“In the Shadow of Terror: Providing Healthcare on the Northern Cameroon-Nigeria Border ”

2006094106Over the past several years, northeastern Nigeria has been wracked by violence promulgated by a group of extremists whose stated aim is to topple the status quo and establish a universal caliphate based on Islamic law. Thousands have died, and at least a million left homeless since the carnage began. Border areas in neighboring countries, including Cameroon, have been touched by the climate of terror, military reaction, and the flight of refugees.

Since 1990, Dr. Ellen Einterz, an IU graduate, has lived on the border between Cameroon and Nigeria’s Borno State. She is the Director of the Kolofata District Hospital and Chief Medical Officer for the Kolofata Health District. In her talk, she will briefly explore the conflict in its historical and present day context and provide an account of her recent personal experience as a physician in the exceptionally poor corner of Africa being rocked by this tragedy.

This lecture is presented by Medical Humanities & Health Studies and the IUPUI Global Health Student Interest Group and generous support from The IUPUI Office of International Affairs, The Richard M. Fairbanks School of Public Health, and the Africana Studies Program in the School of Liberal Arts.

Herron alumnus’ paint hits the wall at Clowes and in exhibit at his alma mater

406081_w296INDIANAPOLIS — An upcoming solo exhibit at Herron School of Art and Design at IUPUI includes a multimedia chronicle of the making of the “jaw-dropping” monumental painting going on display at Clowes Memorial Hall.

The Herron show, “The Moment of Conception?” features the work of Herron alumnus and Clowes artist-in-residence Phil O’Malley and runs Aug. 29 to Sept. 19 in the Marsh Gallery of Herron School of Art and Design, 735 W. New York St., on the Indiana University-Purdue University Indianapolis campus.

The Herron show is a companion exhibit to O’Malley’s “Finding Your Way: From Wander to Wonder,”the 40-foot-tall by 20-foot-wide wall art that will hang in the front lobby of Clowes Memorial Hall, on the Butler University campus. The painting is available for public viewing during regular business hours for two years, beginning today.

“‘Finding Your Way: From Wander to Wonder,’ is the apex to my series of paintings known as ‘Deep Down,’” O’Malley said. “This series consists of paintings that are individual abstract visual representations of that amazing personal journey one experiences by going deep down inside to find the strength or the courage that it takes to accomplish something, get through something, or grow beyond something.

“Going deep down into all that muck, chaos and confusion can be an intimidating endeavor, but when we do, that journey can be beautifully awakening to yield incredible growth,” O’Malley said of personal experiences captured in “Finding Your Way” and other “Deep Down” pieces.

O’Malley earned a Bachelor of Fine Arts degree from Herron. He also studied interior design in the Purdue School of Engineering and Technology at IUPUI.

His “Deep Down” series was spurred by selections of popular music from his formative years, translated via paint into vivid visual representations, the artist said.

Three videos chronicling the making of the Clowes painting will play continuously as part of the Herron show. The Clowes wall project is also being documented by local PBS station WFYI.

The Herron show also includes a sculpture, timeline sketches and drawings of parts of the painting. Herron alumni artists C. J. Martin, Naylor Musko and Steve Smolinski assisted with professional art production for the exhibit co-curated by O’Malley and Martin.

O’Malley created “Finding Your Way: From Wander to Wonder” on the stage at Clowes Hall with the support of the Clowes staff. Martin and Musko also were assistants on the Clowes project.

“We used 800 square feet of canvas, 20 gallons of acrylic primer and one dozen gallons of oil paints,” O’Malley said.

“The process included poured paint, sprayed paint, squirted paint, drawn paint, mopped paint and even some brushed paint. At times the canvas was tied on a batten and flown in (onto the stage) and flown back out (off stage) to assist with the application and flow of the paint.”

The result is “jaw dropping” both in terms of the sheer scale of the canvas and O’Malley’s “inventiveness to start with small sketches and synthesize and scale up and adapt to the viewer’s experience of the work from different angles and levels,” said Glennda McGann, Herron’s assistant dean of development and external affairs.

“This is a prime example of an artist’s ability to problem solve,” McGann said. “He even had to collaborate with crew members and invent a way to hang this huge painting.”

O’Malley estimates he has spent about 500 hours making both the Clowes piece and the art for the Herron exhibit.

Brunswick Billiards selects Herron graduate Colin Tury’s design for iconic Gold Crown pool table

colin_tury_2014INDIANAPOLIS — Brunswick Billiards has selected Herron School of Art and Design graduate Colin Tury’s design for the sixth iteration of its iconic Gold Crown pool table, the company has announced.

But don’t look now for detailed images of Tury’s gorgeous and sleek redesign of the pool table. That’s hush-hush until the official unveiling of the new Gold Crown, slated for the fourth quarter of 2015.

In a partnership between Brunswick and Herron’s Basile Center for Art, Design and Public Life, Herron furniture design students participated in a pool table design challenge that took place in the spring and early summer.

Tury was among three student finalists who went “above and beyond the call of duty” with their designs, said Brent Hutton, Brunswick’s president. “We couldn’t be happier with the outcome.”

Tury graduated from Herron School of Art and Design in May with a Master of Fine Arts degree in furniture design.

Brunswick had “three good days of discussion with internal and external people” about which of the final designs to choose, Hutton said. “It weighed on a lot of people’s minds that we could get this version to market sooner,” he added.

Cory Robinson, chair of the fine arts department and associate professor of furniture design, said the students and faculty alike enjoyed the design project.

Brunswick was so pleased with the experience that it increased the prize money for the second- and third-place designs from $500 to $1,000. Those prizes go to Sam Ladwig, Master of Fine Arts in furniture design Class of 2014, and Shelley Spicuzza, a second-year graduate student. In fact, Brunswick is planning to work with Ladwig and Spicuzza to bring their respective takes on the table to fruition in the future.

Tury, in addition to bragging rights, has earned a $2,500 prize for his winning design.

“When I found out I won, I was beyond excited,” he said. “It took a while to sink in, but the realities of this competition are amazing. The prize money is exciting, but the opportunity to refresh an icon for a well-known manufacturer and then have my name on it is just unbelievable. I could not ask for a better portfolio piece.”

Brunswick intends to include Tury’s name along with Herron’s in its branding of the new Gold Crown.

Herron Galleries host reception Friday, August 29

250px-HerronSoAA public reception will celebrate the beginning of the new academic year and the three shows filling the galleries at Herron School of Art and Design on Friday, August 29 from 6:00 p.m. – 9:00 p.m.

Continuing through September 10th in the Berkshire, Reese and Paul galleries is the 2014 Faculty Exhibition. This year’s exhibition is an exercise in eclecticism with faculty members exhibiting from a variety of departments. All tenured and tenure-track faculty, lecturers and program technicians were invited to participate

The Moment of Conception? is in the Marsh Gallery through September 19th. Phil O’Malley, B.F.A. ’07, has planned a “making of” exhibition, The Moment of Conception?, as a companion to the mid-August unveiling of his, 20’ x 40’ Finding Your Way: From Wander to Wonder, a monumental installation which will hang in the front lobby of Clowes Memorial Hall. The work is the pinnacle creation in a series called Deep Down. Its creation and installation is also being documented by local National Public Broadcast Service station, WFYI.

Katie Hudnall’s exhibition of current work, in the Frank and Katrina Basile Gallery through September 19th, blurs the lines between woodworking and furniture techniques and media and those of sculpture and drawing in a search for new and compelling ways to reach the audiences for these forms.

“The language of furniture, and of utilitarian objects in general, has greatly influenced these hybrids as I search for ways to directly interact with my viewers,” Hudnall said.

Bradbury lecture celebrates master storyteller’s birthday and legacy

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Center for Ray Bradbury Studies Director Jonathan Eller with science fiction and fantasy magazines with Ray Bradbury stories, part of the Bradbury-Albright Collection.

INDIANAPOLIS — Professor Jonathan Eller, director of IUPUI’s Center for Ray Bradbury Studies and Chancellor’s Professor of English, will present the inaugural Bradbury Lecture at 6 p.m. Wednesday, Aug. 20.

The lecture, in the West Reading Room of the Indianapolis Central Library, 40 E. St. Clair St., is free and open to the public.

“Ray Bradbury in the Twenty-First Century” draws on the unique and extensive archives of the Bradbury Center, which is home to the iconic author’s papers, his working library, and a lifetime of his awards and mementos. These materials, recent gifts of the Bradbury family and the author’s longtime friend and bibliographer, Donn Albright, are part of the IU School of Liberal Arts at Indiana University-Purdue University Indianapolis.

“Everybody knows a Ray Bradbury story,” Eller said. “Generations of school children and college students have read his work in hundreds of anthologies and textbooks; teachers and librarians continue to value his stories and his poetic, metaphor-rich style.”

Bradbury’s stories have a unique staying power in American culture.

“He published more than 400 stories,” Eller said. “And he wove them into such modern classics as ‘The Martian Chronicles,’ ‘The Illustrated Man,’ ‘The Golden Apples of the Sun,’ ‘The October Country,’ and two enduring titles that emerged from his Midwestern childhood: ‘Dandelion Wine’ and ‘Something Wicked This Way Comes.’ ‘Fahrenheit 451,’ his classic cautionary tale of censorship and book burning, remains a perennial bestseller more than 60 years after publication.”

Eller’s illustrated presentation will focus on two intriguing questions: How did Ray Bradbury, a child of the Great Depression who never attended college, become one of the best-known American writers of his time? And why does this master storyteller of the 20th century remain a powerful cultural influence today?

The inaugural Bradbury Lecture falls during the author’s birthday week, and Eller plans to schedule subsequent lectures each August as Bradbury’s centennial year — 2020 — rapidly approaches.

Eller said, “He was born in 1920, when the Martian Canals of Percival Lowell and Edgar Rice Burroughs were still high in the American imagination; he passed away in 2012, just as the Curiosity Rover was about to land on Mars, at a site named in Ray Bradbury’s honor.” The center’s holdings include artifacts that have orbited the Earth, and Eller’s lecture will also assess the author’s lasting impact on the American space program.

The timing of the first Bradbury Lecture is especially significant. “Ray Bradbury Unbound,” the second volume of Eller’s three-volume study of Bradbury’s life and career, will be published by the University of Illinois Press in early September. At the same time, Kent State University Press will publish volume two of the Bradbury Center’s “Collected Stories of Ray Bradbury,” a series that recovers the seldom-seen original versions of Bradbury’s earliest published stories.

The Bradbury Lecture also kicks off a campaign to expand the Bradbury Center at IUPUI so that students, researchers and the general public can have better access to the archives and artifacts belonging to one of America’s premier storytellers.

The Bradbury Lecture is presented by the Indianapolis Public Library in conjunction with the Center for Ray Bradbury Studies. Parking for the Indianapolis Central Library is available via Pennsylvania Street in the library garage for a fee.

For more information about the Center for Ray Bradbury Studies, call 317-274-2173 or visit the Center for Ray Bradbury Studies’ website.

Midwest meadows, Madrid, mapping influence October Herron exhibitions

UntitledBerkshire, Reese and Paul Galleries
Shawn Decker Prairie

Positioned at the intersection of music composition, visual art and performance, Chicago Artist Shawn Decker’s work uses physical and electronic media to investigate the natural and unnatural world.

By way of its most recent stop in Austria, his work Prairie will arrive at Herron School of Art and Design’s Berkshire, Reese and Paul galleries with an opening artists talk and reception on September 26 beginning at 6:00 p.m.

Prairie is a large-scale kinetic sound sculpture. This installation presents visual elements that mimic prairie grasses as well as sound elements that evoke sounds of the prairie—from insects to wind playing in the grasses. The irony of a human construction with digital programming that ends up producing a meditative, seemingly natural environment is not lost on the artist.

Basile Auditorium
Artists Talk: Shawn Decker and Lanny Silverman

Joining Decker for a discussion of the current state of contemporary and avant garde art forms will be independent curator Lanny Silverman, formerly curator of exhibitions for the Chicago Cultural Center Department of Cultural Affairs.

Marsh Gallery
Lost in Translation:
Student Work from Herron’s Summer Study Abroad Program in Spain

Professors Anila Agha and Stefan Petranek not only conducted a summer scholarly excursion to Spain, the two will curate a showcase of student sculptures, drawings and photographs compelled by student travel experiences in Madrid and Barcelona. Some of the works were exhibited at the Makers of Barcelona gallery in June 2014, but this exhibit will include work created since the students’ return. Participating artists are: Helen ArthBrianna Campbell,Devan HimstedtJessica KartawichCarolyn KypchikChristine (Jazz) LongMary McClungEvan RiceBrittany Rudolf andHadia Shaikh.

Basile Gallery
Reagan Furqueron

A solo exhibition will feature new works by Director of Foundation Studies and Assistant Professor Reagan Furqueron that explore the ideas of transition and mapping through a sculptural approach to making—a departure from Furqueron’s usual making mode.

Study: “The Bible in American Life”

UntitledThe year 2011 marked the 400th anniversary of the publication of the King James Bible. It also marked the beginning of a three-year Indiana University-Purdue University Indianapolis (IUPUI ) study of the Bible’s place in the everyday lives of Americans.

With a $507,000 grant from Lilly Endowment Inc., the Center for the Study of Religion and American Culture – a program of the IU School of Liberal Arts at IUPUI – set out to answer questions of how, where, when and why ordinary Americans use the Bible.

According to findings made public online in the 44-page “The Bible in American Life” report, the four-centuries-old King James Version of the Bible is far from dead. Despite its archaic language and a market flooded with newer, more modern English translations, more than half of the individuals and two-fifths of the congregations surveyed still prefer the King James Bible.

And of those surveyed, African Americans reported the highest levels of Bible engagement.

Seventy percent of all blacks said they read the Bible outside of public worship services, compared to 44 percent for whites, 46 percent for Hispanics and 28 percent for all other races.

Bible memorization is highest among black respondents, 69 percent, compared to 51 percent among white conservative Protestants and 31 percent among white moderate/liberal Protestants.

“There are no measures, individually or in congregations, where ‘black’ is not strongly correlated with the most conservative, most active, most involved level of scriptural engagement, no matter which other group comes closest,” the report says.

“If one wanted to predict whether someone had read the Bible, believed it to be the literal or inspired Word of God, and used it to learn about many practical aspects of life, knowing whether or not that person was black is the single best piece of information one could have.”

The report first looks at the practice of scripture reading in the United States, and then explores eight measures among those who read the Bible, such as Bible translation used; scripture memorization habits; favorite passages; and race.

Roughly half of Americans have read religious scripture outside of a public worship service in the past year. For 95 percent of those, the Bible is the scripture they read.

What did the study reveal about Bible readers?

Most of those people read at least monthly, and a substantial number – 9 percent of all Americans – read every day.

Women were more likely to read than men; older people were more likely to read than younger; Southerners were more likely to read than those of any other region.

The percentage of verse memorizers among Bible readers (48 percent) equates to roughly a fourth of the American population as a whole, or nearly 80 million people.

Psalm 23 – which begins “The Lord is my shepherd” – was the most popular Biblical passage.

Younger people, those with higher salaries and, most dramatically, those with more education among the respondents read the Bible on the internet or an e-device at higher rates.

The written report, based on survey questions on both the General Social Survey (1,551 individuals) and the National Congregations Study III (denominations represented among the General Social Survey respondents), is the first stage of the study and offers sociological data about the role of the Bible.

“Historians and sociologists have been working for years to understand how religion is lived out on a daily level,” said Philip Goff, executive director of the Center for the Study of Religion and American Culture and one of the three principal investigators who led the study. “This gives us a good snapshot of the practice of Bible reading. That should also help ministers understand the people in their pews.”

Goff’s co-investigators are Arthur Farnsley, associate director of the center; and Peter Thuesen, chair of the Department of Religious Studies at IUPUI.

full article found here

Notre Dame historian and professor to discuss ‘The Bible Then and Now’ in public talk

INDIANAPOLIS — Noted historian and National Endowment for the Humanities medal recipient Mark Noll will deliver a public talk Thursday, Aug. 7, as part of the IUPUI Center for the Study of Religion and American Culture’s The Bible and American Life Conference.

Noll will present “The Bible Then and Now” at 7:30 p.m. at Christ Church Cathedral, 125 Monument Circle in downtown Indianapolis. Registration is not required for this keynote talk, which is open to the entire Indiana University-Purdue University Indianapolis campus as well as the general public.

Noll is the Francis A. McAnaney Professor of History at the University of Notre Dame. His numerous books include “The New Shape of World Christianity: How American Experience Reflects Global Faith” (InterVarsity Press, 2009); “God and Race in American Politics: A Short History” (Princeton University Press, 2008); and “The Civil War as a Theological Crisis” (University of North Carolina Press, 2006). He is a member of the American Academy of Arts and Sciences; in 2006 he received the National Endowment for the Humanities medal at a White House ceremony.

The Center for the Study of Religion and American Culture is part of the Indiana University School of Liberal Arts at IUPUI. The Bible and American Life Conference, taking place Wednesday through Friday at Sheraton Indianapolis City Centre, is the second stage of a project that seeks to provide the first large-scale investigation of the Bible in American life.

Earlier this year, the center released the first part of the project: a report based on a national survey of American Bible reading. Among its many findings, the study discovered:

•    There is a 50/50 split among Americans who read any form of scripture in the past year and those who did not.

•    Among those who read any form of scripture in the past year, 95 percent named the Bible as the scripture they read.

•    Despite the proliferation of Bible translations, the King James Version is the top choice — and by a wide margin — of Bible readers.

•    The strongest correlation with Bible reading is race, with African Americans reading the Bible at considerably higher rates than others.

•    Bible readers consult scripture for personal prayer and devotion three times more to learn about culture war issues such as abortion, homosexuality, war or poverty.
A conference schedule and registration information are available online.

Going Global 2015 Theme Announced

UntitledGoing Global 2015 takes place on 1 and 2 June 2015 at the Queen Elizabeth II Conference Centre in London, UK. The theme for the conference is “Connecting cultures: forging futures” with exploration into the fusion of diverse cultures; how networks of innovation evolve and grow; and what role universities and other tertiary institutions play globally in connecting diverse cultures and in anchoring and sustaining networks of innovation to produce a tangible return and measurable impact for the future. This theme will be explored through three perspectives:

  • National, regional and local cultures and the extent to which connecting people and ideas across these produces innovation and impact
  • Academic discipline and subject cultures including the impact of multi-disciplinary teams of sciences, arts, social sciences etc. Also different cultures of research, teaching and skills development
  • Organizational cultures – particularly those of universities and business; skills providers; NGOs; social and other enterprises.

Proposals can be submitted for paper or poster presentations or to facilitate a session. The call for proposals will open on August 27, 2014 and guidelines for submission are available on the British Council’s website. The session and chair call for proposals will close on Friday 31 October 2014, you have until early 2015 to submit a poster proposal.

Key dates

  • Call for proposals opens: Wednesday 27 August 2014
  • Registration opens: February 2015
  • Going Global 2015 conference: Monday 1 and Tuesday 2 June 2015

Women’s Fund of Central Indiana NEXT Initiative

wf_logo-color_bugThe Women’s Fund of Central Indiana, an endowed special interest fund of Central Indiana Community Foundation, provides grants, philanthropic engagement, and education of current and potential donors to benefit the lives of women and girls.

Women’s Fund of Central Indiana has created The NEXT Initiative, a ten-year commitment to help emerging adult women (ages 18-24) move from economic instability to economic stability, to encourage local entrepreneurs to find viable solutions to help these vulnerable young women become strong independent women who are not dependent on the goodwill of other for their success. This is a one-time only opportunity. Anyone interested in applying to be an entrepreneur with NEXT initiative, needs to act now.

To be considered for the project, entrepreneurs should have touched or experienced this community of young adult women in a unique way such as having worked with this population, seen the results of these women not being served, or been a part of the NEXT population at one point in time. Entrepreneurs should be innovative, bold, determined, respected, creative and thoughtful and able to collaborate well in order to build successful solutions and effective ways to measure and evaluate their success. Potential entrepreneurs also need to be willing to spend significant time in Indianapolis developing and implementing solutions, becoming knowledgeable about our community, creating relationships, forming partnerships and ensuring their idea is appropriate for our community.

To apply begin by completing a Statement of Intent and submit beginning September 2, 2014 and December 2, 2014 at 12p EDT. Project proposals should meet the following parameters:

  • Participants will be a clearly identifiable population (within the 18-24 year old female population)
  • An intensive holistic approach for working with the population
  • Measurable outcomes including: women becoming economically secure and prepared for future success
  • Systemic evaluation of the initiative from the start
  • The ability to replicate the project with other populations within this age group.

2-3 entrepreneurs will be selected in the inaugural round. Each will receive a $90,000 annual salary plus full benefits (as an employee of the Central Indiana Community Foundation) for 1-2 years. If a not-for-profit is chosen, a grant will be made in an amount commensurate with the individual awards. Women’s Fund will provide additional funding for expenses, corresponding with the approved budget of the entrepreneur/s. The first stage of this project is an incubator period for selected social services entrepreneurs to begin developing solutions to meet the needs of this population in Central Indiana- Boone, Hamilton, Hancock, Hendricks, Johnson, Marion, Morgan, and Shelby counties. For the selected entrepreneurs, this is a period of 1-2 years spent developing solutions for the NEXT population. Once the solutions are ready to launch, Women’s Fund will fund the solution to the end of ten years.

Timeline:

  • Statements of intent are due September 2, 2014 at noon Eastern Standard Time
  • Notification of decisions in December 2014
  • Full proposals from invited applicants will be due in March 2015
  • Select applicants will be interviewed in Summer 2015
  • Applicants will be notified of decisions in September 2015
  • Chosen entrepreneurs will be expected to begin January 2016

For more information visit the NEXT Initiative page