Story 17: Digital Bridges from the IUPUI University Library

21 years. 21 stories.
Over the course of 2014 the IUPUI Library will be sharing these stories with you.

Story 17: Digital Bridges

From the Indianapolis Motor Speedway to the Indiana Law Review, the IUPUI University Library Center for Digital Scholarship is connecting the city with the campus every day. We support the city by creating digital collections of images, newspapers, artifacts, and public records.

Missed a story? Want to read one again? All stories can be found here.

Hoosier Bard Presents: Arden of Fevershame

Hoosier Bard Productions, the theatrical arm of Indiana University-Purdue University Indianapolis’ New Oxford Shakespeare, will stage its fourth play next month at the Indianapolis Public Library’s Central Library branch.

Directed by Terri Bourus, “Arden of Fevershame” will begin at 7:30 p.m. April 3 to 5 and 11 to 12 at the library, 40 East St. Clair St.

“Arden of Fevershame” encompasses elements of passion, intrigue, murder and suspense, tempered with comedy. Bourus said her version will employ a “film noir atmosphere of fog and shadow” to reflect the theme: the tension of the crime.

“The increasing nervousness of the young wife and her lover, the ultimate crime and what happens afterwards are all part of the mystery,” Bourus said. “It’s the first domestic tragedy and the very first black comedy in English drama.”

Bourus, founding director of Hoosier Bard, is an Equity actor as well as a professor of English drama in the IU School of Liberal Arts at IUPUI. Explaining Hoosier Bard’s mission, she said, “Every play we do has an editorial crux linked to it: a crux that can only be solved through performance.”

Each of the plays Bourus has directed — “Young Hamlet,” “History of Cardenio,” “Measure for Measure” and now “Arden” — is considered editorially problematic in some important way. Hoosier Bard stages these plays to test those editorial problems. Using the stage as a kind of laboratory for theater experiments, editors can make important inroads — changing the way they emend the text, making the edition that the NOS team is even now creating, ever more valuable to scholars, theater practitioners, and students. This singular approach has garnered international attention, a phenomenon Bourus attributes to the company’s singular vision: “edit and do theater, which makes us very unique.”

An aspect that makes this production of “Arden” unique, and that led Bourus to change the traditionally used title to the play, is also the kind of pun and word-play for which Shakespeare is known.
“I realized as I was reading the [earliest extant] text, printed in 1592, that the running head did not say ‘Faversham.’ It said ‘Fevershame,’” Bourus said. “True to form, Shakespeare seems to have twisted the title. Rather than ‘Faversham,’ the name of the town where the action actually happened, he penned ‘Fevershame.’”

Tickets are available by credit card online.: $10 for students with a valid ID, $10 for seniors and $20 for general admission. Tickets will also be available by check or cash at the door.

There will be two performances using ASL interpreters. Parking is free of charge in the Central Library lot. Click here for event updates.

“Faith and Medicine: Integration or Separation?” | Fairbanks Ethics Lecture Series

Dr. James Lynch Jr.Faith and Medicine: Integration or Separation?
Fairbanks Ethics Lecture Series
Presented by: Visiting Scholar James W. Lynch Jr, MD, FACP

When: Wednesday April 2, 2014
Time: 12:00-1:00 pm
Location: Riley Outpatient Center Auditorium

Co-sponsored by the MHHS Spirit of Medicine Program. Free CME/CE Credit Offered

Objectives:

  1. Articulate the various forces shaping how we think about the relationships between faith and medicine in the 21st century.
  2. Discuss how the term “professionalism” can be distorted to undermine compassion and empathy as parts of healthy physician-patient relationships.
  3. Describe the ways practitioners address their own spiritual beliefs (or lack thereof) in relation to patients and their beliefs.
  4. Identify how to address complexities that arise in discussing spiritual issues with patients or in choosing not to discuss them.

**Please Note– Lunch will not be provided.  Food and drinks are NOT permitted in the ROC Auditorium.**

About the Lecturer:

Dr. Lynch received his BA from the University of Virginia and MD from Eastern VA Medical School in 1984.  After internal medicine training at the University of Florida, he did his training in medical oncology at the National Cancer Institute in Bethesda MD.  In 1991 he returned to the UFCOM and has served in multiple roles during this tenure including, course director in Oncology, program director for hematology/oncology, section chief of hematology/oncology at the VAMC and now serves as the Assistant Dean for Admissions.  He is a nationally recognized and  published expert in the diagnosis and treatment of lymphomas. He has received multiple teaching awards including clinical teacher of the year 4 times, the Hippocratic award three times, is a member of the College of Medicine Society of Teaching Scholars and in 2006 was honored by the University of Florida as one of 5 Distinguished Teaching Scholars.  He was co-founder with his wife of the Christian Study Center at the University of Florida and serves as its board president. He and his wife Laura, have 4 children and 3 grandchildren.

The Spirit of Medicine Reading and Discussion Program is funded by an IU Health Values Grant. This three-year program available to IU medical students includes monthly meetings to discuss seminar readings and opportunities to meet with thought leaders in spirituality and medicine.  Participants also attend lectures presented by notable visiting scholars and enjoy the opportunity to engage scholars in further conversations.

The Charles Warren Fairbanks Center for Medical Ethics sponsors the Fairbanks Ethics Lecture Series as an educational outreach to physicians and staff of Indiana University Health hospitals and interested others in the central Indiana community.  Lectures are free, open to all, and do not require pre-registration.  Continuing education credit is offered to physicians, nurses, social workers, and chaplains at no charge, regardless of their institutional affiliation.

For questions and comments, please contact Amy Chamness at achamnes@iuhealth.org or (317)962-1721.  For additional information about the Charles Warren Fairbanks Center for Medical Ethics, please visit our website at www.fairbankscenter.org.

Contact:

Amy R. Chamness-Douthit
Program Coordinator- Fairbanks Center for Medical Ethics
Indiana University Health (www.iuhealth.org)
Noyes E-130|317.962.1721 (office)|317.962.9262 (fax)
(website) www.fairbankscenter.org

 

IAHI Lecture: Jace Clayton, “Sounds Create Social Meaning”

The IUPUI Arts & Humanities Institute is teaming up with our friends at We Are City to support another round of artists-in-residence in Indianapolis as part of the We Are City [SUMMIT] Series.

This November, artists Jace Clayton (a.k.a. DJ/rupture) and Rocio Rodriguez Salceda will use fashion design and participatory performance to explore how group affiliation interacts with civic memory in Indianapolis.

While in residence, Clayton will give a public lecture hosted by the IUPUI Arts & Humanities Institute and the Herron School of Art and Design. Tickets are free but space is limited.

Eskenazi Hall Room: HR 111 A – Basile Center Classroom
735 W. New York St. – Indianapolis
Tuesday, Nov. 19, 2013
11:45 am-12:45 pm

Free Tickets: http://jaceclayton.eventbrite.com

 

About the Artists

Jace Clayton uses an interdisciplinary approach to focus on core concerns for how sound, memory, and public space interact, with an emphasis on low-income communities and the global South.

 

Rocio Rodriguez Salceda is an artist from Madrid who operates in the space between visual art, fashion design, and social practice.

Rachel Armstrong to Deliver Lecture at the Indianapolis Museum of Art on October 30

The IUPUI Arts and Humanities Institute and the Indianapolis Museum of Art will co-sponsor a free public lecture on “living architecture” by TED Fellow Rachel Armstrong on October 30 at 7pm. The event, part of the IAHI’s Lecture & Performance Series and the IMA’s STEM to STEAM Lecture Series, will take place at 7pm in the DeBoest Lecture Hall at the IMA. Reserve your free tickets below.

Rachel Armstrong is Co-Director of AVATAR (Advanced Virtual and Technological Architectural Research) in Architecture & Synthetic Biology at The School of Architecture & Construction, University of Greenwich, London. Senior TED Fellow, and Visiting Research Assistant at the Centre for Fundamental Living Technology, Department of Physics and Chemistry, University of Southern Denmark. Rachel is a sustainability innovator who investigates a new approach to building materials called ‘living architecture,’ that suggests it is possible for our buildings to share some of the properties of living systems. She works collaboratively across disciplines to build and develop prototypes that embody her approach.

Dr. Armstrong was a member of the RESCUE “Collaboration between the natural, social and human sciences in global change research” Working Group, an interdisciplinary body of European experts making recommendations to the EU for strategic investment in interdisciplinary/scientific research of climate change. She was also part of the TARPOL report Targeting environmental pollution with engineered microbial systems, for the European Commission which will be published by Wiley this year. In 2011 Rachel was named as one of the top ten UK innovators by Director Magazine, featured in the top ten ‘big ideas, 10 original thinkers’ for BBC Focus Magazine, and selected as one of BMW/Wired’s Change Accelerators. She has also just released a TED Book on Living Architecture.

“Scientists need to work outside their own areas of expertise to make new technologies that are pertinent to the 21st century and to collaborate, both with other scientific disciplines and the arts and humanities.”

Rachel Armstrong

Dr. Armstrong innovates and designs sustainable solutions for the built and natural environment using advanced new technologies such as, Synthetic Biology – the rational engineering of living systems – and smart chemistry. Her research prompts a reevaluation of how we think about our homes and cities and raises questions about sustainable development of the built environment. She creates open innovation platforms for academia and industry to address environmental challenges such as carbon capture & recycling, smart ‘living’ materials and sustainable design.

***

Dr. Armstrong’s work includes the study of protocells.  Protocells are a form of organic hardware that is not technically ‘alive’ since they do not possess any DNA. Yet they are capable of life-like behaviour that draws from the self-organizing potential of their ingredients. In keeping with Stuart Kauffman’s notion of ‘order for free,’ the protocells are equipped with remarkable, emergent properties such as, movement, sensitivity and the production of microstructures.

While protocells have numerous engineering applications, which Dr. Armstrong explains in this short video, ‘Toward a Living Architecture’.

Dr. Armstrong is also interested in investigating the artistic potential of new materials, working collaboratively with specialists in the arts and humanities.  With the architect Philip Beesley and the cybernetic engineer Rob Gorbet, she participated in the Hylozoic Ground installation shown at the Venice Biennale in 2010. The group enlarged protocells and encased them in flasks, which were distributed throughout a lattice of small transparent acrylic meshwork designed by Beesley and Gorbet. The protocells performed like smell and taste receptors, sensing carbon dioxide produced by people in the gallery. When carbon dioxide was present, the protocells changed from blue to green or pink to purple.  See a video of the installation here:

 ***

In addition to her other accomplishments, Dr. Armstrong has given a number of TED and TEDx talks.  Her talk, “Architecture that Repairs Itself,” will be featured at TEDxIndianapolis on October 22.

TEDFellows Talk: Creating Carbon Negative Architecture

 

TEDFellows Talk: Architecture that Repairs Itself

 

Get you free tickets to see Rachel Armstrong’s lecture on October 30 at 7pm at the Indianapolis Museum of Art.

 

An Evening with Whiskey Bent Valley

November 14
7:00-8:30pm
Indianapolis Arts Garden

Tickets free to the public. Reserve your ticket below.

Hailing from the back woods of PeWee Valley, Kentucky, Whiskey Bent Valley pays homage to their southern musical roots.  The Whiskey Bent Valley Boys are JR on the barnyard fiddle; Mason Dixon on the clawhammer, banjo, mandolin, and guitar; Leroy Joneson the bass; and Chance Wagner on the banjo.

Incorporating time honored treasures from such icons as Roscoe Holcomb, The Stanley Brothers, and Tommy Jarrell, the band’s original compositions include ballads, breakdowns, sea shanties, and swamp stomps.

Lecture: Rachel Armstrong: “The Technology of Nature”

October 30
Indianapolis Museum of Art
DeBoest Lecture Hall
7-8pm
Co-sponsored by the Indianapolis Museum of Art

Tickets are free to the public. Please order using the form below. 

Rachel Armstrong is Co-Director of AVATAR (Advanced Virtual and Technological Architectural Research) in Architecture & Synthetic Biology at The School of Architecture & Construction, University of Greenwich, London. Senior TED Fellow, and Visiting Research Assistant at the Centre for Fundamental Living Technology, Department of Physics and Chemistry, University of Southern Denmark. Rachel is a sustainability innovator who investigates a new approach to building materials called ‘living architecture,’ that suggests it is possible for our buildings to share some of the properties of living systems. She works collaboratively across disciplines to build and develop prototypes that embody her approach.

Dr. Armstrong designs sustainable solutions for the built and natural environment using advanced new technologies such as, Synthetic Biology – the engineering of living systems – and smart chemistry. Her research prompts a reevaluation of how we think about our homes and cities and raises questions about the urban environment of the future. She creates open innovation platforms for academia and industry to address environmental challenges such as carbon capture & recycling, smart ‘living’ materials and sustainable design.

Her award winning research underpins her bold approach to the way that she challenges perceptions, presumptions and established principles related to scientific concepts and the building blocks of life and society. She embodies and promotes new transferrable ways of thinking ‘outside of the box’ and enables others to also develop innovative environmental solutions.

 

Lecture: James F. Brooks, “Women, Men, and Evangelism in the American Southwest”

Dr. James F. Brooks, Research Fellow, School for Advanced Research
“Women, Men, and Evangelism in the American Southwest” 

October 17
IUPUI Campus Center Room 409
7-8pm
Support provided by the IUPUI Department of History

Tickets available for free here: https://jamesbrooks.eventbrite.com

James F. Brooks is an American historian whose work on slavery, captivity and kinship in the Southwest Borderlands has been honored with several major national awards, including he Bancroft Prize, the Frederick Jackson Turner Prize and the Frederick Douglass Prize.  He is former President of the School for Advanced Research in Santa Fe, New Mexico.

An interdisciplinary scholar of the indigenous and colonial past, he has held professorial appointments at the University of Maryland, UC Santa Barbara, and UC Berkeley, as well as fellowships at the Institute for Advanced Study in Princeton and in 2000–2001, at the SAR itself. The recipient of more than a dozen national awards for scholarly excellence, his 2002 book Captives & Cousins: Slavery, Kinship and Community in the Southwest Borderlands focused on the traffic in women and children across the region as expressions of intercultural violence and accommodation. He extends these questions most recently through an essay on the eighteenth- and nineteenth-century Pampas borderlands of Argentina in his co-edited advanced seminar volume Small Worlds: Method, Meaning, and Narrative in Microhistory from SAR Press.

 

How to Apply for Funding from The National Endowment for the Humanities

How to Apply for Funding from The National Endowment for the Humanities

Wednesday, September 18, 2013
2:00pm – 3:00pm
University Library, Room 1116

Please be sure to register for this webinar, which shows faculty and administrators how to apply for funding from the National Endowment for the Humanities.

Register here: https://crm.iu.edu/CRMEvents/NEHWebinar/

 

Lecture: Jon Coleman, “Here Lies Hugh Glass: A Mountain Man, a Bear, and the Rise of the American Nation”

August 29, 7-8pm
CE Yale Pratt Room
Jon Coleman, Professor of History, Notre Dame University
“Here Lies Hugh Glass: A Mountain Man, a Bear, and the Rise of the American Nation”
Support provided by the IUPUI Department of History 

In the summer of 1823, a grizzly bear mauled Hugh Glass. The animal ripped the trapper up, carving huge hunks from his body. Glass’s fellows rushed to his aid and slew the bear, but Glass’s injuries mocked their first aid. The expedition leader arranged for his funeral: two men would stay behind to bury the corpse when it finally stopped gurgling; the rest would move on. Alone in Indian country, the caretakers quickly lost their nerve. They fled, taking Glass’s gun, knife, and ammunition with them. But Glass wouldn’t die. He began crawling toward Fort Kiowa, hundreds of miles to the east, and as his speed picked up, so did his ire. The men who took his gear and left him to rot were going to pay.

Here Lies Hugh Glass springs from this legend. The acclaimed historian Jon T. Coleman delves into the accounts left by Glass’s contemporaries and the mythologizers who used his story to advance their literary and filmmaking careers. A spectacle of grit in the face of overwhelming odds, Glass sold copy and tickets. But he did much more. Through him, the grievances and frustrations of hired hunters in the early American West and the natural world they traversed and explored bled into the narrative of the nation. A marginal player who nonetheless sheds light on the terrifying drama of life on the frontier, Glass endures as a consummate survivor and a complex example of American manhood. Here Lies Hugh Glass, a vivid, often humorous portrait of a young nation and its growing pains, is a Western history like no other.

Reserve your free tickets here: