IUPUI celebrates its commitment to the contributions that women have made through a month’s worth of educational events and activities for Women’s History Month.
Women’s History Month can be traced back to 1911, and the first International Women’s Day. In 1980, President Jimmy Carter proclaimed a National Women’s History Week, and then in 1987, Congress passed a resolution designing March 1987 as Women’s History Month. This was subsequently extended to March of each year.
One way the IUPUI Office for Women shows commitment to this month is through a joint venture with the University Library, Women Creating Excellence at IUPUI. This online exhibit recognizes women who have made a difference on campus. Nominations are accepted every year, so if you know any IUPUI women (faculty, staff, alumni, donor, or community member) who have made a significant impact on IUPUI, nominate them using the survey tool.
In addition, The Office for Women is teaming up with the Office of Student Involvement and other organizations, to offer educational and celebratory events for the campus to partake in. The Women’s History Month kickoff happens today from 11 a.m. to 1 p.m. and will feature music, games and about a dozen student organizations showcasing their support for Women’s History Month.
The departments of English and women’s studies are hosting “International Women’s Day” featuring literary and artistic performances. The event will be on March 12 in the University Library Lilly Auditorium. The reception starts at 6:30 p.m. and the show at starts at 7 p.m.
The Office for Women and the Common Theme Project are hosting Emily May, co-founder of Hollaback.org, to bring to campus two back-to-back workshops on March 25 that discuss street harassment and highlight ways to end it. The first workshop “Bystander Intervention 101” will be at 10 am in CE 307, with the second “Street Harassment” at 12 p.m. in the Campus Center Theater.
The Multicultual Center is sponsoring a series of films about important women through history. These include “Frida” on March 5, “The Queen” on March 12 and “What’s Love Got to Do with It” on March 26. All movies begin at noon in the Multicultural Center lounge, Taylor Hall 115. “She’s Beautiful When She’s Angry” will be shown on March 9 in the Campus Center Theater. This documentary higlights the second way of feminism in the 1960s and 70s and this is the Indiana premiere.
The annual campus Women’s Leadership Awards will be presented at the Women’s Leadership Reception on March 26, from 2:30 to 4:30 p.m. in the Campus Center Theater.
Other activities to note are “Beyond Bows and Pearls: the Impact of Women’s Fraternities on Higher Education” on March 4, “Latinas Conquistando El Mundo” on March 10, a STEM poster session on March 27 and “Being a Coaches Wife” on March 31. For a complete list of events, head over to the Women’s History Month event calendar.
Indiana Humanities and Indy Reads are teaming up to host a 5×5 event on Thursday May 14th. 5×5 is a platform for new and innovative ideas related to the arts. We eagerly seek inventive and inspiring proposals on the theme READ INDY.
We’re looking for ideas that use literature, reading, and/or the written word to create powerful arts and humanities experiences for the people of Indianapolis.
We’re inspired by projects like St. Paul’s Sidewalks Poetry and Maine’s “Stories for Life” alternative sentencing program, the tantalizing blurriness between the words “story” and “game,” and the myriad work of the Indiana-based Center for Civic Reflection. We think reading and literature can address important needs, like sustaining the bonds between an incarcerated father and his child or helping veterans reflect on and make sense of their military service. We believe everyone should get a chance to encounter the beauty and pleasure of literature, in unexpected places and during even our most mundane activities.
We invite you—artist, scholar, student, organizer, educator, Hoosier—to think big about how reading and the written word can deeply and positively impact people’s lives, and how the creative potential of the arts and humanities can help make it happen in Indianapolis. We challenge you to find ordinary places or everyday experiences that could be transformed by the infusion of reading and words. We encourage you to think of ways that reading together might change how we do our work, how we understand our lives and our world, or how we relate to each other.
The winning project, selected by a panel of judges with audience input at a live event on May 14, will receive $10,000 to take the proposal from idea to action.
We can’t wait to see your ideas for projects or program ideas that will, in the words of Plan 2020, build a more “authentic city life.”
Big Questions to Think About
- How can the written word—literature, poetry, drama, essays—solve real problems in our city? Can literature intervene where other methods can’t?
- How can the act of shared reading create or strengthen bonds among strangers, neighbors, families, friends, coworkers, or classmates—and inspire them to make their community better?
- What wacky, imaginative, singular encounters with literature, reading and big ideas can draw new people into the arts and cultural life of Indianapolis?
Guidelines to Follow
- Anyone in the Hoosier state—individuals, collectives or organizations–is eligible to submit a proposal except employees or board members of Indiana Humanities and Indy Reads. We’re open to ideas from both individuals and non-profit organizations, so long as your idea will directly impact and serve Marion County.
- Submissions must involve the humanities and/or arts (we know, we know—the lines are very fuzzy). Basically, if your proposal involves people having powerful experiences with the written word, you’re covered.
- Submissions must be received via the online application by Friday, April 10.
- Five finalists will be selected to present their ideas to a panel of judges and a live audience on the evening of Thursday, May 14. Finalists will be notified by Monday, April 20.
- Finalists must be available for the event on May 14th from 4pm-9-pm.
- Finalists must be available for a 1-2 hour meeting with Indiana Humanities and Indy Reads to go over logistics and presentation tips; this meeting will be scheduled at a mutually agreeable time in the three weeks prior to the May 14 event.
- A $10,000 prize will be awarded to the winning presenter to implement their idea.
- Only one idea per applicant will be accepted for READ INDY. You can apply again for other 2015 5×5 competitions.
Other Things to Keep In Mind
- Think not only in terms of public projects but also of public programs that can engage a neighborhood, a community or a city in imagining a brighter future for Marion County.
- You may propose a stand-alone project, program or series, or explain how the $10,000 prize will help you launch a larger, more long-term initiative.
- The more participatory your proposed project idea, the better. In other words, we’re not terribly interested in proposals for book manuscripts. In your application, share your ideas about who will participate and what their participation looks like.
- Finalists are often judged not only on the creativity of their idea, but also the feasibility. Do you have a realistic budget and work plan? If your idea requires the buy-in of key stakeholders, how will you get them on board?
- Is someone else in the community already doing a project similar to the one you are proposing? Do an environmental scan to see if you are duplicating existing efforts. If your idea is similar, this may be an option for a creative and exciting partnership.
- Bear in mind, individuals who apply must have fiscal sponsorship in order to accept the $10,000 prize. There are lots of great organizations in Indianapolis who can offer fiscal sponsorship: do your homework and we’ll be happy to direct finalists to sponsor organizations if they still need it come May.
How to Apply
Complete the short online application, making a compelling case for how your idea aligns with READ INDY, and what you will be able to accomplish with a $10,000 prize. The application deadline is Friday, April 10; no late applications will be accepted. Finalists will be notified by Monday, April 20. Finalists will pitch their ideas on Thursday, May 14 at Fountain Square Theater.
APPLICATIONS WILL GO LIVE ON MARCH 10; CHECK 5X5 WEBSITE..
5×5 is a platform for new and innovative ideas related to the arts. At each of four events throughout the year, five finalists have five slides and five minutes each to present a creative project or program for the city of Indianapolis. Finalists present their ideas to a live audience and panel of judges. At each event, one winner will be awarded $10,000 to put their idea into action. The series of idea-generating events is hosted and shaped by some of the city’s most important young creative leaders.
5×5 was launched in 2013 by Central Indiana Community Foundation, Christel DeHaan Family Foundation and the Efroymson Family Fund as a way to inspire, ignite and financially support creative and innovative ideas related to the arts.
In 2015, 5×5 is partnering with Plan 2020, the Bicentennial Agenda for the City of Indianapolis. Indiana Humanities and Indy Reads will kick off the year with READ INDY, followed by AUTHENTIC INDY with the Harrison Center for the Arts, DREAM INDY with Big Car, and INVEST INDY with Verge.
About Indy Reads
The mission of Indy Reads is to promote and improve the literacy of adults and families in Central Indiana.
About Indiana Humanities
Indiana Humanities connects people, opens minds and enriches lives by creating and facilitating programs that encourage Hoosiers to think, read and talk.
Indiana University alumna Jane Chu, chair of the National Endowment for the Arts, will join arts leaders from around the country at a symposium in Indianapolis on Saturday, March 7.
The theme is “Community Engagement and Development Through the Arts” and it is led by arts administration faculty at the IU Bloomington School of Public and Environmental Affairs.
“This is a great way to honor the work of Dr. Chu and a chance to share the experiences and insights of arts leaders from across the U.S. whose work is directly tied to the quality of life and development of their cities and regions,” SPEA’s Michael Rushton said.
The event begins at 8:30 a.m. in the Basile Auditorium at the Herron School of Art and Design on the Indiana University-Purdue University Indianapolis campus. It is open to the public, but organizers request attendees RSVP to firstname.lastname@example.org.
Chu has been chair of the National Endowment for the Arts since June and formerly served as president and CEO of the Kauffman Center for the Performing Arts in Kansas City, Mo. She earned her doctorate in philanthropic studies from the IU Lilly Family School of Philanthropy in Indianapolis.
Chu will speak about the direction of the NEA as it relates to creative placemaking, including trends and plans for the future. Her address will follow a symposium with two panels. SPEA IU Bloomington professor Joanna Woronkowicz will moderate the first panel on the role of arts organizations in community engagement. Panelists include:
- Laura Zabel, executive director of Springboard for the Arts in St. Paul, Minn.
- Joan Squires, president of Omaha Performing Arts in Nebraska.
Rushton will moderate the second discussion on the role of arts funders with panelists:
- Jennifer Cole, executive director of the Metro Nashville Arts Commission.
- Karen Gahl-Mills, executive director of the Cuyahoga Arts and Culture in Cleveland.
At the conclusion of the IUPUI symposium, Chu will travel to Bloomington for a visit to the Jacobs School of Music and to attend an IU Opera Theater production of “South Pacific.”
Chu’s visit to Indiana will also include a meeting with all current NEA grantees in Indiana and a site visit to the Indianapolis Art Center with the Indiana Arts Commission, as well as meetings with SPEA IUPUI students and with the Lilly Family School of Philanthropy’s students, board of visitors, faculty and staff.
This is her second recent visit to the region; she delivered the IU Bloomington 2014 winter commencement address in December.
Support for the symposium has been made possible by grants from the Christel DeHaan Family Foundation, USA Funds, Tom and Bonnie Reilly, and the Ball Brothers Foundation, as well as from IUPUI. The host organizations for the Chu visit include SPEA IU Bloomington, SPEA IUPUI, Herron School, Indiana Arts Commission, Jacobs School of Music at IU Bloomington, the IUPUI Arts and Humanities Institute, and the Lilly Family School of Philanthropy at IUPUI.
To attend the symposium, RSVP to Nancy Bell by March 1.
IUPUI provides many pathways for students who want to learn more about the art and science of entrepreneurship. Herron School of Art and Design is one of the places on campus where entrepreneurial spirit is encouraged and supported. Here are a few examples:
Herron’s Visual Communication Design graduate curriculum focuses on design thinking and leadership. It engages students with diverse community members and organizations through projects where students use design thinking processes to lead stakeholders to solutions that address a diverse range of real concerns. A recent meeting about “Developing an Entrepreneurship Culture at IUPUI” provided an opportunity to illustrate the application of these processes. According to Youngbok Hong, associate professor and coordinator of the Design Thinking and Leadership Graduate Program at Herron, “idea generation during this meeting was enhanced through the use of visual modeling, which captured both the breakout session and large group discussions in real time. Students and faculty from Herron served as the visual modelers.”
The latest modification to Herron’s physical space will be the new Think It Make It Lab in Eskenazi Hall. With an anticipated opening this spring, the Lab will give students access to even more digital technologies, building on Herron’s existing equipment and curriculum. Other faculty and students from across campus will also use the equipment, which will create synergy across disciplines. Students will explore the broad applications of design, production and fabrication that are in demand in a variety of fields. The Lab will expand Herron’s capability to educate its students about rapid prototyping and cross-disciplinary investigations with schools and departments including Engineering and Technology, Interior Design, Informatics and Computing, Motorsports and Medicine.
The Basile Center for Art, Design and Public Life at Herron offers students professional practice experiences integrated into the academic curriculum. Students have opportunities to collaborate on projects with businesses, not-for-profit organizations, communities and government agencies that provide professional-level engagement and enhanced experiential learning. There are a wide range of projects—from designing an award in bronze to creating a painting for a magazine cover to developing large-scale installations. Students develop and present their concepts based on the needs of clients. Since the Basile Center was established in 2006, more than 900 students have participated in projects serving approximately 105 community partners.
Herron graduate students may also opt into experiences such as a new, interprofessional class that spans visual communication design, informatics and computing, nursing and more. With a working title of “Healthcare Revolution Challenge 2015,” the course is designed to offer one credit for each of three semesters. Students will go through the course as cohorts, collaborating on cases for actual healthcare clients and presenting their proposed solutions in a “Shark Tank” style setting. Eva Roberts, Visual Communication Design department chair, said “Herron faculty members are among the developers and presenters of this distinctively formatted course, the aim of which is a working endeavor to humanize healthcare and increase access by disrupting the current system.”
A concert of contemporary chamber music performed by the Boston-based Callithumpian Consort will occur on Thursday, April 2 at the Indiana Historical Society. Noted American composer Christian Wolff, who has composed a new work for the group’s spring 2015 tour, will be present to give a pre-concert lecture. Admission is free and open to the general public. The Consort, configured for this tour in a quartet of two pianos and two percussionists, will also perform works by Bela Bartok, Earl Brown, and Lee Weisert. The Callithumpian tour and Wolff lecture is made possible with funding from the IUPUI Arts and Humanities Institute, the Donald Tavel Arts and Technology Research Center at IUPUI, the New England Conservatory, and Georgia State University.
Founded by pianist and conductor Stephen Drury in the 1980s, the Callithumpian Consort is a professional ensemble producing concerts of contemporary music at the highest standard. Flexible in size and makeup, its repertoire includes the classics of the last 100 years and new works in the avant-garde and experimental traditions. It is grounded in the musical discoveries of John Cage, Karlheinz Stockhausen, John Zorn, Giacinto Scelsi, Morton Feldman, and Iannis Xenakis. With grants from the Fromm Foundation, Meet the Composer, the Ernst von Siemens Music Foundation and the French American Cultural Exchange, the Callithumpian Consort has commissioned new works from Christian Wolff, Tristan Murail, Chaya Czernowin Lee Hyla, Alvin Lucier and Lei Liang as well as a substantial number of younger composers. The Consort has also worked closely with John Cage, Steve Reich, Frederic Rzewski, Helmut Lachenmann, Michael Finnissy, Jonathan Harvey, John Zorn, John Luther Adams, Brian Ferneyhough, Jo Kondo, and many others. The Boston-based group’s 2015 spring tour will see them premiering a new Christian Wolff work in Boston with throughout the Eastern US, with a final concert in Indianapolis. Indianapolis-based percussionist Scott Deal, who is a professor of music at IUPUI, will be performing with the Consort throughout the tour.
American composer Christian Wolff (b. 1934) was a primary force in a musical movement historically known as the New York School, consisting of composers who revolutionized music in the 20th century. Along with John Cage, Morton Feldman, and Earle Brown, Wolff helped to change the way musicians across a broad spectrum of genres think about composition and performance. Most profoundly, Wolff has impacted how classical musicians interpret their own craft. A particular feature of his music is the various freedoms it allows performers at the time of performance as well as the variable results possible for any one particular piece, for which various new notations have been invented. He has received awards and grants from the American Academy and National Institute of Arts and Letters, the Ford Foundation, DAAD Berlin, the Asian Cultural Council, the Fromm Foundation, the Foundation for Contemporary Performance Arts (the John Cage Award for music) and the Mellon Foundation. He is a member of the Akademie der Kuenste in Berlin and the American Academy of Arts and Sciences. In 2004 he received an honorary Doctor of Arts degree from the California Institute of the Arts. Academically trained as a classicist, Wolff was professor of classics and music at Dartmouth College from 1971 to 1999.
Pianist and conductor Stephen Drury has performed throughout the world with a repertoire that stretches from Bach to Liszt to the music of today. He has appeared at Carnegie Hall, the Kennedy Center, the Barbican Centre and Queen Elizabeth Hall in London, the Cité de la Musique in Paris, and the Leipzig Gewandhaus, and from Arkansas to Seoul. A champion of contemporary music, he has taken the sound of dissonance into remote corners of Pakistan, Greenland and Montana. Drury has performed or recorded with the American Composers Orchestra, the Cologne Radio Symphony Orchestra, the Vienna Radio Orchestra, and the Brooklyn Philharmonic. His performances of music written in the last hundred years, ranging from the piano sonatas of Charles Ives to works by György Ligeti, Frederic Rzewski and John Cage have received the highest critical acclaim. Drury has worked closely with many of the leading composers of our time, including Cage, Ligeti, Rzewski, Steve Reich, Olivier Messiaen, John Zorn, Luciano Berio, Helmut Lachenmann, and Christian Wolff.
Yukiko Takagi received Bachelor’s and Master’s degrees from the New England Conservatory where she studied with Veronica Jochum and Stephen Drury. While a student at the Conservatory she was selected to perform in several Honors programs and appeared regularly with the NEC Contemporary Ensemble. Ms. Takagi has performed with the orchestra of the Bologna Teatro Musicale, the John Zorn Ensemble, the Auros Group for New Music, Santa Cruz New Music Works, the Harvard Group for New Music and the Chameleon Arts Ensemble. She performs regularly with the Eliza Miller Dance Company and the Ruth Birnberg Dance Company and gives frequent duo-piano concerts with Stephen Drury. Ms. Takagi is a featured performer with the Callithumpian Consort. Her recording of Colin McPhee’s Balinese Ceremonial Dances was released by MusicMasters. At New England Conservatory, Ms. Takagi is a teacher and guest artist for NEC’s Summer Institute for Contemporary Piano Performance.
Lauded as having “consummate virtuosity” by The New York Times, Stuart Gerber has performed extensively throughout the US, Europe, Australia, and Mexico as a soloist an chamber musician. He is Associate Professor of Percussion at Georgia State University in Atlanta. As an active performer of new works, Stuart has been involved in a number of world-premiere performances. He gave the world premiere of Karlheinz Stockhausen’s last solo percussion work Himmels-Tür in Italy, and his percussion trio Mittwoch-Formel at the annual Stockhausen-Courses in Kürten, Germany. He has also given the US and Australian premieres of Stockhausen’s duo version of Nasenflügeltanz for percussion and synthesizer, and the US premiere of his solo percussion work Komet. Dr. Gerber has been the faculty percussionist for the Stockhausen-Courses since 2005 and has recorded a number of pieces for the Stockhausen Complete Edition released by the Stockhausen-Verlag. In addition to his work with Stockhausen, Stuart has worked with many other notable composers, such as Kaija Saariaho, Steve Reich, Tristan Murail, Frederic Rzewski, George Crumb, Tania Lèon, Michael Colgrass, Ricardo Zohn-Muldoon, and John Luther Adams.
Performer, composer and media artist Scott Deal engages new works of chamber music, computer interactivity, networked systems, electronics and percussion. His percussion performances have been described as “riveting” (Sequenza21), and executed with “phenomenal virtuosity” (Artsfuse). His recordings have been described as “soaring, shimmering explorations of resplendent mood and incredible scale”….”sublimely performed”, and his recent recording of Pulitzer Prize/Grammy Award-winning composer John Luther Adams’ Four Thousand Holes, was listed in New Yorker Magazine’s 2011 Top Ten Classical Picks. He has performed at venues worldwide, including Musicacoustica Beijing, Almeida Opera London, Arena Stage Washington, Supercomputing Global, Zerospace, SIGGRAPH, Chicago Calling, IEEE CloudCom, Ingenuity Festival, ICMC, NIME, SEAMUS, PASIC, SICK PUPPY, and with groups that include ART GRID, Another Language, Digital Worlds Institute, Callithumpian Consort, Percussion Group Cincinnati, and the Helsinki Computer Orchestra. He is the percussionist for the computer-acoustic trio Big Robot, who have performed to audiences worldwide. In 2011, Deal and composer Matthew Burtner won the coveted Internet2 IDEA Award for their co-creation of Auksalaq, a telematic opera called “an important realization of meaningful opera for today’s world”. Deal’s work has received funding from organizations that include Meet the Composer, Lilly Foundation New Frontiers, Indiana Arts Council, Clowes Foundation, IUPUI Arts and Humanities Institute, and the University of Alaska. He resides in Indianapolis, Indiana where he is a Professor of Music and Director of the Donald Louis Tavel Arts and Technology Research Center at Indiana University Purdue University Indianapolis (IUPUI).
Two acclaimed TV and film personalities are headed to Indianapolis to take the podium as guest speakers for the 2014-15 Steward Speakers Series.
The Steward Speakers Series presents award-winning actress Viola Davis and popular talk show and game show host Steve Harvey as keynote speakers for the lecture series that seeks to enhance the community by providing opportunities to engage with America’s best leaders and brightest luminaries.
Davis, currently starring in the ABC hit “How to Get Away With Murder,” is the featured speaker for the March 2 talk. Harvey, who has found success as an actor, writer and producer, as well as TV host, will headline the April 20 lecture.
Activities during both evenings include dinner from 6 to 7 p.m., followed by a lecture at 7:30 p.m. in the second-floor ballroom at the Marriott Downtown, 350 S. Maryland St.
During the March 2 lecture, Davis will discuss her career and how overcoming adversities and preconceived restrictions have all contributed to reinforcing her abilities as an artist and to her becoming a stronger woman.
The Tony Award-winning actress was thrust into the spotlight after her Oscar-nominated portrayal of Aibileen Clark in “The Help,” a big-screen drama about the struggles of black housekeepers working for white families in 1960s Mississippi.
In addition to hosting his TV shows, Harvey is a fashion entrepreneur and bestselling author. The 2012 box office hit, “Think Like a Man,” was adapted from Harvey’s No. 1 book, “Act Like a Lady, Think Like a Man.”
While he is known as a funny man, Harvey’s serious side shows in his longtime dedication to philanthropy. His current projects include The Steve Harvey Mentoring Weekend for Young Men, a camp that shares insights and manhood skills with teenage boys who are without fathers.
Tickets for each dinner and the following lecture are $100 per person. They can be purchased online.
Indiana University-Purdue University Indianapolis is a title sponsor for the Steward Speakers 2014-2015 season that opened with Nov. 20 and Feb. 9 events featuring Michael Eric Dyson and T.J. Holmes as guest speakers.
The Steward Speakers Series provides continuous education and awareness to Indianapolis residents interested in empowerment topics. The program allows the community to dialogue on important issues of the day with celebrities, leaders and experts in particular fields.
Ray Bradbury, one of the best known science-fiction and fantasy writers of our time, will be the focus of a special four-day film series at IU Cinema on Indiana University’s Bloomington campus beginning March 24.
“Ray Bradbury: From Science to the Supernatural” is intended as an exploration and celebration of his works on screen. The series, which includes lectures and panel discussions, was programmed by the Center for Ray Bradbury Studies, part of the IU School of Liberal Arts at Indiana University-Purdue University Indianapolis.
In addition to being the author of such enduring books as “The Martian Chronicles,” “The Illustrated Man,” “Fahrenheit 451,” “Dandelion Wine” and “Something Wicked This Way Comes,” Bradbury was a successful screenwriter whose works were also adapted for film and television by other writers.
IU Cinema, an internationally recognized center for the study, presentation and preservation of film, will offer the following events:
- 7 p.m. March 24, “Bradbury TV and Shorts Program” — The series kicks off with a unique gathering of short subjects, including the 1962 Oscar-nominated “Icarus Montgolfier Wright,” scripted by Bradbury and George Clayton Johnson. This animated film showcases paintings by Joseph Mugnaini, the illustrator closely associated with Bradbury’s books. Other short items include Bradbury stories adapted for “Alfred Hitchcock Presents” and “The Twilight Zone.”
- 7 p.m. March 26, “It Came From Outer Space” — Bradbury fans and scholars will have the opportunity to view the 1953 feature film based on an original Bradbury concept and screen treatment. Paper optic glasses will allow the audience to watch the film in 3-D — a unique opportunity to see this classic Jack Arnold-directed film as it was originally intended.
- 6:30 p.m. March 27, “A Sound of Different Drummers” and 9:30 p.m. March 27, “Fahrenheit 451″ — This double bill showcases two adaptations of Bradbury’s classic novel “Fahrenheit 451.” The evening begins with “A Sound of Different Drummers,” an uncredited television adaptation of Bradbury’s novel for the 1957 season of “Playhouse 90,” followed by a screening of the well-known 1966 film adaptation by François Truffaut. The intermission will include a panel discussion of the fascinating history surrounding these two landmark productions. Separate tickets are required for each film.
- 3 p.m. March 28, “Moby Dick” — On its final day, the series closes with two films that showcase the broad range of Bradbury’s own screenwriting talents. The first is John Huston’s 1956 production of the classic novel, which was an early success that secured Bradbury’s Hollywood reputation. A panel discussion will be held following this film and before the evening screening of “Something Wicked This Way Comes.”
- 6:30 p.m. March 28, “Something Wicked This Way Comes” — Directed by Jack Clayton, this is the result of a 30-year arc of creativity that transformed an original Bradbury short story into a script, a novel and finally a successful film production.
IU Cinema director Jon Vickers has worked closely with Bradbury Center director Jonathan Eller and the center’s senior advisor, Phil Nichols, to develop the program for the Bradbury film series.
“Every session has fascinating cultural connections,” said Eller, an IUPUI Chancellor’s Professor who is also the editor of Bradbury’s early collected stories and the author of two Bradbury biographies. “The Academy Award-nominated ‘Icarus Montgolfier Wright,’ a story of our quest to reach the moon, was screened in the Kennedy White House just as those dreams were beginning to move toward reality.”
The Bradbury Center has preserved Bradbury’s master 35mm reel of that animated film, along with thousands of other Bradbury artifacts, books and papers.
“The highlight of the week may be the chance on Friday to view John Frankenheimer’s masterful direction of ‘A Sound of Different Drummers’ as a prelude to the screening of Truffaut’s adaptation of ‘Fahrenheit 451,'” Eller said. “The uncredited ‘Playhouse 90′ adaptation led to legal actions and appeals that Bradbury eventually won, but these events are outweighed by the unique opportunity to compare the Truffaut film with Frankenheimer’s seldom-seen television precursor. Frankenheimer was not involved in the legal actions, and his acknowledged mastery of television drama would soon translate into a major Hollywood film career.”
“These screenings offer the first curated overview of Bradbury’s legacy in film and television,” said Nichols, a well-known Bradbury media scholar on the Faculty of Arts at the University of Wolverhampton in the United Kingdom. “Selecting the films for this event has been a challenge, because of the range and diversity of Bradbury’s work.”
In discussion panels March 27 and 28, Nichols will reveal some of the findings from his research among the papers in the Bradbury Center.
All “Ray Bradbury: From Science to the Supernatural” events are free and open to the public, but tickets are required for IU Cinema film screenings. Due to expected demand and limited seating, tickets should be secured in advance.
Tickets can be obtained at the IU Auditorium box office from 10 a.m. to 5 p.m. Monday through Friday; or by phone at 812-855-1103 for a $10 service fee per order. If seats remain, tickets also will be available in the IU Cinema lobby 60 minutes before each screening.
“Ray Bradbury: From Science to the Supernatural” is sponsored by IUPUI’s Center for Ray Bradbury Studies; IU Bloomington’s College Arts & Humanities Institute; IUPUI Arts & Humanities Institute; IU’s Advanced Visualization Lab; Science on Screen, an initiative of the Coolidge Corner Theatre Foundation with support from the Alfred P. Sloan Foundation; and IU Cinema.
The symposium and series will take place at the IU Cinema, a 260-seat, THX-certified cinema that is dedicated to the scholarly study of film and the highest standards of exhibition. IU Cinema is one of a small percentage of theaters still able to project 35mm and 16mm films properly, as well as using the latest digital technology.
April 2, 2015 | 6:30-7:00
Marsh Gallery, Eskenazi Hall
Fjord/Glacier/River presents Rebecca Allan’s most recent paintings which have emerged from her travels in Norway. In Geirangerfjord, Allan made extensive drawings and studies of the waterfalls, rocks, and night skies that distinguish this majestic World Heritage site. These paintings reflect a response to the Norwegian landscape which is both exuberant and joyful but also reminds us of how urgent it is to preserve and protect our Earth’s natural resources, especially its water. Fjord/Glacier/River is presented by the IUPUI Arts and Humanities Institute (iahi.iupui.edu) and the Rivers of the Anthropocene Project (rivers.iupui.edu).
Known for her richly layered and chromatically nuanced abstract paintings, Rebecca Allan has for many years concentrated on rivers and watershed environments as primary sources of investigation. Her work explores the ecology, meteorology, and geology of the Northeast, Pacific Northwest, and the Gulf Coast, among other sites. Working from a studio that overlooks the confluence of the Harlem and Hudson Rivers in The Bronx, Allan is inspired by a deep appreciation for the beauty of the natural environment overlaid with an awareness of its fragility and endangerment.
Fjord/Glacier/River presents Rebecca Allan’s most recent paintings which have emerged from her travels in Norway. In Geirangerfjord, Allan made extensive drawings and studies of the waterfalls, rocks, and night skies that distinguish this majestic World Heritage site. These paintings reflect a response to the Norwegian landscape which is both exuberant and joyful but also reminds us of how urgent it is to preserve and protect our Earth’s natural resources, especially its water.
Exhibiting in the United States and abroad for more than 25 years, Allan’s most recent solo exhibitions were presented at Hudson Opera House Gallery (Hudson, New York), ArtLab78 (New York), The American Church in Paris, Ringling College of Art and Design/Longboat Key Center for the Arts; Seattle Art Museum Gallery; John Davis Gallery (Hudson, NY); and Gallery 2/20 (New York). Allan has been a Fellow at the Hermitage Artist Retreat, Virginia Center for the Creative Arts, and Dorland Mountain Arts Colony. She received her MFA from Kent State University and BA from Allegheny College. From 2006 to 2014 she was Head of Education at the Bard Graduate Center for Studies in the Decorative Arts, Design History, and Material Culture in New York City.
“My paintings are rooted in the dramatic cycles of nature as well as a deep curiosity about science, and the forces underlying what we observe on the surface of things. Even when it is grounded in the visible world, a painting is a sensual invention that conflates real and conjured experiences. Rivers, glaciers, and fjords are central to this dialogue with nature and culture. They are complex arteries of history, culture, commerce, and ecology. This exhibition explores my relationship to particular landscapes from Norway to the Atlantic Northeast.
My process involves mixing pigments and layer color over time, in response to observed and felt experience. The language of color is a sanctuary within which the questions and problems of artmaking — indeed, of life — are confronted. I work within a transcendental American landscape tradition that includes painters such as Frederic Church, Charles Burchfield, Joan Mitchell, and Neil Welliver but I also draw from the works of Renaissance masters such as Giovanni di Paola and Pieter Breughel in my desire to invent a new, cosmological landscape.”
Co-sponsored by the Herron School of Art and Design.
Twitter. Facebook. Instagram. Reddit. What do these platforms have to do with scholarly research? As it turns out, quite a bit. Scholars are turning to these platforms to expand the reach of their work — communicating with networks of specialists, students, and non-specialists alike. In this workshop, attendees will learn about the various social media platforms and how to use them in a scholarly capacity. Skills learned in this workshop will have relevance to research, teaching, and public engagement.
Dr. Ray Haberski, Director of the American Studies Program and a Professor of History in the IU School of Liberal Arts at IUPUI, will lead this workshop.
Co-sponsored by the IUPUI Library Center for Digital Scholarship.