Demonstrating extraordinary generosity through legacy gifts

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Alumna Doris J. Brinkman (1950s) remembered Herron in her estate plans Image Herron staff

Ordinary people are demonstrating extraordinary generosity by leaving legacy gifts to Herron in their wills and estate plans. Each of their stories represents something important to them. Because of their commitment to Herron’s mission, their priorities will continue, and their gifts will remind us that we, too, can make a difference in the lives that follow.

 

Read about some of Herron’s friends and alumni who have done just that:

Ruth Lilly
Robert B. Berkshire
Doris Brinkman
Harry and James Esamann
Frank and Katrina Basile
Edith Moore

How do you get started?

Think beyond cash gifts made today. Options include a simple directive in your will or naming Herron as a beneficiary of your life insurance, pension plan, IRA or trust. Click here for bequest language.

As a professional school of Indiana University, Herron works closely with the IU Foundation as it stewards and maintains your gift. To learn more about other types of gifts and various ways to give visit IUF’s website.

Have you already remembered Herron in your plans?

Perhaps you have already remembered Herron in your will or estate plans. If so, we invite you to notify Herron’s Office of Development so that we can celebrate with you. We can help document your gift to help ensure your intentions are carried out in the future.

As always, your support may be given anonymously, if you prefer. Simply notify Herron’s development staff about your philanthropic plans.

Want to learn more?

Herron’s staff and faculty look forward to learning about your philanthropic plans today so that your generosity can be recognized during your lifetime. To learn more about leaving a legacy at Herron School of Art and Design, contact Kim Hodges at (317) 278-9472 or kshodges@iupui.edu or Glennda McGann at (317) 278-9477 or gmmcgann@iupui.edu

First Herron Open: Mini Golf Mega Art an unqualified success

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(r to l) IUPUI alumnus Carlos Knox, player development with the Indiana Fever; Herron Dean’s Advisory Board member Conrad Piccirillo; his daughter, Caitlyn Piccirillo; and Indiana Fever star forward Tamika Catchings enjoying the Herron Open. Image John R. Gentry Jr.

The first Herron Open: Mini Golf Mega Art, which took place in early June, was an unqualified success. Nearly 200 attendees were on hand to play the nine-hole miniature golf course inside Eskenazi Hall, created by teams of Herron students and faculty. The Herron Alumni Association designed a hole, too. It won the People’s Choice Award. The Sculpture Department’s hole, which came complete with students dressed as moles, won the Chairs’ Choice Award.

The event netted more than $30,000 in new scholarship support for Herron students.

Herron Open: Mini Golf Mega Art was selected as a NUVO Top Pick of the Week and featured in the Indianapolis Star’s 10 Things To Do. It was also covered by the Indianapolis Recorder, WTHR’s sports reporter Rich Nye, and mentioned on WFYI’s The Art of the Matter.

One thing is for sure (although at press time we don’t know exactly when) the event will return!

Central Indiana Community Foundation helps Herron’s art therapy program produce a skilled and in-demand workforce

UntitledJob placement is 100 percent for the first cohort of eight graduate students who earned a master’s degree in Art Therapy from Herron School of Art and Design this May, said Juliet King, program director and professor of Art Therapy. Launched only two years ago, the program has developed vigorously, in large part due to philanthropic support from individuals and foundations.

The Frank Curtis and Irving Moxley Springer Fund, a fund of the Central Indiana Community Foundation, put its support into bringing together Herron students—who must complete 1,000 hours of supervised, clinical training as part of their degrees requirements—and community members who can benefit from art therapy services.

Herron’s Art Therapy program is one of only 34 two-year, full-time, residential programs in the country—offering graduate art therapy education in preparation for the dual credentials of Registered Art Therapist and Licensed Mental Health Counselor.

Herron currently is working with nearly 30 community organizations to pair its art therapy students with programs that serve youths, adults, the aged and other vulnerable populations. Qualified professionals must supervise Herron’s students in a clinical setting. That requires investment.

Andrew Black, a grants officer of the Central Indiana Community Foundation, said “The Art Therapy grant was in alignment with The Frank Curtis and Irving Moxley Springer Fund because it promotes the making of art and provides important health and social services to improve the physical, mental and emotional well-being of people of all ages, many of whom are dealing with significant physical and/or mental health challenges.”

Frank began work at Eli Lilly and Company in 1937. He and his wife, Irving, became incredibly generous philanthropists. Both are now deceased, but their fund, established in 1998, will continue in perpetuity as they wished.

King said, “It’s exciting to see the full cycle of the impact of the program. We are helping children and adults cope with illness, injury and trauma while the graduate students gain the academic experience necessary to become a trained professional and contribute to the workforce of Indiana and beyond.” She added, “We are grateful to the Frank Curtis and Irving Moxley Springer Fund and CICF for the assistance in successfully developing the program.”

The program’s first eight graduates are Linda Adeniyi, Uriah Graham, Amy Granger, Katherine Hearn, Amanda Krieger, Heidi Moffat, Hillary Timmerman and Natalie Wallace. These alumni were hired by providers including Adult & Child Community Mental Health, MENTOR Network, Midtown Community Mental Health, Season’s Hospice, Legacy House, Meridian Health Services and Gallaudet University that provide school- and home-based counseling, health therapy and hospice care.

Nine students are projected to graduate in 2015 and 13 in 2016.

Black added, “Not only does this therapy provide counselors, therapists, or case workers with an additional and often times necessary alternative method for communication, it also provides some of our most vulnerable populations with a creative outlet that promotes self-expression, increases their ability to cope with their circumstances or challenges, and ultimately aids in their rehabilitative progress and contributes to their quality of life.”

To learn more about supporting Herron’s Art Therapy Program, contact Kim Hodges, Office of Development, at 317-278-9472 or kshodges@iupui.edu.

Furniture Design graduate students imagine a new version of Brunswick Billiard’s most iconic pool table

UntitledBrunswick Billiards President Brent Hutton approached Herron School of Art and Design to connect with the talented faculty and students in its Furniture Design Program. The task? To reimagine the Gold Crown pool table for its sixth edition. The Gold Crown is Brunswick’s most iconic table—preferred by the pros and tapped by Hollywood to serve as the centerpiece of such classic movies as The Color of Money and The Hustler.

Through the school’s Basile Center for Art, Design and Public Life, 11 furniture design graduate students got the chance to create a new version. The Basile Center pairs Herron students and faculty with real client projects. Everyone involved gets an education in the process.

Brunswick views pool as a more than a game. Each pool table is a finely crafted piece of furniture, so the pairing was perfect.

Over the years, Hutton’s exposure to Herron as a Bedford, Indiana native and an alumnus of Indiana University has made a favorable impression. He has spent lunches between business meetings in Indianapolis at Herron, looking at student work. “The thing I remembered most is the freshness of the ideas,” he said. “I really did not see that anywhere else, and at the time I was traveling to New York and Chicago.

“The fit for me,” Hutton continued, “was, unlike an industrial design school, this was studio design, and I thought leading edge in terms of art and thinking.” Hutton considered the leap he was about to take working with students. “It was a risk we took,” he said, “but I tell you, it could not have worked out any better.”

Guided by faculty members Cory Robinson, Katie Hudnall and Glen Fuller, a detailed specification provided by Brunswick and their own research, the students had the opportunity to work on a project that would have been an exhilarating and challenging assignment for a seasoned professional—refreshing the Gold Crown’s appeal to a tech culture and a female audience while retaining its iconic brand attributes.

At the end of June, three finalists remained; Sam Ladwig, Shelley Spicuzza and Colin Tury. When the designs were presented to a gathering of Brunswick Billiards’ top retailers, they met with an enthusiastic response. The students will gain more than a hefty notch on their belts; the first place designer wins an award of $2,500, and the two honorable mention designers will walk away with $500 each. A decision about which design goes into production is expected later this summer. We’ll keep Herronline readers updated as this story develops. Click the link below to hear an interview with the finalists produced by James Gray of WFIU radio. http://indianapublicmedia.org/arts/brunswick-billiards-iupui-team/

Herron School of Art and Design faculty, alumni to strut their stuff in August

Sax on the Rocks 12x12 oil canvas

Phil O’Malley,      Sax on the Rocks,  Oil on Canvas,      12” x 12”

The Biennial Faculty Show will kick off the fall gallery season at Herron School of Art and Design in Eskenazi Hall’s main galleries. This year’s exhibition will be an exercise in eclecticism with faculty members exhibiting from a variety of departments. All tenured and tenure-track faculty, lecturers and program technicians were invited to participate.

Also opening in the Marsh Gallery August 1 is Print or Die an annual print exchange created and curated by Dominic Senibaldi (M.F.A. in Printmaking, 2013). Print or Die will showcase works from two years of the exchange, and illustrate the ideas behind the print exchange culture and its importance in contemporary printmaking. Artists from coast to coast participate.

In the Basile Gallery, also opening August 1, is 316: A Thesis Exhibition by Eric D. Johnson (M.F.A. in Printmaking, 2014). Johnson describes the concept for the exhibition as emerging from strain on the support systems of the modern world caused by mass production, consumption and waste, and observation of critical tipping points and cascading failures.

Works will be available for purchase on opening night.

Rounding out the month, opening on August 29 and continuing through September 19, will be solo shows by alumnus Phil O’Malley (B.F.A., ‘07) in the Marsh Gallery and Assistant Professor in Furniture Design Katie Hudnall in the Basile Gallery.

O’Malley has planned a “making of” exhibition, The Moment of Conception?, as a companion to the mid-August unveiling of his, 20’ x 40’ as yet untitled work, a monumental installation which will hang in the front lobby of Clowes Memorial Hall. The work is the pinnacle creation in a series called Deep Down. Its creation and installation is also being documented by local National Public Broadcast Service station, WFYI. O’Malley said the series was spurred by “several selections of popular music” from his formative years, translated via paint into vivid visual representations. “Now they’re laid out, varnished, nailed to their boards,” he said, “and placed in their four-sided coffins for their viewing. We’re so sorry, Uncle Albert.”

Hudnall’s exhibition of current work blurs the lines between woodworking and furniture techniques and media and those of sculpture and drawing in a search for new and compelling ways to reach the audiences for these forms.

“The language of furniture, and of utilitarian objects in general, has greatly influenced these hybrids as I search for ways to directly interact with my viewers,” Hudnall said. “In the newest work, an interactive element is integral to experiencing the piece. The viewer might open and close a door, or a drawer might activate another section of the work, revealing intricate drawings that open like books, or umbrella-like forms that raise and lower out of the top of the piece. This exhibition raises questions about the notion of communication. Viewers may work together to operate a piece, making it something that a single viewer cannot fully experience on their own.”

Randa Jarrar, Award-Winning Novelist, Coming to IUPUI

A Map of HomeAs part of the Al-Mutanabbi Street Starts Here Symposium, the IUPUI Arts and Humanities Institute in collaboration with the IUPUI Library and the Rufus & Louise Reiberg Reading Series invites you to join us on the evening of November 17 for a presentation by Randa Jarrar.

Time: 7:00-8:30 pm
Date: November 17, 2014
Location: Basile Auditorium, Herron School of Art and Design
Tickets are free, but registration is required.

Randa Jarrar is an award-winning novelist, short story writer, essayist, and translator. In 2010, a collaborative project between the Hay Festival, Beirut UNESCO’s World Book Capital 2009 celebrations, Banipal magazine and the British Council recognized her as a member of the Beirut39 — 39 of the world’s most promising Arab writers under the age of 39.

Jarrar grew up in Kuwait and Egypt, and moved to the US after the first Gulf War.  Her first novel, A Map of Home, has been published in half a dozen languages and won a Hopwood Award, an Arab-American Book Award, and was named one of the best novels of 2008 by the Barnes and Noble Review.

Her work has appeared in The New York Times Magazine, The Utne Reader, Salon.com, Guernica, The Rumpus, The Oxford American, Ploughshares, Five Chapters, and others. She has received fellowships from the Civitella Ranieri Foundation, Hedgebrook, Caravansarai, and Eastern Frontier.

About Al-Mutanabbi Street Starts Here at IUPUI

On March 5, 2007, in the middle of the Iraq war, a car bomb killed dozens and injured over a hundred people.  It also devastated al-Mutanabbi Street, a busy avenue of cafés and bookstores that had served as a meeting place for generations of writers and thinkers.  In response to the attack, San Francisco bookseller Beau Beausoleil rallied a community of international artists and writers to produce “Al-Mutanabbi Street Starts Here,” a collection of letterpress-printed broadsides (poster-like works on paper), artists’ books (unique works of art in book form) and an anthology of writing focused on expressing solidarity with Iraqi booksellers, writers and readers.

“Al-Mutanabbi Street Starts Here” includes 260 artists’ books; a publication titled “Al-Mutanabbi Street Starts Here: Poets and Writers Respond to the March 5, 2007, Bombing of Baghdad’s ‘Street of the Booksellers,’” plus 130 broadsides — one for every person killed or injured in the bombing.  Indiana University-Purdue University Indianapolis will serve as one of only three repositories in the world to hold the complete collection.  It will also sponsor three biennial conferences to explore the themes and implications of the collection through papers, panels, posters and presentations with international scholars, artists and writers from a range of disciplines.

 

Fashion Design course among fall electives

UntitledIn response to many requests from IUPUI students, Herron School of Art and Design is happy to offer “Fashion Design” this fall. The three credit-hour elective will be held on Tuesdays and Thursdays from 6:00 p.m to 8:30 p.m. in room 261 of Eskenazi Hall.

 Jo Dean Tipton, a fashion and textiles designer, entrepreneur and professional in the fashion industry, will instruct. Tipton has designed costumes for dance, gymnastics and cheerleading, as well as textile prints. She has taught fabric painting in a workshop

in Taos, New Mexico, and worked with textiles as a fine art medium. Tipton just completed her master’s degree Apparel Design from Ball State University. She studied as an undergraduate at the Fashion Institute of Technology and Purdue University. Most recently,

she exhibited last April in the group show Shaping Visions in the Cultural Arts Gallery in IUPUI’s Campus Center.

The course will explore design principles that are the foundation of creating marketable ideas and designs for the fashion industry.  Students will learn how designs are transformed into products, apply design principles and elements to solve design problems and communicate creative concepts effectively. Students will also produce technically accurate and aesthetically pleasing designs that communicate their ideas visually, investigate and select resources to support the design and solve a given problem independently.

 Enrollment is limited to the first 18 students.

HER-E 220  EXPLORING ART (3 CR)  32809

Variable Title course: FASHION DESIGN

Tuesdays and Thursdays 6:00 p.m. to 8:30 p.m.

Herron School of Art and Design room 261

 

For questions, please contact Anita Giddings, agidding@iupui.edu or 278-9492

IUPUI Motorsports engineering and furniture design students build Formula-style race car

391007_w296INDIANAPOLIS — The Indiana University-Purdue University Indianapolis Formula-style race car competing this week in Lincoln, Neb., is the unique collaborative work of students from two diverse programs on the IUPUI campus – motorsports engineering and furniture design.

The vehicle is one of more than 90 cars entered in the Formula SAE student design competition organized by SAE International, formerly known as the Society of Automotive Engineers.

Students from the motorsports engineering program in the Purdue School of Engineering & Technology at IUPUI designed, built and tested the majority of the IUPUI race car. However, the bodywork is the team work of motorsports students and students in the furniture design program of the Herron School of Art and Design at IUPUI.

“This inventive collaboration is a perfect example of the relevance of art and design to a broad array of applications beyond ‘fine art.’ It also serves as an example of the opportunities afforded to students at IUPUI by faculty who are more than willing to work across school boundaries with their colleagues,” said Glennda McGann, assistant dean for development and external affairs at Herron.

Pete Hylton, associate professor of mechanical engineering technology, is director of the motorsports engineering program at IUPUI, the first U.S. university to offer a bachelor’s degree in motorsports engineering.

Furniture craftsman Cory Robinson, associate professor and chair of Herron’s fine arts department, directed the Herron students working on the race car project.

“It was very interesting to see the kinds of machines that they use to make furniture….and to figure out how to translate our needs to their equipment,” said Nikky Saxon, a motorsports engineering student who worked on the race car project. “The Herron students were very helpful and easy to work with.  It was a great experience.”

According to the description on the SAE website, the concept behind Formula SAE is that a fictional manufacturing company has contracted a design team to develop a small Formula-style race car for a non-professional weekend autocross racer. Each collegiate team designs, builds and tests a prototype based on a series of rules set up both to ensure onsite event operations and promote clever problem solving.

Motorsports engineering students developed the IUPUI race car’s basic shape using 3D computer modeling to fit a shape around the chassis, including an aerodynamic underbody which provides ground effects. The shape of the underside of the body creates down-force by channeling the airflow through a venturi shaped passageway, similar to what is done on IndyCar and Formula One racecars.

The IUPUI engineering students handed off their design to the Herron students who went to work using their school’s gantry mill — typically used to shape wood for furniture design projects — to shape the pieces which were assembled to form the car’s required body shape.

A fiberglass mold was then made of this shape, and finally a composite layup was made using that mold and it was cured with the help of Indy Performance Composites to complete the body parts.  These were then fitted to the chassis, which is a steel tube-frame configuration built with materials donated to the program by AED Motorsports of Indianapolis.

“We were able to make a much more complex shape by using the Herron gantry mill,” Hylton said. “We were able to design the car on the computer using 3D modeling and translate that to hardware using the gantry mill. Working with specialists from another (non-engineering) realm is excellent experience for our students….and very real world.”

The IUPUI vehicle completed its tech inspection Wednesday as one of less than 40 entries to accomplish that requirement on Day 1 of the four-day racing event.

Design judging took place Thursday. Dynamic competitions such as acceleration, skidpad, autocross, and endurance events will take place today and Saturday.

IUPUI last competed in Formula SAE in 2011 when the school was the top finishing rookie team at the event held at Michigan International Speedway.

For further information, contact Motorsports Engineering Director Pete Hylton at phylton@iupui.edu or FSAE faculty advisor, Andy Borme at aborme@iupui.edu.

 

International Violin Competition Exhibition

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June 20- July 24, 2014

   Frank & Katrina Basile Gallery
    Marsh Gallery

 

 

Herron is partnering on two gallery exhibitions for the 9th Quadrennial International Violin Competition of Indianapolis, one of the most respected music competitions in the world (taking place in September 2014).

A Juried Exhibition of Student Art, 30 prize-winning entries from first through 12th graders around Indiana will fill the Basile Gallery.

An exhibition of 19 works from a commission competition for Herron junior painting students, through a project of the Basile Center for Art, Design and Public Life, will be exhibited in the Marsh Gallery.

About the Basile Center for Art, Design and Public Life:

The Basile Center for Art, Design and Public Life enables Herron faculty and students to apply their talent and skill to real-world situations and needs. The Basile Center brings together Herron artists, designers, and art educators to serve the needs of the broader Indianapolis community. The projects that the Basile Center manages range from permanent public art installations to visual communication design projects, to arts administration and fine art exhibitions, and they yield incredible opportunities for professional practice for our students, including both our undergraduates and students in our graduate programs.

Al-Mutanabbi Street Project

al-mutanabbi streetThe Herron Art Library—a full-service branch of the University Library—has recently been selected to house a unique collection of artists’ books.

On March 5th 2007, in the middle of the Iraq war, a car bomb exploded in Baghdad, destroying a busy avenue of cafés and bookstores that had served as a meeting place for generations of middle-eastern writers and thinkers. In response to the attack, a San Francisco bookseller, Beau Beausoleil, rallied a community of international artists and writers to produce a collection of letterpress-printed broadsides (poster-like works on paper), artists’ books (unique works of art in book form), and an anthology of writing, all focused on expressing solidarity with Iraqi booksellers, writers and readers. The coalition calls itself Al-Mutanabbi Street Starts Here.

The coalition has agreed to donate a complete run of the Al-Mutanabbi Street Starts Here collection to the Herron Art Library. Valued at over $250,000, the Al-Mutanabbi Street Starts Here collection includes 260 artists’ books; a publication entitled Al-Mutanabbi Street Starts Here: Poets and Writers Respond to the March 5th, 2007, Bombing of Baghdad’s “Street of the Booksellers”, plus 130 broadsides—one for every person killed or injured in the bombing of al-Mutanabbi Street. The Herron Art Library will be one of only three libraries worldwide to be a permanent home to the collection, and the only library in the U.S.

Along with the collection, the library is hosting a conference this fall on the IUPUI campus and a show featuring some of the collection in August at the Harrison Center for the Arts. For more information on the collection, please go to this website.