Mural design by Sichuga and Hankins enables volunteers to create on Lilly Global Day of Service

A group of Eli Lilly and Company employees painting a section of mural on October 2. The 2,600 square foot design was created by Herron senior Andrey Sichuga and alumnus Chad Hankins. Image courtesy Andrey Sichuga

A group of Eli Lilly and Company employees painting a section of mural on October 2. The 2,600 square foot design was created by Herron senior Andrey Sichuga and alumnus Chad Hankins.
Image courtesy Andrey Sichuga

A mural designed by two Herron School of Art and Design buddies, alumnus Chad Hankins (B.F.A. in Sculpture, 2013) and Andrey Sichuga, a senior majoring in painting, sprang to life when Eli Lilly and Company Global Day of Service volunteers painted it on October 2.

Eli Lilly and Company’s Global Day of Service benefits people around the globe wherever the pharmaceutical manufacturer has facilities. Indianapolis was no exception in this, the seventh year of the massive effort. More than 8,400 local Lilly employees fanned out across Indianapolis this year to complete hundreds of tasks—from pulling weeds to conducting fitness assessments in more than 150 individual projects.

One group of about 30 people busied itself with painting more than 2,600 square feet of underpass and columns at Harding Street and I-70 where a giant mural depicts a fantastic scene of flora and fauna.

The design was the brainchild of two Herron School of Art and Design buddies who estimate that they spent about three months all told developing the design and preparing it so the volunteers could accomplish their goal. The two were on site to direct the painting.

Their design collaboration happened by accident when they ran into each other in August at a creative placemaking event put on by Reconnecting Our Waterways and hosted by the Eiteljorg Museum. They heard about the project there.

The duo submitted separate designs to Keep Indianapolis Beautiful, a local Day of Service project manager. Ultimately Sichuga’s design prevailed. “He’s loose, I’m tight, he’s natural, I’m industrial,” said Hankins. “My design was somewhat political, his went for beauty.” Hankins and Sichuga decided to partner early on because of the sheer size of the area they had to cover.

Hankins tried to research iconic images from the west side—such as a long-gone rocket slide that was a favorite piece of playground equipment for generations in Rhodius Park, but he found it difficult to get ideas from the community about what they’d like to see. He said he felt that as good as the Harding Street mural is, the project would have been even stronger with more input from the people who actually live in the neighborhood.

“At first I thought it would be really easy—most murals are three or four colors,” Hankins said. “But our design needed 51 colors. Sherwin Williams donated the paint. It was like being a kid in a candy store when we walked in there. Keep Indianapolis Beautiful wrote the checks.”

“A project like this is not a walk in the park,” Hankins continued, noting that it had its share of challenges, including a giant pile of mulch that he and some friends had to move in order to transfer the paint-by-number design onto an underpass surface. He also had to borrow a generator to power a projector and trace the outlines in waning daylight, which made the cars whizzing by more of a concern.

“It’s the kind of job you take to build a portfolio,” he continued. “Design and scale-wise, we’ve had quite a learning experience.” In the end, watching the volunteers bring the perspective-driven design to life “was worth it.”

Sichuga said the experience of watching the volunteers was akin to watching “a garden blossom.” As an artist, he’s spent considerable time thinking about how to act upon society’s problems and make a “positive influence” through his work. “This project,” he said, “provided a glimpse of one way to go about it.”

Korean War veteran and Herron alumnus Paul Rickey leads an art-full life

Paul Rickey with his artwork Image courtesy Paul Rickey

Paul Rickey with his artwork
Image courtesy Paul Rickey

Herron alumnus Paul Rickey has traveled far and wide and hosted broadcasts on radio and cable television about the visual arts in both California and Oregon since his days at Herron. “I attended Herron from 1949 to 1951 prior to enlisting in the Navy during the Korean War,” he said, noting that he studied with Garo Antreasian. He counts Antreasian, Robert Indiana (know then as Robert Clark, two years ahead of Rickey at Tech High School) and Herron alumnus Hale Woodruff among his “most admired artists.”

“After the Navy, I graduated from New York University with a bachelor’s degree in art education, and I studied at the Art Students League in New York,” he said. Now a resident of Corvallis, Oregon, he teaches and exhibits locally at the Pegasus Gallery and through the Corvallis Art Guild, favoring landscape, portrait and still life work rendered in felt pen, colored pencil, pastels or water color.

He estimates that he’s interviewed “about 150 artists all told, counting years in California and Oregon. “I wanted to support the arts. I wanted to give a place for artists to speak of their concerns about the arts,” he said. “I talk about art movements, famous artists and local art exhibitions.”

His California show, The Arts Scene, was the only one on air in all of northern California” at the time, he said. It ran on Wednesday evenings on KKUP-FM for 642 shows from 1994 to 2001 and online for another five years. The cable Channel 29 show, Focus on Art, is his Corvallis outlet.

Still, after all this time, Rickey fondly insists that he owes “much of my art success to my early training at Herron.”

Deborah Butterfield will present on opening night of undergraduate student exhibitions

Deborah Butterfield, Cascade, 2014 Image courtesy Deborah Butterfield

Deborah Butterfield, Cascade, 2014
Image courtesy Deborah Butterfield

Iconic artist Deborah Butterfield partly credits her birthdate on the 75th running of the Kentucky Derby as inspiration for her life size, sculptural horses. Each of her in-demand and internationally collected works takes three to five years to make. Butterfield will appear at Herron as the 2014 Jane Fortune Outstanding Women Visiting Artist lecturer on November 12 at 6:00 p.m., in the Basile Auditorium of Eskenazi Hall.

It is the generosity of Jane Fortune—author, cultural editor, art historian, art collector and philanthropist—that brings Butterfield to Herron. “I want to make an impact on the community that surrounds me and help make the arts accessible to our residents,” Fortune said. This is the seventh lecture in the series, which has welcomed artists including Judy Chicago, Polly Apfelbaum, Judith Shea and Maria Magdalena Campos Pons to Indianapolis.

Butterfield appears in conjunction with the opening of the Undergraduate Student Exhibition, which this year will take place in both Eskenazi Hall’s Berkshire, Reese and Paul galleries and in various spaces of the Eskenazi Fine Arts Center. Shuttle service will be available between buildings. This year’s jurist will be Dr. Patricia Y. Paik, curator of contemporary art at the Indianapolis Museum of Art. In a typical year, the jurist must select from more than 300 strong submissions across a wide variety of media. The exhibition continues through November 29.

Also opening will be On the Blink, a show of photography, video, performance and installation works by Photography and Intermedia seniors.

New to the mix this year will be a graduate studio crawl. With more than 60 master’s degree students—in two buildings—the studio crawl will give students and visitors alike a chance to peek behind the curtain of spaces that are normally not seen by other students or the public.

In the Marsh Gallery, the FACE Pets Show, a group exhibition, continues with works available for purchase to benefit the Foundation Against Companion Animal Euthanasia. In the Basile Gallery, view selections from a rare collection of artists books and broadsides representing the free exchange of ideas in the wake of a 2007 car bombing in the center of Bagdad on al-Mutanabbi Street. These shows continue through November 19.

Herron art professor earns unprecedented $300,000 in prizes at sixth annual ArtPrize competition

Anila Quayyum Agha

Anila Quayyum Agha

Herron School of Art and Design professor Anila Quayyum Agha has won the two top prizes at ArtPrize 2014, earning a record $300,000 in the international art competition held in Grand Rapids, Mich.

Her entry, titled “Intersections,” earned the ArtPrize 2014 Public Vote Grand Prize of $200,000 and split the Juried Grand Prize of $200,000 in a tie with “The Haircraft Project,” by artist Sonya Clark of Richmond, Va.

Agha’s wins mark the first time one entry has won both the ArtPrize grand prize awarded by popular vote and the grand prize awarded by a jury of international art experts. Her total prize is also the highest amount given to one individual in the competition, which awards the world’s largest art prize.

The professor’s unprecedented success was no surprise to Susan Scarafia, a 1983 IU Kelley School of Business graduate who traveled to Grand Rapids to join the thousands of visitors — including Michigan Gov. Rick Snyder — who viewed the entries on display at venues within the three-mile square art district in downtown Grand Rapids.

“I thought Anila would win from my first look at ‘Intersections,'” Scarafia, who has attended the past four ArtPrize competitions, said Sunday in an email interview. “There was buzz about it online. … once I got to the city, ‘Intersections’ was the piece others recommended most when I asked what I should see.

“But the way I knew, really knew, that ‘Intersections’ would win was that I could see that everyone who saw it was so involved with it. They weren’t just passing by or taking a quick picture. They walked into the room, stopped talking, looked up, looked around and kept looking from different angles. It seemed to me that this art really hooked into people.”

The “hooked” included one man who, while viewing “Intersections,” dropped to his knees and surprised his girlfriend with a marriage proposal, according to a news report.

Agha is associate professor of drawing and foundation studies at Herron, the art school on the IUPUI campus.

The professor’s “Intersections,” completed under a 2012-13 New Frontiers Research Grant from Indiana University, is composed of a 6.5-foot laser-cut wooden cube created using Herron’s new computer numeric control router.

When illuminated by the single bulb installed inside, the wooden frieze casts patterns of light and shadows inspired by the geometric patterning of Islamic sacred places as found in the Alhambra Palace in Granada, Spain. During the 19-day ArtPrize exhibit, which ended Sunday, the entry was on display at the Grand Rapids Art Museum.

“This is a wonderful and well-deserved award for Herron professor Anila Agha,” Herron Dean Valerie A. Eickmeier said. “Her prize-winning installation presents a perfect example of how our new digital technology equipment has assisted the creative work of our faculty. Anila teaches drawing, and her artwork is usually made on paper or fabric. This is the first work that she has created with Herron’s new computer numeric control router. Anila’s achievement provides an excellent example for Herron students as well.”

A smaller version of Agha’s winning entry was on view in the Frank and Katrina Basile Gallery at Herron last fall.

ArtPrize 2014, an independent competition open to anyone 18 or older, included 1,536 entries representing 51 countries and 42 U.S. states and territories. Entries were submitted in 2-D, 3-D, time-based and installation categories.

The contest, which drew 400,000 visitors last year, awarded two grand prizes totaling $400,000 and eight awards in the four categories worth a total of $160,000. ArtPrize has a parallel awards structure, with half of the awards decided by public vote cast by mobile devices or online and half by a jury of international art experts.

“Intersections” was chosen for the popular grand prize by the 41,109 registered voters who cast 398,714 votes.

After three days of deliberation over the 20 finalists selected by category jurors, the grand prize jury of Susan Sollins, Leonardo Drew and Katharina Grosse decided to split the $200,000 prize between “Intersections” and “The Haircraft Project.”

“By the end of our adventure here and after much, much discussion, we came to the conclusion that there were two artists of equal caliber and talent who had risen to the top of our list,” Sollins said. “We felt strongly that both artists had to be recognized equally. In short, there was nothing for it but to declare a tie.”

The winners were announced in Hollywood fashion during an ArtPrize Awards ceremony Oct. 10 at the Grand Rapids Civic Theatre. A town hall recap of this year’s competition takes place Wednesday, Oct.15.

Agha’s acceptance speech is included in awards ceremony television coverage posted online.

An after-show interview on Grand Rapids television is also available online.

Popular Combat Paper workshops return to Herron School of Art and Design in November

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Paper making at a combat paper workshop Image courtesy of Combat Paper project

This November, Drew Cameron will return to Herron School of Art and Design with his internationally successful Combat Paper workshops, where veterans or anyone touched by war may bring uniforms or other cloth to be turned into paper and then made into works of art.

Established in 2007, the Combat Paper Project has grown from its San Francisco base to an international phenomenon that has helped to heal war-torn people from Canada to Kosovo.

In his own post-combat search for meaning, Cameron, the project’s co-founder, discovered that papermaking could be a transformative process that broadens “the traditional narrative surrounding the military experience and warfare.” The workshops are returning to Indiana at the urging of Juliet King, director of Herron School of Art and Design’s Art Therapy Program.

With the support of faculty and students from bookbinding, other fine arts programs and art therapy, the workshops will take place on Thursday and Friday, November 6 and 7, at the Eskenazi Fine Arts Center, 1410 Indiana Avenue, from 10:00 a.m. to 4:00 p.m. Lunch will be provided from noon to 1:30 p.m.

Attendance is free, but reservations are required. Anyone interested in attending the workshops may reserve a seat by contacting Juliet King by email or by phone at 317-278-5466 by October 30.

Cameron also will be providing a lecture series to graduate art therapy students where they will engage in an interactive discussion on the similarities and differences between therapeutic art experiences such as Combat Paper and the clinical profession of art therapy.

Herron alumnus’ paint hits the wall at Clowes and in exhibit at his alma mater

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Sax on the Rocks, Deep Down Series, Artist:Phil O’Malley, Oil on Canvas, 12″ x 12″

An upcoming solo exhibit at Herron School of Art and Design at IUPUI includes a multimedia chronicle of the making of the “jaw-dropping” monumental painting going on display at Clowes Memorial Hall.

The Herron show, “The Moment of Conception?” features the work of Herron alumnus and Clowes artist-in-residence Phil O’Malley and runs Aug. 29 to Sept. 19 in the Marsh Gallery of Herron School of Art and Design, 735 W. New York St., on the Indiana University-Purdue University Indianapolis campus.

The Herron show is a companion exhibit to O’Malley’s “Finding Your Way: From Wander to Wonder,”the 40-foot-tall by 20-foot-wide wall art that will hang in the front lobby of Clowes Memorial Hall, on the Butler University campus. The painting is available for public viewing during regular business hours for two years, beginning today.

“‘Finding Your Way: From Wander to Wonder,’ is the apex to my series of paintings known as ‘Deep Down,'” O’Malley said. “This series consists of paintings that are individual abstract visual representations of that amazing personal journey one experiences by going deep down inside to find the strength or the courage that it takes to accomplish something, get through something, or grow beyond something.

“Going deep down into all that muck, chaos and confusion can be an intimidating endeavor, but when we do, that journey can be beautifully awakening to yield incredible growth,” O’Malley said of personal experiences captured in “Finding Your Way” and other “Deep Down” pieces.

O’Malley earned a Bachelor of Fine Arts degree from Herron. He also studied interior design in the Purdue School of Engineering and Technology at IUPUI.

His “Deep Down” series was spurred by selections of popular music from his formative years, translated via paint into vivid visual representations, the artist said.

Three videos chronicling the making of the Clowes painting will play continuously as part of the Herron show. The Clowes wall project is also being documented by local PBS station WFYI.

The Herron show also includes a sculpture, timeline sketches and drawings of parts of the painting. Herron alumni artists C. J. Martin, Naylor Musko and Steve Smolinski assisted with professional art production for the exhibit co-curated by O’Malley and Martin.

O’Malley created “Finding Your Way: From Wander to Wonder” on the stage at Clowes Hall with the support of the Clowes staff. Martin and Musko also were assistants on the Clowes project.

“We used 800 square feet of canvas, 20 gallons of acrylic primer and one dozen gallons of oil paints,” O’Malley said.

“The process included poured paint, sprayed paint, squirted paint, drawn paint, mopped paint and even some brushed paint. At times the canvas was tied on a batten and flown in (onto the stage) and flown back out (off stage) to assist with the application and flow of the paint.”

The result is “jaw dropping” both in terms of the sheer scale of the canvas and O’Malley’s “inventiveness to start with small sketches and synthesize and scale up and adapt to the viewer’s experience of the work from different angles and levels,” said Glennda McGann, Herron’s assistant dean of development and external affairs.

“This is a prime example of an artist’s ability to problem solve,” McGann said. “He even had to collaborate with crew members and invent a way to hang this huge painting.”

O’Malley estimates he has spent about 500 hours making both the Clowes piece and the art for the Herron exhibit.

Herron Galleries host reception Friday, August 29

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Herron School of Art and Design

A public reception will celebrate the beginning of the new academic year and the three shows filling the galleries at Herron School of Art and Design on Friday, August 29 from 6:00 p.m. – 9:00 p.m.

Continuing through September 10th in the Berkshire, Reese and Paul galleries is the 2014 Faculty Exhibition. This year’s exhibition is an exercise in eclecticism with faculty members exhibiting from a variety of departments. All tenured and tenure-track faculty, lecturers and program technicians were invited to participate

The Moment of Conception? is in the Marsh Gallery through September 19th. Phil O’Malley, B.F.A. ’07, has planned a “making of” exhibition, The Moment of Conception?, as a companion to the mid-August unveiling of his, 20’ x 40’ Finding Your Way: From Wander to Wonder, a monumental installation which will hang in the front lobby of Clowes Memorial Hall. The work is the pinnacle creation in a series called Deep Down. Its creation and installation is also being documented by local National Public Broadcast Service station, WFYI.

Katie Hudnall’s exhibition of current work, in the Frank and Katrina Basile Gallery through September 19th, blurs the lines between woodworking and furniture techniques and media and those of sculpture and drawing in a search for new and compelling ways to reach the audiences for these forms.

“The language of furniture, and of utilitarian objects in general, has greatly influenced these hybrids as I search for ways to directly interact with my viewers,” Hudnall said.

Demonstrating extraordinary generosity through legacy gifts

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Alumna Doris J. Brinkman (1950s) remembered Herron in her estate plans Image Herron staff

Ordinary people are demonstrating extraordinary generosity by leaving legacy gifts to Herron in their wills and estate plans. Each of their stories represents something important to them. Because of their commitment to Herron’s mission, their priorities will continue, and their gifts will remind us that we, too, can make a difference in the lives that follow.

Read about some of Herron’s friends and alumni who have done just that:

 

 

How do you get started?

Think beyond cash gifts made today. Options include a simple directive in your will or naming Herron as a beneficiary of your life insurance, pension plan, IRA or trust. Click here for bequest language.

As a professional school of Indiana University, Herron works closely with the IU Foundation as it stewards and maintains your gift. To learn more about other types of gifts and various ways to give visit IUF’s website.

Have you already remembered Herron in your plans?

Perhaps you have already remembered Herron in your will or estate plans. If so, we invite you to notify Herron’s Office of Development so that we can celebrate with you. We can help document your gift to help ensure your intentions are carried out in the future.

As always, your support may be given anonymously, if you prefer. Simply notify Herron’s development staff about your philanthropic plans.

Want to learn more?

Herron’s staff and faculty look forward to learning about your philanthropic plans today so that your generosity can be recognized during your lifetime. To learn more about leaving a legacy at Herron School of Art and Design, contact Kim Hodges by email or by phone at (317) 278-9472 or Glennda McGann by email or by phone at (317) 278-9477.

First Herron Open: Mini Golf Mega Art an unqualified success

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(r to l) IUPUI alumnus Carlos Knox, player development with the Indiana Fever; Herron Dean’s Advisory Board member Conrad Piccirillo; his daughter, Caitlyn Piccirillo; and Indiana Fever star forward Tamika Catchings enjoying the Herron Open. Image John R. Gentry Jr.

The first Herron Open: Mini Golf Mega Art, which took place in early June, was an unqualified success. Nearly 200 attendees were on hand to play the nine-hole miniature golf course inside Eskenazi Hall, created by teams of Herron students and faculty. The Herron Alumni Association designed a hole, too. It won the People’s Choice Award. The Sculpture Department’s hole, which came complete with students dressed as moles, won the Chairs’ Choice Award.

The event netted more than $30,000 in new scholarship support for Herron students.

Herron Open: Mini Golf Mega Art was selected as a NUVO Top Pick of the Week and featured in the Indianapolis Star’s 10 Things To Do. It was also covered by the Indianapolis Recorder, WTHR’s sports reporter Rich Nye, and mentioned on WFYI’s The Art of the Matter.

One thing is for sure (although at press time we don’t know exactly when) the event will return!

Central Indiana Community Foundation helps Herron’s art therapy program produce a skilled and in-demand workforce

UntitledJob placement is 100 percent for the first cohort of eight graduate students who earned a master’s degree in Art Therapy from Herron School of Art and Design this May, said Juliet King, program director and professor of Art Therapy. Launched only two years ago, the program has developed vigorously, in large part due to philanthropic support from individuals and foundations.

The Frank Curtis and Irving Moxley Springer Fund, a fund of the Central Indiana Community Foundation, put its support into bringing together Herron students—who must complete 1,000 hours of supervised, clinical training as part of their degrees requirements—and community members who can benefit from art therapy services.

Herron’s Art Therapy program is one of only 34 two-year, full-time, residential programs in the country—offering graduate art therapy education in preparation for the dual credentials of Registered Art Therapist and Licensed Mental Health Counselor.

Herron currently is working with nearly 30 community organizations to pair its art therapy students with programs that serve youths, adults, the aged and other vulnerable populations. Qualified professionals must supervise Herron’s students in a clinical setting. That requires investment.

Andrew Black, a grants officer of the Central Indiana Community Foundation, said “The Art Therapy grant was in alignment with The Frank Curtis and Irving Moxley Springer Fund because it promotes the making of art and provides important health and social services to improve the physical, mental and emotional well-being of people of all ages, many of whom are dealing with significant physical and/or mental health challenges.”

Frank began work at Eli Lilly and Company in 1937. He and his wife, Irving, became incredibly generous philanthropists. Both are now deceased, but their fund, established in 1998, will continue in perpetuity as they wished.

King said, “It’s exciting to see the full cycle of the impact of the program. We are helping children and adults cope with illness, injury and trauma while the graduate students gain the academic experience necessary to become a trained professional and contribute to the workforce of Indiana and beyond.” She added, “We are grateful to the Frank Curtis and Irving Moxley Springer Fund and CICF for the assistance in successfully developing the program.”

The program’s first eight graduates are Linda Adeniyi, Uriah Graham, Amy Granger, Katherine Hearn, Amanda Krieger, Heidi Moffat, Hillary Timmerman and Natalie Wallace. These alumni were hired by providers including Adult & Child Community Mental Health, MENTOR Network, Midtown Community Mental Health, Season’s Hospice, Legacy House, Meridian Health Services and Gallaudet University that provide school- and home-based counseling, health therapy and hospice care.

Nine students are projected to graduate in 2015 and 13 in 2016.

Black added, “Not only does this therapy provide counselors, therapists, or case workers with an additional and often times necessary alternative method for communication, it also provides some of our most vulnerable populations with a creative outlet that promotes self-expression, increases their ability to cope with their circumstances or challenges, and ultimately aids in their rehabilitative progress and contributes to their quality of life.”

To learn more about supporting Herron’s Art Therapy Program, contact Kim Hodges, Office of Development, by email or by phone at 317-278-9472.