Eskenai Hall will be Melissa Michelle Hopson and Southard Freeland.

In the Berkshire, Paul and Reese galleries in Eskenazi Hall will be Denise Conrady, Lauren Davis, Margaret Elizabeth Ingram, Sarah Kasch, Hillary Russell, Marna Lee Shopoff, Bridgit Stoffer, Elizabeth Wierzbicki and David Woolf.

For more information visit the event site.