Archive for Herron School of Art and Design

Herron’s community-focused summer exhibitions to feature Fine Art Furniture and Painting

Spatial Table

This year, Herron School of Art and Design’s popular, community-focused, summer exhibitions will feature Fine Art Furniture and Painting.

A June 14 reception in Eskenazi Hall from 5:00 p.m. to 8:00 p.m. will open Experimental: The work of Phil Tennant with selected Herron alumni in the Berkshire, Reese and Paul galleries. In the Marsh Gallery will be Surprising Successes, a selection of paintings and playful works byLois Eskenazi.

A one-night-only sale in the Basile Gallery of 16 works ranging in price from $150 to $3000 will provide an opportunity for attendees to add to or begin their own collections. The sale of prints, sculpture, photography and ceramics by artists including Barb BondyRobert Horvath,Bob ShayPaul Weir and Kevin Wolfe will benefit Herron programs.

The event is free and open to the public. The exhibitions continue through July 25.

In substance, Experimental offers a glimpse at the legacy of Professor Phillip Tennant, not only through his own, sought-after creations, but through work by some of his former students. Tennant will retire from Herron in May after 38 years. He founded Herron’s Furniture Design Program and helped place Herron among the very top programs in the country.

Experimental includes works by Furniture Design alumni Nick Allman, Erin Behling, Chris Bowman, Ray Duffey, Nicholas Hollibaugh, Matt Hutton, David Lee, Jason Ramey, Cory Robinson, Ted Ross, Tom Tedrow and Ruby Troup.

Collectors who loaned work by Tennant include Vaughn and Melissa HickmanMark andCarmen HolemanJune McCormackDorit and Gerald PaulOra PescovitzDr. James and Nancy Chesterton SmithJoyce Sommers, Dr. Christopher and Ann Stack and Donnie and Judy Walsh.

“These eagerly-anticipated exhibits highlight the talent within our own community and feature works of art either created or collected by Hoosiers who have made art central to their lives, some through formal, scholarly training and some by other paths,” said Herron’s Dean Valerie Eickmeier.

“Professor Tennant’s work has been exhibited galleries, universities and museums nationally and featured in Fine WoodworkingAmerican Craft Magazine and Furniture Studio.  Over the span of his career, he has developed a rich vocabulary of forms and techniques that beautifully unite balance, structure and expression.

“Lois Eskenazi deferred her pursuit until her family was raised and then traveled far and wide to study and hone her technique. Her award-winning works show a mastery of oil painting and great sensitivity to subject matter,” Eickmeier continued. “Among the variety of works in these exhibitions, any art lover will be able to find something inspiring.”

Anila Agha selected for installation at Indianapolis International Airport

Anila Agha, Rights of Passage

Assistant professor Anila Agha was recently selected to install a piece of her art, Rights of Passage, at the Indianapolis International Airport. Her work will be on display through the end of April 2013. The work, funded by a grant from the IUPUI Arts and Humanities Institute, is at the entrance to the departure area, behind the ticketing section on the right side in a large glass case.

For more on Anila Agha’s work, see her website.

Plaster replicas of Parthenon frieze find second life at Herron

Parthenon Frieze and Jennifer Lee

Plaster replicas of the running frieze created to adorn the most iconic symbol of classical antiquity are once again teaching tools and objets d’art for certain students and professors at Herron School of Art and Design.

But this time around, second-generation casts of the frieze from Greece’s Parthenon are both a testimonial to the prominent role that Herron played in the training of past generations of professional artists, and a springboard to its multidisciplinary collaborations for future generations.

A six-foot panel with the relief figures of running horses hangs as art on a wall in the office of Jason Kelly, director of the IUPUI Arts and Humanities Institute. The plaster artwork is a scaled replica of a section of the 524-foot low-relief marble sculpture created between 443 and 438 B.C. for the Parthenon, a temple to the Greek goddess Athena.

The panel is one from several sets of plaster casts created last summer by Kelly, who teaches history in the School of Liberal Arts at IUPUI; Herron associate professor of art history Jennifer Lee; and then-Herron sculpture student Benjamin Sunderlin. The trio used rubber molds crafted in 2005 from now rare, early 20th-century casts. The exploratory summer project grew out of the partners’ common interests.

A search of the Herron archives reveals that in 1924, the Greek government gave eight life-size casts of Parthenon frieze panels to Herron, then a museum and professional art school under the name John Herron Art Institute. Herron in 1931 purchased 14 scaled plaster casts of sections of the frieze considered most desirable for teaching purposes, according to Kelly.

Herron acquired its “original” casts during the era when museums readily exhibited white plaster casts as stand-ins for genuine antiquities that were then hard to come by, and professional art schools used the plaster casts of the Parthenon sculptures, considered “models of ancient beauty,” as teaching tools for students of drawing.

Plaster casts played a prominent role in the history of art and art education over several centuries, beginning with the Renaissance, Lee said.

“Nearly all art schools owned casts of important classical sculptures, which were central to students’ training,” Kelly said.

But with time, the use of live nude models became the norm for teaching human illustration, and the use of “fakes” or copies in museums was frowned upon. And the once popular and ubiquitous plaster casts of the Parthenon frieze became obsolete for both intended purposes.

“Most of the art schools just threw their (casts) out with the trash,” Kelly said. “It is actually hard to find full sets of these casts.”

Herron incorporated the obsolete casts into the décor of the walls of its original buildings on North Pennsylvania Street.

When the art school, then a part of Indiana University, made the move to its IUPUI home in Eskenazi Hall in 2005, a Herron student created a set of six rubber molds of the wall casts.

Soon Kelly plans to incorporate the casts into the curriculum for art history students who are studying ancient paintings and will paint the new casts in modern colors.

“I can’t wait to see how undergraduate students in drawing interpret the casts for modern audiences,” Kelly said. The Parthenon project is a “great springboard for what we are going to see between IAHI and schools (at IUPUI) into the future.”

 

 

Originally published in insideIUPUI

Laurette McCarthy will explain why you should care about Walter Pach and the Armory Show

Armory Show Poster

Independent Scholar and Curator Laurette McCarthy will speak at Herron School of Art and Design on March 27 at 6:00 p.m. in the Basile Auditorium about her new book and The International Exhibition of Modern Art—also referred to the Armory Show.

Although it happened in 1913—ancient history for people absorbed in the here and now—this colossal granddaddy of an exhibition awakened America to new ways of seeing. Housed in New York City’s 69th Regiment Armory, which still stands on Lexington Avenue, the works in the Armory Show set the town on its ear.

All manner of experimental art—postimpressionism, fauvism, cubism, even a couple nonobjective paintings—was presented to a public steeped in realism. The Armory Show works were so edgy that even decades later, Hitler would seek to purge these “degenerate” treasures from the earth as a part of his horrific master plan.

Cézanne. Duchamp. Matisse. Hopper. With hundreds upon hundreds of works by more than 300 European and American artists, the Amory Show was the first exhibition of its kind in America, and it traveled from New York to Chicago and Boston.

A century hence, Laurette McCarthy has written Walter Pach (1883- 1958): The Armory Show and the Untold Story of Modern Art in America. She focuses on Pach as “one of the prime movers behind this seminal event,” about whom “surprisingly little has been written.”

Academics hail McCarthy’s book as a “meticulously documented biography” and “an important contribution to the history of American modernism.” It’s also a juicy backstory—one you’ll want to hear presented in person by the author.

McCarthy’s talk will touch on a Herron angle: faculty members Wil­liam Forsythe and Clifton Wheeler attended the exhibition in Chicago. Their connections to and opinions on the show may surprise you.
She will also discuss a centennial exhibition at the Montclair Art Mu­seum (http://www.montclair-art.com/): The New Spirit: American Art in the Armory Show, 1913, which opened exactly 100 years to the day from the original, on Feb 17, and continues through June 16 2013.
McCarthy’s books will be available for purchase with a signing by the author immediately following the lecture. She holds a doctorate in philosophy from the University of Delaware and a master of arts degree from the George Washington University. She lives in Brazil, Indiana.
Rob Bullock
Assistant to the Dean
External Affairs &  Development Specialist
Herron School of Art and Design
IUPUI – HR 224
735 West New York Street
Indianapolis, IN 46202

Owen Mundy fragments public space in Packet Switcher

the consequence of scale

Herron School of Art and Design will host Packet Switcher, an exhibition of recent projects by artist, designer and programmer Owen Mundy. The exhibition opens in the Robert B. Berskhire, Eleanor Prest Reese and Dorit and Gerald Paul Galleries on February 27 with a lecture by Mundy at 6:00 p.m. There will be a reception immediately following from 7:00 p.m. to 9:00 p.m. Packet Switcher runs through April 13.

Mundy is an assistant professor of art at Florida State University. He earned an M.F.A. degree in Visual Art from the University of California, San Diego and a B.F.A. degree from Indiana University, Bloomington. He’s a founder of Your Art Here http://yourarthere.org, an art organization that creates venues where art and ideas can be expressed freely through the use of billboards and other public spaces. In 2009 he created Give Me My Data http://givememydata.com, an online application that helps people get their data out of Facebook in reusable formats.

Packet Switcher contains a survey of recent and never before exhibited works. The individual pieces are varied; from dystopian visualizations of anonymous network data, to custom software which generates print resolution tests from news images. Owing to the increasingly decentralized models of artistic and cultural practice, as well as new forms of authorship like crowdsourcing, this exhibition features numerous collaborative projects with Mundy and other artists including Joelle Dietrick, Ryan Boatright, The Periscope Project, and Commodify, Inc.

The exhibition title references the process used to move digital communication by breaking files into smaller, faster blocks, or packets, of data. The packets travel through networks via the quickest available route and are reassembled at their destination. A digital photograph, for example, might be broken into several packets, each of which may travel through a different city before delivery.

Through a similar process, the artists underscore how incidental fragmentation and automation can streamline markets, but also make them vulnerable to systems failure. The use of architectural images points to recent real estate market volatility and considers how the technology-enabled pursuit of profit alters basic needs.

As a U.S. Navy photographer, Mundy observed militarism’s effect on cultures, sites and bodies. These experiences became an important influence on his work.

Also opening on February 27 and continuing through March 19 in the Marsh Gallery will be an exhibition of new works by Herron faculty members Ray Duffey and Marc Jacobson, and in the Basile Gallery, an exhibition of new works by Herron faculty member Stephanie Doty.
-30-
Gallery Hours
MON. 10 a.m. – 5 p.m.
TUE. 10 a.m. – 5 p.m.
WED. 10 a.m. – 8 p.m.
THU. 10 a.m. – 5 p.m.
FRI. 10 a.m. – 5 p.m.
SAT. 10 a.m. – 5 p.m.
SUN. Closed
Limited parking is available in the Sports Complex Garage just west of Herron. Park in the visitor side of the garage and bring your ticket to the Herron Galleries for validation. Complimentary parking courtesy of The Great Frame Up. Parking in the surface lot next to Herron School of Art and Design requires a valid IUPUI parking permit at all times.
Rob Bullock
Assistant to the Dean
External Affairs &  Development Specialist
Herron School of Art and Design
IUPUI – HR 224
735 West New York Street
Indianapolis, IN 46202
Phone:  317-278-9470
Fax:        317-278-9471

Judy Chicago to speak on opening night of the Undergraduate Student Exhibition at Herron School of Art and Design

Judy Chicago

Judy Chicago, http://www.judychicago.com/, will appear at Herron School of Art and Design as the 2012 Jane Fortune Outstanding Woman Visiting Artist Lecturer. In a talk titled “Surveying Judy Chicago: An Artist’s Career,” Chicago will trace her trailblazing, artistic life over more than five decades of fecundity.

Her appearance on December 5 in the Basile Auditorium at 6:00 p.m. is in conjunction with the opening of the Undergraduate Student Exhibition in the Berkshire, Reese and Paul Galleries. Inclusion in this juried show is an honor for the students whose work is chosen. Each year this exhibition represents the best of the best among Herron’s talented undergraduates across all departments. Also opening, in the Basile and Marsh Galleries respectively, will be M.F.A. Collaborative Practices and Works of Healing and Hope—the latter featuring paintings created by Herron students for the Eskenazi Health collection. The three exhibitions continue through December 26.

Chicago is a pioneer in feminist art, an educator and an influencer of thought throughout the world. Her highly sought-after works are in continual demand for permanent collections and for gallery exhibitions internationally. She has been written about in publications from Artforum to People Magazine. The more than a dozen books she has written have been translated into multiple languages.

In 1999, she taught at Indiana University, Bloomington, through a Presidential Appointment in Art and Gender Studies. She’s perhaps best known for her 1979 work, The Dinner Party, an installation piece which represents a purposely chosen group of real and mythical women through exquisitely constructed, individual place settings. The work catapulted Chicago into national controversy, and feminist art into national consciousness. In 2007, the Brooklyn Museum installed The Dinner Party in its permanent collection.

Chicago has not squandered her fame, maintaining a busy exhibition and teaching schedule in the ensuing years; her works are scheduled to be featured in two separate shows in London in the same time­frame as her appearance at Herron.

Expressed in mediums as varied as needlework and glass, Chicago’s masterful art always has something to say and never fails to provoke thoughtful contemplation and meaningful discussion.

It is the generosity of Jane Fortune—author, cultural editor, art historian, art collector and philanthropist—that brings Chicago to Herron. “I want to make an impact on the community that surrounds me and help make the arts accessible to our residents. For me,” Fortune said, “supporting Herron makes sense. Why would you not want to support excellence?” This is the fifth Jane Fortune Outstand­ing Woman Visiting Artist Lecture.

 

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Limited parking is available in the Sports Complex Garage just west of Herron. Park in the visitor side of the garage and bring your ticket to the Herron Galleries for validation. Complimen­tary parking courtesy of The Great Frame Up.

Parking in the surface lot next to Herron School of Art and De­sign requires a valid IUPUI parking permit at all times.

The School of Liberal Arts Sabbatical Speaker Series: Professor Matthew Groshek, Museum Studies/Herron “The Terroir of Home: When Place and Food Collide”

Matthew Groshek

The School of Liberal Arts Sabbatical Speaker Series

Professor Matthew Groshek, Museum Studies/Herron

“The Terroir of Home: When Place and Food Collide”

Local foods have been touted as a key to economic stability, gains in health and a link to community. How do topophilia, home economics, family history and a love of food shape us into creatures of hunger, desire and culture?

Friday, October 19, 2012
CE 268, 4:30-5:30 PM

RSVP: libarsvp@iupui.edu with Groshek talk in the subject line.

 

 

Herron School of Art and Design announces Abbey Chambers as Basile Center Director

Abbey Chambers

Herron School of Art and Design announced today that Abbey Chambers has been appointed as the new director of the Basile Center for Art, Design and Public Life.

Chambers joined Herron in January 2008 as an administrative support specialist for the Herron Galleries and the Basile Center. She was promoted to the role of academic advisor and recruiter in February 2011. She is also an associate faculty member in Art History.

Her role as the director of the Basile Center will draw on this experience while allowing her to continue teaching her popular courses on Art Appreciation, American Art and the History of Fashion. Chambers also Colonial period through the first half of the 20th century.

She is a past president of the Board of Directors of the Indianapolis Downtown Artists and Dealers Association (IDADA) and remains deeply involved in the local arts community.

Chambers holds a Bachelor of Science degree in Art History from Kendall College of Art and Design, where she was valedictorian. Her master’s degree is in Art History from Indiana University, Bloomington.

Following her graduate studies, Chambers worked for the Community Programs Center at the University of Indianapolis, where she matched students with appropriate service learning opportunities. She also has worked at the Wheeler Arts Community, coordinating public arts events and programs with the resident artists.

Chambers said, “I am honored to have been selected as the Director of the Basile Center. The Basile Center already is a great asset to Herron, its students and to the community. It holds a lot of potential for developing new and innovative partnerships that can enrich our students’ learning and enhance our communities even more.”

About the Basile Center

The Frank and Katrina Basile Center for Art, Design and Public Life is Herron’s laboratory for applying the talents and skills of Herron students and faculty to the needs of businesses, nonprofit organizations and government agencies. It connects artists in all media with community partners who are interested in providing real-world and professional practice experiences through public art commissions, art and design competitions and civic engagement opportunities. The skill and knowledge students gain from conceptualizing and competing for community-based commissions better pre-pares them for the world outside college. Students often work with architects, engineers, electricians, fabrication design houses, printer companies and landscape architects to get the job done, resulting in an extraordinarily well-rounded practical experience. For more information, visit http://www.herron.iupui.edu/basile-center.

Herron’s Dickerson celebrates ‘The Hoosier Spirit’ with new State Fair commission

Herron Junior Jamie Dickerson

Along with the opportunity to eat your way to the Midway, do some superb people watching and check out the barnyard blue ribbons at this year’s Indiana State Fair, you can experience the new outdoor sculpture by Herron junior Jamie Dickerson.

Celebrating the Hoosier Spirit, a work named for the Fair’s 2012 theme, was dedicated August 3. It’s a site-specific, semi-permanent sculpture that will be on display for up to five years in Dow Agro Sciences Celebration Park, in the northeast quadrant of the Fairgrounds by the 4H buildings and free stage.

Jamie Dickerson. Hoosier Spirit. 2012. Indiana State Fair Grounds.

Jamie Dickerson. Hoosier Spirit. 2012. Indiana State Fair Grounds.

Dickerson’s concept “celebrates Indiana as a major agricultural state that is increasingly exploring ways to use its renewable and plentiful resources in the production of biofuels and plastics from corn, beyond food production,” she said.

Celebrating the Hoosier Spirit is comprised of three forms evoking corn husks, ranging in height from 12 to 11 feet, each being about five feet wide, reaching upward to imply a growing, energetic spirit. The forms are large enough for people to walk through “…and explore the beauty and versatility of this resource,” Dickerson said. The Indiana Hardwood Lumbermen’s Association donated the wood for the project.

Fair officials partnered the Arts Council of Indianapolis to issue a request for proposals, specifying that the work be made primarily with recycled materials or materials synonymous with the State of Indiana, and that it “inspire a celebration of the Hoosier spirit”.

The Arts Council’s Public Art Selection Committee—composed of artists, arts advocates, curators, administrators and other arts and community development specialists—reviewed proposals and presented recommendations to Fair officials for the final selection. Dickerson’s was the only student submission.

Lindsey Lord of the Indianapolis Arts Council described the process this way: “In a Request for Proposals we request resume, exhibition history, biography, and things like that, and then we request an actual proposal of what your piece would look like.

“Jamie’s was really nice in that she submitted a 3-D rendering of what the piece would look like on the grounds of the State Fair. She also submitted scale models of the sculpture. She included textures, all sorts of things that really gave you a feel of what the finished product would look like,” said Lord.

Dickerson said, “The curriculum at Herron really helps to prepare you to make professional proposals and to submit them in a way that’s very clean … that you are saying what you mean to be saying…. And also to be clear about what materials you may or may not use, because there are always going to be some alterations in the process ….

“Without the training and working with people who have so much experience, there is no way I could have confidently put this forth.” In addition to help from Herron faculty, Herron alumni James Darr (B.F.A. in Sculpture, ’03), Brose Partington (B.F.A. in Sculpture, ’04) and Brad Dilger of TriForm Studio (B.F.A. in Sculpture, ’04), were on Dickerson’s fabrication crew.

One visitor to Celebration Park, writing for Ag News, admired “…the beautiful green streaks and dark tones of poplar, the rich browns of white oak and the pinkish-red hues of sycamore trees that artist Jamie Dickerson used to showcase the unique textures and grains of Indiana hardwoods in her piece.”

The Fair runs through August 19.

Jamie Dickerson – Indiana State Fair Commission from Herron School of Art and Design on Vimeo.

Westfield to introduce Herron student Katey Bonar’s new sculpture with a meet the artist event on July 27

Katey Bonar

A new sculpture titled Passaggio graces the entrance to Asa Bales Park in downtown Westfield. The City’s Grand Junction Task Group commissioned the work through Herron School of Art and Design’s Basile Center for Art, Design and Public Life.  Senior sculpture major Katey Bonar is the artist.
The public is invited to a Meet the Artist Event on Friday, July 27 from 6pm to 8pm at the sculpture in the park, which is located at 205 W. Hoover Street.

Three, 13-foot columns comprise the main sculpture. The columns are fabricated from steel tubing covered by polyurethane foam with a fiberglass skin and joined by concentric rings of steel tubing suspended inside the columns at the top. Near the columns are two ring groupings made of thermoplastic, flanking a sidewalk.

Katey Bonar Passaggio 2012

Katey Bonar. Passaggio. 2012

The name Passaggio references a passageway or turning point in a journey, which brings together the emphasis of history, present, and future.   Passaggio, functions as an entry way, but also a space for visitors to explore and experience as part of the park itself.
“I feel like opening an art piece like this in Westfield gives an opportunity for residents to reflect on the past, as well as to examine where they are now and where they want to be in the future, both collectively and personally,” said Bonar.
All of the visual cues in Passaggio relate to natural visual patterns that reflect time passing. The concentric ring patterns mirror the growth rings in trees. The columns’ ridges and grooves echo eroded landmasses or stratified geologic forms.  According to Bonar, the pavilion rings overhead are a way to examine the potential of looking up to the sky as an intangible place and as a possible map of the yet to come.  In the two thermoplastic ring groupings, viewers have the opportunity to trace history.

Bonar will be available to discuss the sculpture and the details behind the meaning during the Meet the Artist Event. The City is encouraging residents to make an evening of it by stopping at the weekly Farmers Market on their way to the park across the street.

About the Basile Center
The Frank and Katrina Basile Center for Art, Design and Public Life is Herron’s laboratory for applying the talents and skills of Herron students and faculty to the needs of businesses, nonprofit organizations and government agencies. It connects artists in all media with community partners who are interested in providing real-world and professional practice experiences through public art commissions, art and design competitions and civic engagement opportunities. The skill and knowledge students gain from
conceptualizing and competing for community-based commissions better prepares them for the world outside college. Students often work with architects, engineers, electricians, fabrication design houses, printer companies and landscape architects to get the job done, resulting in an extraordinarily well-rounded practical experience. For more information, visit http://www.herron.iupui.edu/basile-center.